Lost in the Movies

Veronica Mars - "Look Who's Stalking" (season 2, episode 20)


Welcome to my viewing diary for Veronica Mars. I will cover each TV episode (and eventually the film), several days a week; this will conclude just as the revival (which I will also cover) premieres on Hulu. I have never seen this series before so there will be NO spoilers.

Story (aired on April 25, 2006/written by John Enbom; directed by Michael Fields): The Goodmans step up their demands on the Mars' attention as Gia hires Veronica to identify a stalker and Woody calls Keith to a motel for the most archetypal scandal one can imagine: the phony family man politician is sitting on the edge of his bed next to a prostitute who overdosed during a tryst. Keith drives her to the hospital and is caught on camera by motel security so Woody tries to throw him under the (metaphorical) bus and Keith strikes back - a war of words unfolding over several days in a newspaper. (Another headline will stir up trouble by episode's end when Terrence's thrown ballgame is exposed and Jackie, who has been visiting him in his hospital room each day to read him the sports page, tries to hide the bad news from her father.) Gia's crisis involves a man waiting outside of her house, and the situation only grows more complicated the deeper they dig. First the culprit appears to be good old ex-Deputy Leo, but he works for private security now and is only trailing Gia at the behest of her dad. When this protective force is called off, another threat emerges: just as Woody received creepy video footage from inside his house, so Gia gets a DVD of her brother's soccer game. Through some clever observation, Veronica tracks down another perspective of the sidelines and identifies the figure: it's Lucky, the veteran, Meg courtier, and school janitor. When encountered, he waves a serrated knife in the girls' faces before Keith leaps in to tackle him...followed rapidly by Lamb whom Woody called to take care of the situation more officially (or, perhaps, more evasively). Keith handcuffs himself to Lucky in a desperate move to extract more information while they share a cell but Meg's dad bails Lucky out just as he's about to explain why he doesn't like Woody.

On the lighter side of Neptune, when school officials call off the prom, Logan and Dick decide to throw an "alterna-prom" in Logan's suite (somehow the hotel doesn't seem to mind a flock of underage drinkers pouring into their facility). Several characters make cracks about the rich wanting to privatize everything these days but their revolutionary instincts - or, more likely, the desire to get drunk, laid, and have fun - lead many to crash to the joint, resulting in a humorous elevator ride, some awkward moments between Butters and his "forced date" Mac, and a super-awkward but also genuinely smoldering reconciliation between Veronica and an apologetic Logan. Their near-kiss is captured quite effectively by Fields, an especially strong moment in a particularly well-directed episode (a number of long takes let us sit with characters in a way that zippy network shows don't always allow). But when Veronica returns to the suite that morning, having run away before getting carried away the night before, she's greeted by a barechestered, hungover Logan. He is obviously mortified that she's ready to give him another chance. Sure enough, Kendall pops up behind him and the episode ends with a heartstricken Veronica staring out at a remorseful Logan as the elevator door closes between them. "Longest elevator ride everrrr," Madison sneered when forced to share the lift with her unwashed classmates - but the one facing Veronica is even longer.

My Response:

Veronica Mars - "Nevermind the Buttocks" (season 2, episode 19)


Welcome to my viewing diary for Veronica Mars. I will cover each TV episode (and eventually the film), several days a week; this will conclude just as the revival (which I will also cover) premieres on Hulu. I have never seen this series before so there will be NO spoilers.

