Lost in the Movies: hideaki anno
Showing posts with label hideaki anno. Show all posts
Showing posts with label hideaki anno. Show all posts

Neon Genesis Evangelion - Evangelion 3.0 + 1.0


This concludes my episode guide to the Japanese anime television show Neon Genesis Evangelion (1995 - 96) and the spin-off films after ten years.

Does this little town nestled into the mountains have a name? Does it need one? The place where a gently perplexed Rei, embittered Asuka, and near-catatonic Shinji find themselves near the start of Evangelion 3.0 + 1.0 provides a bracing break in the action and opportunity for reflection to these traumatized characters. A community founded after the devastation of the Near-Third Impact, this cross between a desperate refugee camp and a determined early settlement has simply been dubbed Village-3. While down-to-earth in its pragmatic daily activity, it carries a vaguely enchanted air, a fable-like flavor reinforced by the pink walls of chemical fairy dust protecting the villagers from roving monsters and the presence of a princess released from her dungeon - only to discover that the evil king has conditioned and limited her existence with a kind of techno-spell. Not to mention the uncanny "curse of the Evas" which traps our protagonists in perpetual adolescence while their former classmates grow up, raise families, and find their places in the world. This village is the sort of spot you drift upon by accident, settle into on a temporary basis with the intention of mere rest, and then never leave. You tell yourself the stay is only temporary, but the years go by, your roots sink into the ground, and suddenly you look up to realize how much time has passed, and that a lifetime of the same stretches before you. Regret may mix with a surprised sense of relief - after all, there are worse fates than this.


Patreon update #40 (The End of Evangelion, Carrie Page as the dreamer, American Made, The Children Act, Wire's 154 & more) and preview of Zama review


What would you be interested in hearing from "Twin Peaks Reflections" in the future? With the Return rewatch over, I consider some different options and also ask for your input. Additionally, I survey all of the Twin Peaks subjects I've covered so far. Elsewhere on the podcast, I finish reading my 2015 End of Evangelion review, read some follow-up feedback from the listener who discussed Cooper as the dreamer (now she's focusing on Carrie Page as Laura's dream), and run down the films, books, and music I've experienced in the past several months. For the biweekly preview, I share a full review for the first time, of the Argentine film Zama.





Line-up for Episode 39

INTRO

WEEKLY UPDATE/recent posts: updated Twin Peaks directory, from now on focusing on my backlog

WEEKLY UPDATE/Patreon: 2nd tier biweekly preview - Zama, discussing biweekly preview backlog

WEEKLY UPDATE/work in progress: Ethan Hawke films for Patreon, The Unseen: La La Land, Devil's Bride review, Fire Walk With Me early draft, read Lindsay Hallam's Fire Walk With Me book, Mad Men season 2 premiere viewing diary

TWIN PEAKS REFLECTIONS: Where should I go with this section?

LISTENER FEEDBACK: Twin Peaks/Neon Genesis Evangelion, Double R counter patrons - is that shift/cut a continuity error & does it matter, Carrie Page as Laura's dreamer, remembering what Ethan Hawke was in

OTHER TOPICS: American Made, The Children Act, other films I've watched for online work, Dead Poets Society special features, still playing DVDs & CDs, Alan Splet, Roku menu, Spielberg bio, Lynch's Room to Dream bio, Blue Rose Magazine including Women of Lynch episode, Fire Walk With Me book, Classics Illustrated (90s editions), Time Machine books, Common Ground photo book, 154 (Wire album), Live at the Witch Trials (The Fall album), Sister Ray

OPENING THE ARCHIVE: The End of Evangelion (2 of 2)

OUTRO

Sci Fi Countdown - The End of Evangelion (CinemaVille discussion w/ Bob Clark for Wonders in the Dark)


