Lost in the Movies: highlight
Showing posts with label highlight. Show all posts
Showing posts with label highlight. Show all posts

And then there were 10...

Today on Wonders in the Dark, Allan Fish kicks off the final stretch of his ambitious Top 100 silents countdown with The Battleship Potemkin at #10. What movies will fill the final nine slots - especially with such classics as Pandora's Box, Intolerance, The Gold Rush, and The Birth of a Nation already accounted for? Be sure to visit and find out, as the countdown finishes over the next week and a half. And don't forget to vote in the poll for your own picks.

To catch up with the rest of the selections (including the top 25 for the 30s, and the top 50 for every decade since - except for the one just passed, which Allan will be tackling next), visit the round-up on my blog.

This post was originally published on The Sun's Not Yellow.

28 Days In, and out...

Nothing to do with zombies or Sandra Bullock...just the fact that February has only 28 days, and so we find ourselves at month's end today. This was a good, active month for me, with the debut of a new blog, the promise of more to come on Wonders in the Dark, increased activity right here, and two big posts at The Dancing Image, more than I'd managed there for months.

March should be arriving like a lion, with more Oscar-nominated films being reviewed before the big show and the kick-off of my renewed 21st Century series. If all goes as planned it will go out like a lion too; but lately I've been breaking my no-resolutions resolution (much to my chagrin) so I will keep my mouth shut for now.

Anyhow, the purpose of this post is to look back and offer what will hopefully become a monthly round-up (yet another attempt to rescue posts from the curses of chronology, particularly in the wake of a woeful Blogger overhaul, but I digress...)

 

This new blog, launched just last week, got off to a nice start with my review of Avatar. However, I actually prefer some of the subsequent reviews, all of which are part of my attempt to catch a whole bunch of award-winning films from '09 in the last few weeks before the Oscars. And also to reacquaint myself with contemporary cinema before settling in for my expected new-release-every-Sunday routine. Here's what I've reviewed so far:


Let me know what you thought of these films as well (I try not to read reviews of new films I haven't seen yet; so if you've reviewed these already link up below and I will re-visit). And of course, more where those came from in the next week or two (after that, a steady reviewer beat, so stay tuned...)


 
The Sun's Not Yellow 
As for this very blog, it took a strong visual turn this month (presaged by this post in January); I kicked off February by rounding up a diverse array of abandoned screen-caps, and then followed up with a tribute-in-images to Pierrot le fou and a great Godard quote. Spontaneously inspired by a morbidly comic Rimbaud poem I also paid tribute to a variety of "danses macabres". Finally, I launched what will hopefully be an ongoing series on this site, a look at the advertising art of varied auteurs.


 
The Dancing Image

That last bit was inspired by a paeon to the posters of my youth, and the spirit of early moviegoing they evoked, which went up on my very first blog, which I now save for more spatially and perhaps thematically ambitious enterprises. One week after this line-up of images, another. I celebrated the Film Preservation blog-a-thon with a great deal of help from the visual backlogs of many fellow bloggers. Plus, it includes images from every single film on Allan's countdown which remains unavailable on DVD - check it out if you haven't already!


  
Wonders in the Dark

Finally, a couple announcements on Wonders in the Dark, harbingers of where I'd been and where I'm going. A round-up of 44 pieces previously published elsewhere, and a peek at upcoming reviews as part of my relaunched 21st Century series. Thanks to Sam for hosting me (and I promise next month will be more eventful).


Please feel free to use any of these posts as springboards for further discussions, however tangential to the original post. Free association in the name of film! And we'll do this again next month, unless Punxsutawney Phil has something else in mind...

This round-up was originally published on The Sun's Not Yellow.

How cool is this picture?

Bulle Ogier in L'Amour fou (1969), dir. Jacques Rivette. Click on the image to see it in its full glory.

This post was originally published on The Sun's Not Yellow, which is why I re-used for it the Film Preservation post on this site a few weeks later.

The Muslim Matter (Fort Hood & Maj. Hasan's Religion)

Adam Reilly has an excellent editorial in the most recent Boston Phoenix in which he pretty much manages to articulate everything I've been thinking about the massacre at Fort Hood and the media's reaction. You can read it here.