Story (aired on April 18, 2006/written by Phil Klemmer; directed by Jason Bloom): Harry Greene (Tommy Snider) just wants to find the green Barracuda that ran over his dog. A hulking, brutish but exacting high schooler who shoots arrows with pinpoint precision in his backyard, the bloody vengeance-minded Harry liked his dog a lot - indeed, he likes all animals aside from plastic deer - but does he like people? Veronica has to wonder when Harry's brother Billy (Matt Bush) greets her at the Greene door with a black eye, but eventually we - and finally she - learn the real source of his injury and, as it happens, the family pet's no-so-random slaying. Billy is in the PCH gang and the Fitzpatricks have been beating, torturing, threatening, and otherwise tormenting the young dealers for late or insufficient payments. For their part, Hector (Patrick Wolff) begs Weevil to come back and lead them, but Weevil only returns for one final stand: confronting Liam with Thumper's license-plates-on-wooden-plank client list and threatening to expose all of their elite customers if they don't release the PCHers from their grasp. Billy is horrified when he realizes why Harry hired Veronica, and he begs her not to reveal the truth: not to save his own skin, and not even because he's worried for his brother's safety, but because he's certain Harry will successfully exterminate Liam and spend the rest of his life in prison. Veronica complies with Billy's wish but it's hard to resist her professionl duty, and not just for abstract reasons of justice. If Harry took care of Liam, he would also be eliminating a threat to Veronica and her father, not to mention the likely orchestrator of the bus accident - well, one of them.

Keith's discovery of the Casablancas insurance policy leads to an, um, explosive discovery (sorry). Long before she was a Casablancas, Kendall wasn't even a Kendall - she assumed a dead classmate's identity after a prison stint served alongside Liam's brother and now they're working together. It turns out the car that killed Harry's dog, seemingy a very smallscale mystery, passed Gia and the 09er limo (with someone inside mooning them) just minutes before the bus went over the cliff. So Kendall and Liam could have worked together to kill several birds with one detonator: collecting a hundred million dollars from the tax shelter disguised as insurance policy for which Kendall was the benificiary while, on a much more minor note, punishing the loudmouth Cervando (whom Weevil was worried about, hence his tailing of the bus). Keith finds Kendall's secret second home (no doubt tied in with her and her husband's real estate scams) only for Liam to threaten him inside, but fortunately Veronica already removed the bullets from his gun so her father escapes in classic action film fashion through a giant plate-glass window.

Oh, and also Wallace and Jackie get back together (despite her impending overseas departure), Veronica gets Jackie a job at Java the Hut, and Veronica sets Mac up on an unwanted prom date. Not every initially quiet story ends up in million-dollar heist/gang warfare territory! On the other hand, we find out why Kendall retrieved one of Duncan's hairs from the hotel room. A new murder weapon has been dug up at the burnt-out Echolls estate and this time it implicates Duncan rather than Aaron.

My Response:

Veronica Mars - "I Am God" (season 2, episode 18)


Welcome to my viewing diary for Veronica Mars. I will cover each TV episode (and eventually the film), several days a week; this will conclude just as the revival (which I will also cover) premieres on Hulu. I have never seen this series before so there will be NO spoilers.

Story (aired on April 11, 2006/written by Diane Ruggiero, Cathy Belben; directed by Martha Mitchell): In a reference made explicit in one line of dialogue, Veronica is haunted by her own version of A Nightmare on Elm Street. Varying between self-protective insomnia and disturbing visions of her deceased fellow passengers on the doomed school bus, Veronica decides to take a deep dive in their individual lives. PCH biker Cervando Esparza (Max Arciniega) got in a fight with Beaver after Dick destroyed his new jeans. Meg was being pressured into some kind of arranged romance with "Lucky" (James Jordan), an Iraq vet turned school janitor from her church. Betina Marone (Blythe Auffarth) was fooling around with Dick and hoped to get pregnant so she could make their relationship public. Rhonda Landers (Audra J. Morgan) is remembered by Wallace as "PWT" ("poor white trash") - a description oddly embraced by an episode otherwise attuned to the condescension embedded in class differences - although Keith discovers that her family received a $2 million settlement from Woody. And Peter had a crush on Mr. Wu (Martin Yu), the science teacher who - it turns out - was not himself gay; he also scrawled the ominous message "I am God" with nine coffins on the back of one of the bus seats. This at least is resolved in the episode as a dead end (apologies for the pun): the image and title are off a favorite album cover. Another, even more troubling possibility opens up when Veronica's vision of Cervando asks why Weevil just so happened to be around to give her a ride - particularly since the location of the explosive proves the bomber needed to know exactly when the bus was passing the cliff before setting off the cell phone trigger.