This morning, I posted my only official entry in the Wonders in the Dark Sci-Fi countdown: an audio discussion with Bob Clark on the film The End of Evangelion, which ranked near the very top of my own ballot.
“The End of Evangelion” is an unusual spin-off of a TV series (only “Twin Peaks: Fire Walk With Me” might be more unusual). It both concludes and subverts the series, veering way into experimental territory while still wrapping up the narrative which the show “Neon Genesis Evangelion” began. I’ve covered the film in almost every form imaginable – reviews, written conversations, visual tributes, and video essays – so I decided to take a new appraoch this time. With Bob Clark’s permission, I stepped in as a guest host on the CinemaVille podcast and together we analyze the film, exploring its connections not just to the series but to the Czech play R.U.R., and Dante’s Divine Comedy. There’s a lot to dig into here, some grab some popcorn and get ready to start tumbling down, tumbling down, tumbling down…

Last week, I appeared on Bob's podcast Cinemaville to discuss the series Neon Genesis Evangelion (from which the film is spun off); this time, I took over as guest host to introduce, conduct, and edit the conversation myself. Thanks to Bob for allowing me to step into his shoes for an episode, and I hope listeners enjoy the experience.

Here is the podcast itself:



I've also participated in many other Wonders in the Dark genre countdowns over the years. Here are the previous films I've covered: Marty (both versions) and a video essay on Lady and the Tramp for the Romance Countdown; Pat Garrett & Billy the Kid for the Western Countdown (make sure to check out the comments, where the scholar who edited the 2005 version responded to my review and the controversy surrounding his cut); a video essay on Modern Times for the Comedy Countdown; An American in Paris, 42nd Street (including a video essay), and a visual tribute (using Arlene Croce's prose) to The Gay Divorcee for the Musical Countdown.

Obviously, this is not my first rodeo with The End of Evangelion (nor is it Wonders in the Dark's - Allan Fish wrote about it back in 2011). I've created a "3 1/2 Minute Review" video essay; a video essay comparison of Twin Peaks and Neon Genesis Evangelion (including the film); a lengthy prose essay; a two-part printed conversation with Bob Clark about the film's story and style and its characters; an entry in my Favorites capsule series; and screen-cap visual tributes to a battle sequence and the climactic apocalypse. I even devoted an entire week of blog posts to the subject last year.

Sci Fi Countdown - discussing Neon Genesis Evangelion on Bob Clark's new podcast, "CinemaVille"


This is officially Bob Clark's entry in the Sci-Fi Countdown, going on right now on Wonders in the Dark. But since we'd discussed this series Neon Genesis Evangelion so often in the past, he invited me as his guest his brand new podcast "CinemaVille". Both endeavors are worth checking out beyond just this entry, and you can read more about Evangelion over on Wonders:


Here is the podcast itself:


And that's not it for my involvement with the countdown, the podcast, or Evangelion. On Tuesday, I will be contributing my own entry to the show, taking over Bob's show for an episode as a guest host (with me questioning him this time) to discuss...well, we'll leave that as surprise! See you then.

Meanwhile, make sure to check out Bob Clark's impressive essays on the first six episodes of the series, the film Evangelion 2.0, and the proper way to screen Evangelion films, as well as Wonders guru Allan Fish's own take on the series and film The End of Evangelion, and of course my own episode guide, accompanied by extended chats with Bob for each episode.

Neon Genesis Evangelion: the complete episode guide


A complete guide to every episode of Neon Genesis Evangelion, the follow-up film The End of Evangelion, and the three Rebuild films

My second viewing diary featured the second-most-covered series on my site (after the episode entries, I've linked up other pieces featuring Evangelion as well). Each episode review is followed by a conversation with critic and anime enthusiast Bob Clark; eventually we were joined for many entries by the Japanese film and cultural commentator Murderous Ink.

Neon Genesis Evangelion - Evangelion 3.33


This series is an episode guide to the Japanese anime television show Neon Genesis Evangelion (1995 - 96) and the spin-off films. Unlike the previous essays, the Rebuild films will not be accompanied by chats with other bloggers.

