Between 8am, April 22 to 2am, April 23, I watched seven features, four shorts, and one featurette in a movie marathon, ranging from fantasy films to documentaries, from kids' cartoons to the dark avant-garde. Below are the screen-caps from the films I viewed, accompanied by basic info and an epigrammatic caption. Links are to my own posts on a given film.
Follow this feature on Twitter here, read about the kickoff here, and view the previous #WatchlistScreenCaps roundup here.
#1 Celebrating with silly string
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Revisiting Brideshead (2005), prod. Free At Last TV
#2 Leaping from the immigrant experience into the socialist future
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Arguing the World (1998), dir. Joseph Dorman
#3 Cordelia weeping for her fathers, because they are no more
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King Lear (1987), dir. Jean-Luc Godard
#4 Dorothy through the looking glass
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Return to Oz (1985), dir. Walter Murch
#5 Buying Hawaiian islands and building sand castles over lobster dinner
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The King of Marvin Gardens (1972), dir. Bob Rafelson
#6 Apparently tracking shots and morality are no longer so conjoined
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Two in the Wave (2010), dir. Emmanuel Laurent
#7 The tomcat leaps through the window, drawn forth by a ghoulish pied piper
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Vincent (1982), dir. Tim Burton
#8 The brotherhood of dog and wolf, comrades under the fur
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Zhil-byl-pyos (1982), dir. E. Nazarov
#9 Twitterpated.
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Bambi (1942), prod. Walt Disney
#10 Empire of the spirit is extinguished in a melancholic frenzy
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The Last of England (1988), dir. Derek Jarman
#11 Cone and sphere meet cute in Gershwin-saturated flora
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High Fidelity (1982), dir. Randy Roberts
#12 Lullaby in shattered stained-glass
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Night Music (1986), dir. Stan Brakhage
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