Keith busies himself with a school-sponsored investigation into a doctor who has accepted bribes to diagnose students with a fake grieving disorder so they can bypass final exams. This isn't simply civic spirit - Veronica was recently accepted by Stanford but her helpful class rank may have to be reversed due to a technicality; fellow student Angie Dahl (Kayla Ewell), also a Stanford applicant and contender for the Kane scholarship, stands to benefit from this correction. Much emphasis is placed on an egg-dropping class contest which could boost or diminish her grade (Wallace and Logan are teamed up to try and knock her out of the competition), but ultimately it's Keith's detective work that saves the day. Medical excuse gone, she has to take that test after all. Keith also makes a bigger discovery while helping Veronica: Dick and Beaver had hugely generous life insurance policies. If you follow the money, it looks an awful lot like Mr. Casablancas may have orchestrated the crash to kill the offspring he expected to be on the bus with the others.

My Response:

Veronica Mars - "Plan B" (season 2, episode 17)


Welcome to my viewing diary for Veronica Mars. I will cover each TV episode (and eventually the film), several days a week; this will conclude just as the revival (which I will also cover) premieres on Hulu. I have never seen this series before so there will be NO spoilers.

Story (aired on April 5, 2006/written by Dayna Lynne North; directed by John Kretchmer): Relationships are central to "Plan B," often foregrounded but also occasionally lingering in the background, motivating major stories or carving out memorable moments that could pay off later. Let's start with the most mild: Mac is perplexed and a bit dejected over Beaver's approach to romance - kisses, holding hands, and...well, that's it, really, even after four months. He won't provide a reason for his nervousness but when he discovers that Mac has talked to Veronica about him, he dumps her (most likely some combination of guilt and humiliation stemming from what happened at the party in the penultimate episode). In the coming episode, Veronica is probably going to have to explain some things to Mac. The Jackie/Wallace/Jane triangle - which wasn't really even a triangle until now - emerges as another major source of tension. This isn't a case of two girls chasing one guy but one guy chasing two girls, or, by the end, a chain in which each person is chasing the next. As much as Wallace likes Jane, he has to admit he's still drawn to Jackie, kissing her at the school dance and breaking up with Jane the next day. But Jackie, who sweetly agrees to take the mentally disabled Charlie (Caleb Steinmeyer) to the dance, is trying to shake her reputation as the spoiled, man-eating scion of a murderous dad; she won't even let Wallace sit at her lunchtable - at least not yet.

Elsewhere, although Hannah is nowhere to be seen this episode (far from taking her absence as a serious moral crisis, Veronica only half-jokingly high-fives Logan for being a player), Logan does have a romantic moment...with Veronica. Is it a teasing placeholder, reminding us of their connection while postponing a reconciliation for now? A wistful callback to something forever finished? Or the quiet declaration of a renewed narrative between them? For now, Logan's primary role is in Woody's office - where his plagiarized school essay earns him a ceremonial "deputy" role (which mostly consists of sorting mail). This brings us to the last two, offscreen relationships. The first may not even be a relationship...but something is going on with Woody (who hires Keith to figure out who took a video of his home and then backs off rapidly with a lame explanation). Given his uncomfortable gesture toward Logan in the gym, his constant what-me-hiding-something cheerful facade (amplified by the contrast with his stern wife), and the fact that this season has had an entire case-of-the-week devoted to closeted gay students, I certainly have my suspicions.