And so my Neon Genesis Evangelion coverage finally comes to a close...for now. This is the only remaining Evangelion film or episode, at least until the release of Evangelion 4.0 (or 1.0 + 3.0, which is possibly going to be the title, whatever that means). This is also the first piece of Evangelion I have watched fresh for this series. In fact, by the time I tuned up 3.33 for this review I'd seen the the entire series run at least three or four times (some episodes five or six times), watched The End of Evangelion at least four times (three of them in the last few weeks), and watched the two earlier Rebuild films at least twice. Though I did not know much lore or history when I began this endeavor, this year I explored the world of Evangelion more deeply, learning about various theories, interpretations, and opinions. How exciting, then, to plunge into new (to me) Evangelion for the first time in four years! That's ultimately the pleasure and promise that the Rebuilds hold: the opportunity to experience this familiar world through new eyes. On that front, Evangelion 3.33 delivered more than any of the other Rebuilds, and I think it would be fair to call it my favorite of the three films.

Neon Genesis Evangelion - Evangelion 2.22


This series is an episode guide to the Japanese anime television show Neon Genesis Evangelion (1995 - 96) and the spin-off films. Unlike the previous essays, the Rebuild films will not be accompanied by chats with other bloggers.

If Evangelion 1.11 is the pop song cover that tries to hit all the same notes (while upping the production value), then Evangelion 2.22 is the jazz version, following the same rough structure but unafraid to cut loose and go off on wild riffs and tangents. Approached in the right spirit, this can be a whole lot of fun. Anno mostly seems to be using events and images from the series as touchstones to shoot off in new directions. The first time I watched 2.22 I was mostly frustrated and disappointed by these departures. True, the film corresponds to the more light-hearted monster-of-the-week episodes of the series (roughly episodes 7 - 13) but it also overlaps with the darker, deeper episodes 14 - 19. The more playful tone of 2.22's first half didn't seem suitable as buildup for the drama; I had been expecting a big-screen version of the Evangelion series (not necessarily in plot, but in "feel"). Knowing what to expect this time, I still wasn't entirely sure what the point of the film was, but I enjoyed it much more.

Neon Genesis Evangelion - Evangelion 1.11


This series is an episode guide to the Japanese anime television show Neon Genesis Evangelion (1995 - 96) and the spin-off films. Unlike the previous essays, the Rebuild films will not be accompanied by chats with other bloggers.

We're back at the beginning. Sort of. Almost everything about the early part of Evangelion 1.11, the "rebuild" feature film released in 2008, is identical to the first episode of Neon Genesis Evangelion. The same Angel attack, the same appearance of Rei in the abandoned city streets, the same Misato-Shinji rendezvous. But there are subtle differences. The first deviation is that the sea from which the Angel emerges is red, like the LCL concluding The End of Evangelion (one of the first clues for a favorite fan theory, that the Rebuilds actually take place after the original series, in a kind of reincarnated alternate universe). There are other subtle detours from the first two episodes: Sachiel the Angel (who is referred to as the "fourth" rather than the "third" Angel) reformulates in a different, more textured fashion; the Eva does not deflect debris from Shinji by releasing its hand; the berserker attack occurs in real-time rather than flashback. As the film continues, it will stray further from the original script but overall this is very much like a recap, gorgeously animated but suffering from some of the limitations inherent in the digest approach.

The Favorites - The End of Evangelion (#82)


The Favorites is a series briefly exploring films I love, to find out what makes them - and me - tick. The End of Evangelion (1997/Japan/dir. Hideaki Anno & Kazuya Tsurumaki) appeared at #82 on my original list.

What it is • Welcome to the end of the world. This animated masterpiece begins in a flooded wasteland, introducing us to an array of characters who are completely isolated from one another, buried in their own grief, guilt, depression, and loneliness. We are fifteen years after a cataclysmic event that wiped out most of the earth's population, and mere days after the last of many battles with monstrous creatures (called Angels, ironically) who laid waste to this particular city and destroyed the psyches of the teenage warriors forced to fight them. (The battles with the Angels are depicted in the television show Neon Genesis Evangelion, to which this film is a follow-up.) So the scenario is already post-apocalyptic...but we ain't seen nothing yet. At least half the film is consumed by "The Human Instrumentality Project," in which the physical bodies of humanity are dissolved and their souls are fused together in a vast sea of consciousness, dissolving pain and suffering alongside individuality and agency. Shinji, the 14-year-old mecha pilot who is placed at the center of Instrumentality, must decide if he wants relief from his loneliness by dissolving his identity, or if he should seek love and acceptance the hard way, as a separate but active person. The film depicts this process through a gorgeous swirl of rich animation (mixing sci-fi action, spiritual symbolism, and psychological allegory), live-action footage, children's drawings, and other raw material.