While Hasan's religion certainly seems to have played a role in the shooting, and it would be foolish for commentators to avoid or deny this (which some have been doing), there's something quite offputting about the way Fox News and other conservative media outlets have been covering the story. Reilly puts his finger on it is this astute piece:
For much of the conservative commentariat, the answer was obvious from the outset: anyone seeking to explain the atrocity Hasan perpetrated, they claimed, can start and end with his faith. Here in Boston, for example, WTKK-FM's Michael Graham teased his afternoon radio talk show by saying of Hasan's motive: "Let's face it: you and I both know the answer." At [Michelle Malkin's website], meanwhile, the author herself situated Hasan in a broader category she'd created six years ago — "Muslim soldiers with attitude"— and reiterated her own previous contention that the Muslim members of the US armed forces constitute a menacing fifth column. (In Malkin's incendiary words: "The Islamist infiltration of our troops is scandalous. Not one more American, soldier or civilian, must be sacrificed at the altar of multiculturalism, diversity, open borders, and tolerance of the murderous 'attitude' of Jihad.")

And then there was Shepard Smith, every liberal's default choice as favorite Fox News personality, who followed a similar line of thinking when he described Hasan's name — without actually saying it — during an interview with US Senator Kay Bailey Hutchinson of Texas on Thursday:

SMITH Senator Hutchison, other news organizations are identifying the shooter. . . . Have you been given a name, and what do you know about this suspect? How much are you able to tell us?
HUTCHINSON I have been given a name, but I would not want to confirm that, because I don't know if this person's family has been identified. . . .
SMITH We've been given a name, as well, and quite frankly, I'm not comfortable going with it till it's given to me by the United States military. . . . But the name tells us a lot, does it not, senator?
HUTCHINSON It does. It does, Shepard. And that's why it's a very sad situation.
He goes on to take some on the left to task for pooh-poohing Hasan's religious beliefs and floating the questionable argument that Hasan's actions were a symptom of PTSD. I think I'm even less comfortable than Reilly with the notion that we can blame PTSD - and by extension the military's justifiably criticized approach to the disorder - for Hasan's behavior. Yes, he counseled many returning vets with no doubt harrowing war stories. But does that constitute "trauma"? Hasan had never served in a war zone; true, he was set to deploy overseas (in a non-combat role) in the near future, but PTSD stands for "post-traumatic stress disorder" not "pre-traumatic stress disorder."

I don't want to dismiss this idea altogether; it is my understanding that there can be secondhand symptoms experienced by someone dealing with a PTSD victim and coming into a similar situation. Yet this type of indirect disorder would have had to play such a minor role in Hasan's overall motivation that to "blame PTSD" seems to trivialize the very real suffering of PTSD victims who have experienced combat and still manage not to murder. Furthermore, Hasan's action appears to have been entirely premeditated - which hardly seems a sign of the kind of blind, furious rage which would characterize the action of a PTSD victim (to my understanding; anyone who knows better please correct me if I'm wrong).

I also can't entirely concur with Reilly's ultimate conclusions. On the one hand, he suggests that the Army do more to deal with religious tensions in the ranks (apparently Hasan felt a conflict between his faith and his duty; and allegations of harassment have surfaced as well). While I agree, I'm not sure this would do much to prevent a future Hasan-like shooting, and the theory that it would seems to give too much credence to the idea that Hasan was in some way indicative of Muslim soldiers, or even Muslim soldiers with conflicts of conscience. (Notions that Reilly elsewhere and thoroughly debunks.)

Finally, I'm not sure that much of anything can result from this incident. Ultimately, religious questions and exposure to PTSD victims aside, Hasan's actions were those of an isolated and dysfunctional individual. The only aspect which may be worth exploring further is his relationship to the radical cleric Anwar al-Awlaki, who praised Hasan in the wake of the killing. Even that will probably turn out to be more a case of "like minds" than anything else.

Of course, none of this is going away, as Hasan - it's easy to forget (I have numerous times) - is still alive and will be facing many questions soon enough. Perhaps we can have a meaningful discussion on some of these tangential questions, but in the spirit of inquiry without various agendas getting in the way, most perniciously of those who flirt with (or fully embrace) bigotry and seek to paint Muslim soldiers with a broad brush.

This post was originally published on The Sun's Not Yellow.

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