Anyway, part of Logan's prize involves detonating the old stadium and indeed he really has no idea what a prize this is for him. In that moment, he kills the person who framed him for murder: Thumper has been chained to a urinal for cheating the Fitzpatricks (he didn't, but Weevil set it up to look like he did). And the path that led him here was initiated by perhaps the most serious relationship all episode - and certainly the one with the most serious, broad-ranging implications. Weevil and Veronica discover that the Fitzpatricks got Thumper to kill Felix (indifferently using Logan as cover) precisely because he was seeing Molly. When they take this discovery to Sheriff Lamb, however, he couldn't care less and Weevil is convinced to take matters in his own hands. Only when Veronica returns the next morning with an eyewitness - a trucker (Jon Michael Souza) who was hesitant to come forward until Veronica reached out to the wife he was trying to protect - is Lamb willing to listen. By then of course it's far too late for Thumper and probably Weevil too.

My Response:

Veronica Mars - "The Rapes of Graff" (season 2, episode 16)


Welcome to my viewing diary for Veronica Mars. I will cover each TV episode (and eventually the film), several days a week; this will conclude just as the revival (which I will also cover) premieres on Hulu. I have never seen this series before so there will be NO spoilers.

Story (aired on March 29, 2006/written by John Enbom; directed by Michael Fields): Veronica is off to college, albeit just for a tour. Everything goes as expected: there are the ivy-covered towers, there are the frat kids scoring girls (like, literally, making up scores for girls) in Greek row parties, there is the charmingly nerdy tour guy (Michael Cera) confidently guiding the impressed high schoolers around campus, there's Troy Vandegraff, there are the dorm rooms with their wh - wait, Troy Vandegraff?? Veronica's devious ex-boyfriend and international drug dealer whom we haven't seen since episode four, strolling around campus with a visitor tag like he's just a normal would-be undergrad, convincingly feigning (or...sincerely delivering?) aw-shucks regret for his repented evil ways? Naturally, Troy will soon need Veronica's help to clear his name; the night after their tour he goes upstairs with a girl and the next morning he's in the police station accused of drugging, raping, and shaving the head of Stacy (Alia Shawkat). Despite her doubts, Veronica follows up and finds out there was another victim, assaulted by someone with the same MO months earlier so the charges are dropped while the real culprit remains at large.

Off-campus, Keith takes a momentary break from Terrence's crises to help out a friend in need. Cliff went to bed with a gynecologist and woke up in handcuffs, his briefcase stolen by Sugar Jones (Angelica Bridges), who is actually an escort hired by an unknown third party. They also get surveillance footage of her in an elevator with Sheriff Lamb and his new secret girlfriend, none other than Veronica's classmate Madison Sinclair: knowledge they use to pry the escort's name from Lamb. Does any of this have to do with Logan, whom Cliff was defending until his charges recently dropped? Logan is preoccupied with Hannah, breaking her heart by telling her the truth and then getting her sent to a boarding school in Vermont when they both decide they still want to see each other anyway. A furious Dr. Griffith lets Logan know that there are things he can do to keep the budding Romeo and Juliet apart, and I'm guessing they don't stop at geographical separation. Meanwhile, Logan is not the only one going through relationship troubles, even if he's the only one who seems to care.

My Response:

Veronica Mars - "The Quick and the Wed" (season 2, episode 15)


Welcome to my viewing diary for Veronica Mars. I will cover each TV episode (and eventually the film), several days a week; this will conclude just as the revival (which I will also cover) premieres on Hulu. I have never seen this series before so there will be NO spoilers.