Why I like it •

Neon Genesis Evangelion - The End of Evangelion, Part 3 of 3: discussion w/ Bob Clark on the film's characters


This series is an episode guide to the Japanese anime television show Neon Genesis Evangelion (1995 - 96) and the spin-off films. Each entry includes my own reflection on the episode, followed by a conversation with fellow bloggers Bob Clark and Murderous Ink.

Foreward: Ending the Evangelion conversations

Three years ago this week, on November 2, 2012, I published my first conversation with Bob Clark on the subject of Neon Genesis Evangelion, episode 1. He was the one who introduced me to the show a year earlier and when I decided to do an episode guide (my first since Twin Peaks in 2008) I realized that it would be good to have him on board. He was much more familiar with the series than I was, and perhaps even more importantly he had a grounding in both the conventions of the anime genre and the techniques of animation in general.

We conducted seven chats to accompany the first seven episodes and then took what I expected to be a short break over the holidays while I worked on a short film and devoted my blog to promoting it. Starting ongoing series without having the end already in sight is a big risk, and sure enough nearly a year and a half passed before Bob and I got back into the flow of things by discussing episode 8 (this time, we also brought the Japanese film blogger Murderous Ink in to offer additional comments - his last contribution was shared yesterday).

That was the spring of 2014, when I was just beginning to fall under the spell of Twin Peaks again (a bigger obsession than anything I've experienced in the past decade) and so after we reached episode 16, the Evangelion project paused once again. This time I had been wise enough to hold off on publishing our discussions, knowing that I didn't want to do so until we had covered everything through the finale and follow-up film at which point I could leisurely schedule the entries on a weekly basis without any further hiatuses.

The opportunity finally arrived this spring, a year after our last pause. This time I was able to give Evangelion the attention it deserved, exploring the fandom and the mythology in a way I never had before (even though I'd watched the series several times up to that point). Bob's and my conversations grew even longer and more intense as we reached the final stretch of the series climaxing with a chat on The End of Evangelion that spanned several hours over two different nights.

The first part of that discussion - dwelling on the themes, motifs, techniques, and mythology of the show - went up yesterday. Today's conclusion focuses on the characters - specifically very brief discussions of Ritsuko and Gendo, longer discussions of Misato, Kaworu, and Rei and a very long, in-depth discussion of Asuka, before concluding with our reflections on the enigmatic Yui. Shinji, of course, figures into most of these different character sections as well.

And with that, my conversations on Neon Genesis Evangelion with Bob Clark - which have formed the core of this episode guide since its inception - will come to an end. In the future, due to logistics and my desire to quickly build up a bigger backlog, I don't plan on doing episodic discussions for my TV viewing diaries...but I am hoping to have series-spanning conversations whenever I finish a show, both with Bob and with other contributors as I go. Next up is The Prisoner, and now that the end of this Evangelion series is in sight maybe I will finally start watching it so that I'm ready to start posting the entries in a month!

Meanwhile, the Evangelion series will continue for another four weeks, as I will offer solo reviews of each Rebuild film before wrapping up with a full directory for the entire series, gathering all the entries in one convenient location. But first, here is my most extensive conversation yet with Bob, a final look at the personalities and themes that made The End of Evangelion, and the show that inspired it, so great.

Final conversation with Bob Clark (part 2)

Neon Genesis Evangelion - The End of Evangelion, Part 2 of 3: discussion w/ Bob Clark on the film's style & story (+ final comment from Murderous Ink)


This series is an episode guide to the Japanese anime television show Neon Genesis Evangelion (1995 - 96) and the spin-off films. Each entry includes my own reflection on the episode, followed by a conversation with fellow bloggers Bob Clark and Murderous Ink.

