The thirteenth chapter in "32 Days of Movies", an audiovisual tour through 366 films.
(2015 update: included Vimeo embed after the jump)
Sixties Rising
They called it a new wave. When a young boy skipped school and went for a spin, when party guests stood frozen as sundials in a chateau garden, when Anna Karina tossed her hair to and fro, it was hard to shake the image of a terrific tsunami crashing down upon an unsuspecting film world. There was the tremendous vitality of the images themselves: that whirling dervish seen through a dizzyingly subjective lens, those guests posed with gigantic shadows like something out of a Dali painting, the beautiful girl captured - or unable to be captured - by a handheld camera shooting casually on the street (contemporary audiences would have to wait for that particular image, as the film was banned; but there were dozens of others in the same spirit). Then there was something else, something beyond the visuals, as if the frame was a window through which one peered into a new state of ecstatic, thrilling consciousness. There was a certain je ne sais quoi in the air, and not just in France; all across Europe the promise of the late fifties was suddenly spreading its wings and soaring skyward.