Story (aired on March 22, 2006/written by John Serge; directed by Rick Rosenthal): While Veronica is hired to find a runaway bride, Keith finds himself on both sides of his client's case. First he dutifully goes to the sheriff with Veronica's discovery, then after talking to Terrence's detailer (Gary Weeks), he wonders why he never saw the supposed bomber's explosives during his monthly visits and why Terrence would leave such incriminating material in such an obvious spot when he was expecting the detailer's regularly-scheduled visit. So Keith returns to Lamb with new evidence - this time vindicating Terrence - only to discover that the relentlessly ill-fated Terrence is now in the hospital after breaking into his former girlfriend's home and getting shot by her father. Speaking of exes, Veronica tracks down Heidi Kuhne (Virginia Williams), the sister of Wallace's new girlfriend Jane (Valorie Curry): she ran off with a long-lost musician boyfriend on the eve of her marriage to a wealthy bachelor. She's convinced that fiance Paul Mann (Christopher Mur) cheated on her first, but as it turns out she's been set up - with the lovably/obnoxiously sleazy Vinnie once again in the middle. The prestigious Manns want to break up their son's wedding but while they succeed, their own cover is blown thanks to Veronica's detective work. Meanwhile Logan's own dark detour continues, terrorizing the naive Hannah's parents as he teases their sexual relationship (even using her mother's email address to send a message about condoms to the father). Finally, Dr. Griffith relents - he'll withdraw his witness testimony and face the wrath of the Fitzpatricks as long as Logan leaves Hannah alone. Teased earlier by Veronica in a lighthearted but stinging manner, Logan ends the episode by dragging what's left of his bruised and beaten conscience to his ex - hoping she can guide him away from the path he's on.

My Response:

Veronica Mars - "Versatile Toppings" (season 2, episode 14)


Welcome to my viewing diary for Veronica Mars. I will cover each TV episode (and eventually the film), several days a week; this will conclude just as the revival (which I will also cover) premieres on Hulu. I have never seen this series before so there will be NO spoilers.

Story (aired on March 15, 2006/written by Phil Klemmer; directed by Sarah Pia Anderson): As in the previous episode, Veronica is preoccupied with a school-based mystery and Logan pursues his new love interest (although a broader connection is emerging) while Keith does the heavylifting for the ongoing season mystery. Terrence proves himself an extremely difficult client. First he can't remember where he was during the time of the murder. Then it turns out he was probably at a casino but he insists that the owner Leonard Lobo (Gil Birmingham) will never provide his alibi due to his oustanding debts. Then surveillance photos reveal he was at the casino at that general time but the exact timestamp of the bus crash is missing. Then Keith discovers you can't make a cell phone call within a mile of the building but Sheriff Lamb refuses to drop charges. Then Lamb is confronted with the incriminating recording of his blackmail but the sheriff calls Terrence's bluff by insisting the legendary athlete has more to lose than he does. Oh, and then for good measure Veronica and Terrence's own daughter discover explosives in the accused bomber's garage. As Keith says, "So much for my gut."

Veronica's own case also involves blackmail; it doesn't involve murder but for many of the frightened students it might as well. The member list of a private chat room for Neptune's gay teenagers has been stolen by a mugger knocking out pizza guys. Veronica identifies the thief (Mario Ardila Jr.) through a sting operation but it's clear he has no clue about the blackmail; this must be an inside job using the robberies as cover. After several surprise outings - a few privately to Veronica, one publicly on the school's TV, and at least one inadvertent - she gets her woman. Kylie Marker (Kristin Cavallari) was tired of being unable to afford college, tired of living in the closet herself, and especially tired of hiding her relationship to Marlena Nichols (Miriam Korn), whom she outed in particularly humiliating fashion. Meanwhile Logan continues to see Hannah...who as it turns out is the daughter of Dr. Tom Griffith, the coke-addicted "witness" whom the Fitzpatricks forced to finger Logan for Felix's murder. And Logan is able to turn Hannah against her father when she discovers his habit - as well as the Fitzpatricks' name and family bar among many recent calls on his home phone.

My Response:

June 2019 Patreon podcasts: LOST IN TWIN PEAKS #5 - Season 1 Episode 5 and LOST IN THE MOVIES #56 - Introducing "Twin Peaks Cinema" & new "Twin Peaks Reflections" approach (+ listener feedback - Cooper's reflections/nonlinear time in Twin Peaks & favorite films archive #45 - #35: Chinatown, Out 1, Rosemary's Baby, The Mother and the Whore, Through a Glass Darkly, Daisies, Hyperballad, Scarface, Snow White, The Gold Rush, The Man With a Movie Camera)


I'm excited to announce a brand new approach to the "Twin Peaks Reflections" section starting next month; each episode will zoom in on three or four characters, two locations, a particular story thread, and a Return episode, David Lynch film, or Twin Peaks spin-off text that relates to that thread. Then comes the big kahuna: the film in focus and "Reflections" are merging to form "Twin Peaks Cinema" - in which I will choose a different movie each month and discuss both its own features and its relationship (sometimes obvious, sometimes obscure) to Peaks. Any titles you'd recommend?