Yesterday I posted my weekly Neon Genesis Evangelion review, on the film The End of Evangelion. My conversation with Bob Clark was so lengthy this week that for the first time I separated it from the review (which was also longer than usual) and split it in two. Today we discuss the film's animation, visual motifs, music, mythology, and the whole mind-boggling concept of Human Instrumentality. Tomorrow the discussion will conclude as we focus on the various characters of Evangelion. Both chats will focus on the film but also occasionally dip back into the series to reference open or unresolved points.

But first, here is Murderous Ink's final contribution to the Neon Genesis Evangelion series:

Neon Genesis Evangelion - The End of Evangelion, Part 1 of 3: My Review (discussion w/ Bob Clark begins tomorrow)



This series is an episode guide to the Japanese anime television show Neon Genesis Evangelion (1995 - 96) and the spin-off films. Each entry includes my own reflection on the episode, followed by a conversation with fellow bloggers Bob Clark and Murderous Ink.

From its first few minutes, Neon Genesis Evangelion has alternated between meditative stillness and frenetic activity. Appropriately then, it's hard to tell if The End of Evangelion - the feature film produced a year after the series ended - takes its sweet time or moves so fast that it leaves us in the dust. Hideaki Anno certainly enjoys making us wait, even if he isn't always to blame: the nature of this vast co-production forces us to sit through a full minute and a half of logos before the film actually begins (aside from this litany of production companies, there are no opening credits). The DVD edition makes us wait even longer by attaching the film's trailer to the beginning of the movie - a trailer which perversely features only live action; the women onscreen are the voice actors appearing as their characters in a mundane alternate universe mostly cut from the movie. Shinji is the first character we see in the actual movie, but the broken boy's eyes are hidden by his bangs in the first shot, and they will mostly remain hidden for about thirty minutes. Likewise, Shinji will barely speak in the first half of the film even though his banshee-like scream closes it with a bang. And yet while Shinji sleepwalks, the world around him collapses.

The 3 1/2 Minute Review: The End of Evangelion (video)


This video is an entry in End of Evangelion Week on this blog: every day a new post on the film will go up.

Here is my follow up to the last "3 1/2 Minute Review" video, which covered the TV series Neon Genesis Evangelion - a brief essay devoted to the remarkable follow-up feature film, The End of Evangelion. The first half of the video is spoiler-free; halfway through there is a prominent spoiler warning so that those who haven't seen the film yet can tune out.

Apologies for the poor audio quality of the narration, due to technical difficulties on my end. (update 11/18: I was able to fix the audio on the Vimeo version but not the YouTube)

The End of Evangelion week on Lost in the Movies


Since June (technically, since 2012 although there was a break of several years) I have been surveying the entire series of Neon Genesis Evangelion with an episode guide consisting of weekly reviews and discussions with Bob Clark, the Evangelion fan who introduced me to the show. This week we are scheduled to reach the cinematic climax of that saga, The End of Evangelion - a dazzling fusion of avant-garde experimentation and action anime, and one of my favorite films of all time. Not coincidentally, another ongoing series - my Friday "Favorites" countdown list - is also scheduled to cover The End of Evangelion (which landed at #82 on the top 100 list this is based on). To complete the triumvirate, I decided to create a short video on the film for my biweekly YouTube/Vimeo upload - it should be popping up by today and tomorrow. So the plan was to have three posts on The End of Evangelion this week.

