The twentieth chapter in "32 Days of Movies", an audiovisual tour through 366 films
(2015 update: included Vimeo embed after the jump)
Dispersed into the Seventies
The sixties had ended. No "seventies" would replace them, at least not in the same sense. In society as in cinema, there was a turn inward, a slowing of that radical escalation, a dimming in the intensity, a muting of common purpose or collective identity. Young filmmakers of the sixties, however disparate their styles or themes, often spoke of one another as fellow travelers on some vague, unknown, but deeply felt common path. Not so much anymore. I hinted at this in Chapter 16, yet for a time the era's explosive energy concealed cinema's divisions and forked paths.
Around 1970, the tide went out, the counterculture, New Left, and youth movement all fragmented, and the hyped-up intensity of the sixties dissipated. Some contend that society never recovered, but for the cinema at least, this turned out to be as strong an era as the previous one, perhaps even stronger.
(continued below, along with NSFW & spoiler warnings)