Meanwhile, for the $5/month crowd, my Lost in Twin Peaks rewatch podcast continues into the second half of the first season with one of my favorite episodes. The investigations are beginning to streamline into clear, distinct narratives and consequently I re-organize the "Who killed Laura Palmer?" section to reflect the new clarity of inquiry...



On the main podcast, I go (deep) into the details of the why-and-how of my new approach. I also share some lengthy listener feedback and continue the "Favorites" series with several films that have been frequent subjects on this site...



Podcast Line-Ups for...

Veronica Mars - "Ain't No Magic Mountain High Enough" (season 2, episode 13)


Welcome to my viewing diary for Veronica Mars. I will cover each TV episode (and eventually the film), several days a week; this will conclude just as the revival (which I will also cover) premieres on Hulu. I have never seen this series before so there will be NO spoilers.

Story (aired on February 8, 2006/written by Diane Ruggiero; directed by Guy Bee): When Jackie volunteered to be dunked into a tank of cold water by baseball-tossing carnival-goers, she just wanted to help fund the school trip. Now, a couple weeks later, the gig at Neptune High's winter carnival has taken on a whole other meaning. As the daughter of the man who allegedly planted a bomb on the doomed school bus, Jackie is widely reviled, and her peers delight in her humiliation. And when someone steals all of the school trip funds from Veronica's stall, Jackie becomes a prime suspect. It's up to a sympathetic Veronica to get to the bottom of this case (literally, when she drains the ball pit to find the missing box) and eventually her sleuthing - and a healthy helping of glitter - implicates Ms. Hauser (Kari Coleman), the teacher in charge of the festival and the one most outraged and accusatory about the theft. Well, partially. Having stolen the majority of the cash long before the official theft, she is not the one who planted the missing box in Thumper's locker - that, unsurprisingly, is a vengeful Weevil. Thumper gets off and Veronica decides not to turn in the real thief although she's sure to let Weevil know what she knows.

Elsewhere at the carnival, Dick and Beaver compete to embarass one another and Logan flirts aggressively with a girl named Hannah Griffith (Jessy Schram). The only non-carnival plot unfolds at the Mars Investigations office where a desperate Terrence hopes Keith can prove his innocence. It turns out Keith has been a huge admirer of the athlete for decades but between flattering anecdotes he keeps demonstrating incriminating information he's already aware of, and pushing Terrence to reveal more. As it turns out, Terrence had ample motive to blow up the bus - one of the victims was a former lover who not only became a stalker and broke up his engagement but also knew incredibly inflammatory information about his baseball career: due to extensive gambling debts, he threw one of the most important games of his career. As a superfan, Keith is crushed but as a detective he's satisfied that Terrence has put all of his cards on the table and believes he wouldn't let even his most desperate self-preserving instincts lead him to murder a dozen teenagers. Going forward, the Cook family will have both Mars in their corners.

My Response:

Veronica Mars - "Rashard and Wallace Go to White Castle" (season 2, episode 12)


Welcome to my viewing diary for Veronica Mars. I will cover each TV episode (and eventually the film), several days a week; this will conclude just as the revival (which I will also cover) premieres on Hulu. I have never seen this series before so there will be NO spoilers.