That plan expanded as I realized that my discussion with Bob was so sprawling and in-depth that it made more sense to divide it into three separate entries - which will go up Tuesday, Wednesday, and Thursday - and for the cherry on top I am going to make a screen-cap visual tribute to the film's first half on Saturday (I already screen-capped the second half back when I first watched the movie)

So get ready for seven days of End of Evangelion coverage, starting today with this intro! Here is a schedule for the upcoming entries:

MONDAY - video essay: "The 3 1/2 minute review of The End of Evangelion"

TUESDAY - Neon Genesis Evangelion series - The End of Evangelion: my review in the context of the series, final comments from Murderous Ink & pt. 1 of discussion with Bob Clark

WEDNESDAY - Neon Genesis Evangelion series - The End of Evangelion: pt. 2 of discussion with Bob Clark

THURSDAY - Neon Genesis Evangelion series - The End of Evangelion: pt. 3 of discussion with Bob Clark

FRIDAY - Favorites entry on The End of Evangelion (capsule review discussing it as a standalone film)

SATURDAY - visual tribute to The End of Evangelion

And please share your own reflections and reactions to the discussion as the week goes along, and afterwards as well!

Neon Genesis Evangelion, Episodes 25 & 26 - "Do you love me?" & "Take care of yourself."


This series is an episode guide to the Japanese anime television show Neon Genesis Evangelion (1995 - 96) and the spin-off films. Each entry includes my own reflection on the episode, followed by a conversation with fellow bloggers Bob Clark and Murderous Ink.

Even if it had just stuck to the teenagers-fighting-robot formula and alternating-action-and-contemplation style of its early episodes, Neon Genesis Evangelion would have been an excellent series. The first six chapters of the saga offer rich characterizations, stunning visuals, and an intriguing mythology which are enough to sustain our interest. Enough...but Hideaki Anno had so much more up his sleeve. The introduction of Asuka, a fiery personality who startlingly alters the tempo and tone of the show with her dynamic introduction. A series of deceptively straightforward yet clever monster-of-the-week episodes in which we can almost believe that Evangelion has settled into its routine. And then things get truly weird. The appearance of genuinely avant-garde sequences like Rei's vision or Shinji's escape from inside an abstract Angel, moments of bold visual and conceptual exploration that are barely contained by the surrounding genre trappings. Character moments that dive deeper and deeper into their despairing hearts, suggesting things may not turn out well after all. Spectacular meltdowns. Dazzling montages. Unbroken still shots and stretches of silence. Titles flashing across the screen, voices cascading across the soundtrack, samples of sublime classical music juxtaposed against images of visceral violence. Whispers and hints of a tangled mythology unraveling and reassembling before our ears and eyes like the Lance of Longinus as it is hurled beyond the limits of earth's atmosphere.

And then finally...these episodes, ideas and images and sounds so wild and sensorily overwhelming that they can't be even be contained within a single unit of the show, spilling out over the final forty minutes of Shinji's journey from the empty streets of a seaside city to the echo chambers of his own entangled consciousness. For twenty-four episodes Shinji has been told - and told himself - not to run away. Now as space itself folds and expands and disintegrates, running away is no longer even an option. There's nowhere left to run, no surface to run across, he is everywhere and nowhere.

Welcome to the Human Instrumentality Project.

Neon Genesis Evangelion, Episode 24 - "The Beginning and the End, or 'Knockin' on Heaven's Door'"


Note: The Back to the Future video I announced on Monday is now up, just in time for today (the "future" day that Marty McFly traveled to in Back to the Future Part II). Happy Back to the Future Day! Now back to another sci-fi story taking place in an alternate version of 2015...

This series is an episode guide to the Japanese anime television show Neon Genesis Evangelion (1995 - 96) and the spin-off films. Each entry includes my own reflection on the episode, followed by a conversation with fellow bloggers Bob Clark and Murderous Ink.

This entry covers the Director's Cut version of Episode 24.

In many ways the last (semi-)conventional episode of the series, "The Beginning and the End..." wastes no time reminding us how far the characters have fallen into doubt, despair, or destruction. Following an explicit flashback to her childhood trauma, Asuka is discovered lying near-comatose in a tub, naked and exposed to the sky in a derelict apartment building whose roof has been torn off (no "unfamiliar ceiling" this time). Rei, or rather Rei III, floats through the fog of her life/lives wondering who she is and for what purpose she has been sent. These are familiar human questions all the more confusing when you are a cloned person containing the soul of...a goddess? Possible answers flash before our eyes with dizzying speed and it is difficult to grasp any of them. Anyway, even Rei is more alone than she's ever been because her "spares" were just destroyed by Ritsuko. And Ritsuko's isolation is made physically explicit as Gendo Ikari visits her in a cold, metallic space where she he has been locked away as punishment for her betrayal. She reveals that she has been sleeping with the commander and joins the rank of broken souls that seem to clutter his dedicated path (Cmdr. Ikari refers to Eva-01 as "Yui" - his "dead" wife - further hinting at what that path may entail).

