Lost in the Movies: my dinner with andre
Showing posts with label my dinner with andre. Show all posts
Showing posts with label my dinner with andre. Show all posts

Fragments of Cinephilia, Pt. III


Short thoughts on: The Honeymoon KillersForbidden GamesTout Va Bien & Masculin Feminin Moby Dick • Robert Bresson • Yasujiro Ozu and Early SpringMy Dinner with Andre • Stanley Kauffmann • Sweet Movie

As I prepare a batch of fresh posts for the fall (a dozen new reviews are already written, with dozens more on the way), here are some more oldies but goodies. These sporadic notes and musings were originally comments on IMDb. Many of these thoughts led to longer conversations, and you can click on the date to see the original thread. Some of the responses are pretty interesting; in fact under the final fragment, on the extremely controversial Yugoslavian film Sweet Movie, I actually included some samples of the ensuing discussion (most of which I didn't see until now). And if you've viewed the film in question, I'd be really interested in your own opinion on the matter.

(See here for Pt. I and Pt. II of this archival project.)

Searching For Answers 1980 - 1983 • "32 Days of Movies" Day 24


Twenty-fourth chapter in "32 Days of Movies", an audiovisual tour through 366 films
(2015 update: included Vimeo embed after the jump)


View "Chapter 24: Searching For Answers"


"I just need time to think things over!" "Why is it necessary to have more than this, or to even think about having more than this?" "What did he say?" "We're sick...I think we're dying..." And then there are the scenes with little to no dialogue: an eerie occult ritual led by a beautiful woman, stepped right out of an Egyptian hieroglyph; a moody man pensively staring out the train window, stranger in his own sprawling country; a girl and her boyfriend sharing a note and then awkwardly separating, perhaps for the last time, as cars whiz by on the highway; a globetrotting camera, capturing dogs on an African beach and a traditionally-dressed Japanese standing silently "in the midst of the long moving shadows that the January light throws over the ground of Tokyo." Like "A Violent Release" early in the series, it's simply uncanny, and unexpected, how perfectly all of today's clips merge into a single theme: the quest for answers, and the mixed messages one gets in return.

(continued below, along with NSFW warnings)

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