Story (aired on February 1, 2006/written by John Enbom; directed by John Kretchmer): Following a few teases during the epic Duncan Kane saga last time, Wallace and Weevil emerge to the forefront while the bus investigation simmers in the background (until a big reveal at episode's end). Perhaps figuring that if his daughter is allowed secrets, so is he, Keith uses his now-intimate knowledge of the Neptune Sheriff's Department security failings to break into evidence, steal the tapes from Lamb's interrogations of the 09er survivors, and learn that Curly Moran serviced all of their families' cars. The rat taped to the bottom of one of the seats was less a message to Veronica than a device to drive some of the kids - those who could afford a limo - off the endangered vehicle with its stink. And Gia's father even told her specifically not to ride the bus. It's clear enough why Neptune's elites would want to protect their children. It may even be grimly clear why they wouldn't particularly care about the fates of the others. What isn't clear is why at least one of the poorer kids would have been targeted in the first place. And as it turns out, the upper class folks aren't the only ones linked to Curly. When Weevil is kicked out of his own gang by the rest of his disgruntled underlings, he's threatened with a cell phone video of a fight with Curly that Weevil definitely would not want the cops to know about.

Until this scene, Weevil's and Logan's awkward joint investigation looks like its going to bail both of them out. They determine that the culpable Fitzpatrick isn't Molly (Annie Campbell) (who asserts that Felix had nothing to do with the rest of her family, who would have killed both of them if they knew of the relationship). Nor, surprisingly - as Veronica reveals after guiltily bugging a confessional on Weevil's behalf - is it Father Patrick Fitzpatrick (James Joseph O'Neill), a good priest with a dark past; it's actually his fellow pastor who has been slipping drugs to Thumper (James Molina), both receiving from and dispensing to the enemy: the rowdy Irish hooligans in the first case and the pampered playboys of the 09 zip in the other. Not that this information helps Weevil much by the time he's lying bloody and bruised in a shipyard, his motorcycle being driven off to be dumped in the ocean. Apparently, for conspiring with Logan to sniff out the traitor, he's considered much more of a turncoat than Thumper.

But as the PCH splits apart, others come together. Enlisting the help of both his on/off-again father back in Chicago and no-longer-(quite-as-)estranged girlfriend Jackie, Wallace clears his name when up-and-coming superstar Rashard Rucker (B.J. Britt) tries to pin him as the driver in the hit-and-run. Jackie will soon have her own problems: "Wallace and Rashard Go to White Castle" ends with Veronica and Keith discovering, via news flash, that her father has been taking in by Lamb for questioning in the bus crash. Does he too have a Curly connection? That mechanic is emerging, more than ever, as the crash's central figure but it no longer seems likely that Aaron Echolls was the one calling the shots. A more sprawling and sinister possibility is emerging, even if the Who is outpacing the Why right now.

My Response:

Veronica Mars - "Donut Run" (season 2, episode 11)


Welcome to my viewing diary for Veronica Mars. I will cover each TV episode (and eventually the film), several days a week; this will conclude just as the revival (which I will also cover) premieres on Hulu. I have never seen this series before so there will be NO spoilers.

Story (aired on January 25, 2006/written & directed by Rob Thomas): Veronica has been engaged in some...conspicuous activity lately. Logan and Kendall witnessed her explode in rage when the Casablancas ex emerged from the hotel room shower. Many students were present as Duncan dramatically dumped her, and both her dad and Wallace couldn't help but notice her wallowing in angst (Virgin Suicides soundtrack at all) in the aftermath of the break-up. It's almost as if she's providing a cover story, isn't it? But no, it couldn't be, because we've been watching all of this unfold too, and we always see everything through her eyes, right? Right?? We may like to snicker along with Veronica as she outsmarts law enforcement and rival private eyes, but how does it feel when she outsmarts the audience (especially when she may be outsmarting us with a particularly dim-witted rival private eye)? As it turns out, Veronica IS a secret accomplice in a kidnapping, as Duncan snatches his own child and disappears into thin air. We don't find out until near the end of the episode, when she sneaks into a secret room and meets with Duncan one last time, where they tearfully, lovingly break up in a more final but far more figurative sense.