Neon Genesis Evangelion, Episode 23 - "Rei III"


This series is an episode guide to the Japanese anime television show Neon Genesis Evangelion (1995 - 96) and the spin-off films. Each entry includes my own reflection on the episode, followed by a conversation with fellow bloggers Bob Clark and Murderous Ink.

This entry covers the Director's Cut version of Episode 23.

The final stretch of Neon Genesis Evangelion presents a cascade of revelations. No longer are we leaping from episode to episode, battle to battle, against the backdrop of slowly unfolding mysteries and suggestions. The feeling is that we are building toward a climax, as characters die physically (Kaji), spiritually (Asuka) or both (Rei). Although in Rei's case is it "both"...or "neither"? The preview at the end of the last episode informed us (in a disarmingly cheerful delivery) that Rei was going to sacrifice herself to save Shinji, and indeed this is what we appears to happen in the battle with the sixteenth Angel. Just as the previous Angels infiltrated the minds of Shinji and Asuka (in the first case ambiguously, in the second case with a clearly destructive purpose), so the latest Angel literally crawls inside Rei's skin on the way to her mind.

Neon Genesis Evangelion, Episode 22 - "Don't Be."


This series is an episode guide to the Japanese anime television show Neon Genesis Evangelion (1995 - 96) and the spin-off films. Each entry includes my own reflection on the episode, followed by a conversation with fellow bloggers Bob Clark and Murderous Ink.

This entry covers the Director's Cut version of Episode 22.

You've heard the term "mindfuck"? Perhaps it was coined specifically for Asuka Langley Soryu. Not only does she experience a monstrous psychic invasion in this episode, she also characterizes it in explicitly sexual terms. "Don't come inside me!" she screams, and in the Director's Cut version of episode 22 she opens the episode, in flashback, by propositioning Kaji and yelling angrily, "I'm an adult! So look at me!" He won't, but the Angel will - orbiting in outer space it captures her Eva in a cascade of blinding light, accompanied by the "Hallelujah" chorus from Handel's "Messiah." We may be reminded of a particular antecedent in religious art: Bernini's Ecstacy of Saint Teresa, with its highly sexualized image of the gasping saint being pierced by heaven's arrow, wielded by an angel who seems to be mounting her. Or rather, we may be reminded afterwards - at the moment the immediate impression is too viscerally overwhelming to take in much more. Because if Asuka is being mindfucked, so are we.

Neon Genesis Evangelion, Episode 21 - "He was aware that he was still a child."


This series is an episode guide to the Japanese anime television show Neon Genesis Evangelion (1995 - 96) and the spin-off films. Each entry includes my own reflection on the episode, followed by a conversation with fellow bloggers Bob Clark and Murderous Ink.

This entry covers the Director's Cut version of Episode 21.

Origin story, flashback, even prequel - call it what you will. After twenty episodes of allusive hints toward the shared history of the characters, dropping cryptic clues about various motives (both personal and organizational), and constantly reminding us that the past which haunts the present cannot be recovered...Neon Genesis Evangelion recovers the past. And it's surprisingly effective; in fact, this is probably my favorite episode of the series up to this point. Above all, I'm a sucker for backstories - especially when we get to visit them firsthand. Motion pictures, be they cinema or television, live action or animation, even narrative or experimental, root their approach in observing moments unfold in physical reality. Just as in everyday life, movies and TV episodes give us a sense that time moves forward as a general rule. But of course memory works differently onscreen. As I wrote about Fire Walk With Me, the film which rewinds Twin Peaks to before the TV show began: "Movies have a unique and potent ability to break one of the surest laws of our existence. Time can be shattered, history unearthed, the past rediscovered."

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