Until this moment, Veronica seems to be as lost as we are, offended and insulted by attacks on her honor (although there are subtle clues along the way). Ultimately, the duo succeed in a particularly ingenious fashion, hitching a ride to safety with the top cop himself. Sheriff Lamb gets a tip-off that Duncan made it to Mexico, and decides to outsmart the Feds he jealously wants to prove himself too. Of course, he is quickly waved through the border crossing without having his car inspected, but not quickly enough to catch up with Duncan. Or so it seems until his trunk pops up to reveal empty water battles and snack packs and the suggestion that a hidden passenger was with him all along. Back at a rest stop, disguised as a hitchhiker, Duncan jumps in with his mother's assistant and Vinnie Van Lowe, the dopey Neptune detective hired by Celeste Kane to find her son but happy to switch sides for a buck (or two or three, or...). This isn't all that happens in the episode - Logan and Weevil attempt to work out which PCH gang member is connected to the Fitzpatricks (turns out that Felix, the dead guy himself, was dating a woman from their family), and Wallace hides and then reveals to Veronica that he left Chicago not because his new high school didn't have a basketball team (they did, and he was a star player) but because he is plagued by a guilty conscience after a hit-and-run. But even these dramatic turns are completely drowned out by Meg's legacy, the central plot (for now).

My Response:

Veronica Mars - "One Angry Veronica" (season 2, episode 10)


Welcome to my viewing diary for Veronica Mars. I will cover each TV episode (and eventually the film), several days a week; this will conclude just as the revival (which I will also cover) premieres on Hulu. I have never seen this series before so there will be NO spoilers.

Story (aired on December 7, 2005/written by Russell Smith; directed by John Kretchmer): Although it feels like there's a lot going on this episode (I mean, there is), most of the action is contained within three clear storylines. First, someone has stolen the Lilly Kane/Aaron Echolls surveillance footage (called either evidence or a sex tape, depending who's asking) from the police vault, compromising - albeit not fatally - the prosecution's case and dangling the prospect of a deep public humiliation for the long-suffering Logan. "Mayor" Woody hires Keith to investigate his old department and he eventually concludes three things: despite Lamb's pompous protestations, the sheriff's security sucks; Leo is the one who stole the tapes, hoping to fund the education of his little sister who has Down's syndrome; and ultimately the guilty Leo sold them to Logan for a pittance, resulting in the tapes' strategic erasure just before Keith comes knocking (he knows, but can't prove a thing). As Keith haunts his old job, Veronica finds a new - albeit temporary - gig: jury duty. Elected foreman to preside over what should be an open/shut case in which two young 09ers were accused of attempted rape by a Latina woman whom they allege and can seemingly prove was a hooker trying to rob them. Doubts emerge alongside communal divisions with a particularly loutish "Captain of Industry" (Robert Curtis Brown) pitted against a skeptical, perpetually-knitting older woman (Ivonne Coll). And Veronica is harassed by both the PCH gang and the 09er contingent (depending which way the wind is currently blowing) who've taken sides in yet another front of the Neptune class war.

Perhaps the most momentous events, however, consume little screentime - occurring near the end of the episode and involving a return and a departure. Or, in one of the cases, a return followed quickly by a departure. Meg awakens from her coma just as Veronica and Duncan are grappling with the implications of her pregnancy (which neither knew about before her hospitalization). They sneak into her room and get to say, as it turns out, goodbye. Meg dies suddenly when a blood clot shuts off oxygen to her brain but her daughter is delivered and now Veronica must fulfill the promise she made to the forgiving Meg. Terrified that her parents will send the child off to a strict, disciplinarian religious orphanage that she calls a "license for abuse," Meg is even worried by another prospect: that her folks will take their granddaughter themselves. We've already seen what that means. She asks Veronica to make sure this doesn't happen. And then, on a much more uplifting note, Veronica opens the door to her apartment expecting to see a pizza man, and finds Wallace instead. The friends cuddle on the couch and watch the ball drop, ushering out a dark 2005 and (hopefully) a more promising 2006.

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