Lost in the Movies: the secret diary of laura palmer
Showing posts with label the secret diary of laura palmer. Show all posts
Showing posts with label the secret diary of laura palmer. Show all posts

TWIN PEAKS CONVERSATIONS #8 w/ TV Milestones - Twin Peaks authors Julie Grossman & Will Scheibel (YouTube & extended PATREON)


Although the book Twin Peaks was published as part of the "TV Milestones" series in 2020, its authors Julie Grossman and Will Scheibel have a deep background and interest in the study of cinema. Alongside discussions of Peaks' early nineties production history at ABC and the context of soap opera and other television formats, their focus incorporates Fire Walk With Me (of course) - but also the impact of big screen genres like melodrama and particularly noir. In our freewheeling podcast discussion, we dwell on topics like noir motifs, the "white knight" detective, and the concept of the femme fatale, exploring how all of these apply to the work of David Lynch and Mark Frost (up to and including season three, which they were among the first to analyze in book form). How does The Return carve out space for unusual female characters like Diane, Audrey, and Sarah? What were Cooper's mistakes, in both seasons two and three? Is "Judy" the ultimate femme fatale? Like Laura's Ghost and Twin Peaks Unwrapped, this was a book I received way back around the start of the pandemic (and the renewal of Journey Through Twin Peaks), and kept postponing until I knew I could schedule a conversation with its authors. So it was a pleasure to finally dig into the work, both on my own and with them.

PART 1 on YouTube
(premieres at 8pm on Monday, March 28 -
*re-scheduled due to the Oscars)


Some of the above questions were addressed only in the patron exclusive part, an additional fifty minutes after the public half hour; in particular, the noir aspect of our conversation gets to shine in this back-more-than-half....

Listen to...
(link will be active at 8pm on Monday, March 28 -
*re-scheduled due to the Oscars)



Listen to my coverage of Twin Peaks' connections to noir films Laura & Sunset Boulevard

Read Barb Miller's comment on Cooper & Annie in my alt.tv.twin-peaks round-up
(scroll down to 6/14/91)



TWIN PEAKS CONVERSATIONS #7 w/ Laura's Ghost author Courtenay Stallings (YouTube & extended PATREON)


When I first came up with the idea for a regular Twin Peaks Conversations podcast last year, Laura's Ghost: Women Speak about Twin Peaks author Courtenay Stallings was one of the first guests I hoped to invite. Her 2020 book, a collection of interviews, essays, and comments from women in the Twin Peaks community (both fans and collaborators on the series and film), is focused on the experience and legacy of Laura Palmer, which I've always considered to be at the center of the narrative David Lynch and Mark Frost created in 1990. But as I initially frontloaded discussions with authors whose books or podcasts I'd already consumed, after which more immediate releases kept taking precedent, I had to keep postponing this one. In the end, the delay was fortuitous because now I can incorporate Laura's Ghost into a larger month of Fire Walk With Me focus on my Patreon (with Lost in Twin Peaks episodes on the film opening to all patrons while my main podcast offers its final "Twin Peaks Reflections" and "Twin Peaks Cinema" sections, both cued to the movie more than the show). Those podcasts and this one - which premieres tomorrow night at 8pm - are being published during what Fire Walk With Me depicts as the last seven days of Laura Palmer's life (through February 24, when the series begins). The first half of this conversation digs into how Courtenay wrote the book, what it reveals about the character and those who relate to her, and how season three has impacted her perception. The book was four years in the making (its completion now a year and a half in the past), so our discussion spans an era not only divided before and after The Return, but also before, during, and after (?) the pandemic.

PART 1 on YouTube
(premieres at 8pm on Monday, February 21)

The second part runs a bit longer and is, as always, exclusive to $5/month patrons; it shifts from the book's focus on Laura and her trauma to broader but related topics especially regarding Sarah Palmer (Courtenay interviewed Grace Zabriskie for Laura's Ghost and it was a memorable experience). As always, my guest and I wonder what further Peaks would entail and if that's desirable, and we also ask questions like "Is the New Mexico girl really Sarah (and should she be)?" and "What is the connection between Cooper and Sarah?" Courtenay also explores her thesis of season three as a subversive fairy tale in both halves of the conversation.

Listen to...
(link will be active on Monday, February 21 at 8pm)


(10% of proceeds go to RAINN)

Also subscribe to Blue Rose Magazine

Courtenay's interviews w/ former Twin Peaks Conversations guests include:


(w/ other contributors to the book including Sheryl Lee)




June 2020 Patreon podcasts: LOST IN TWIN PEAKS #17 - Season 2 Episode 9 and LOST IN THE MOVIES #68 - Twin Peaks Cinema: Peyton Place (+ Twin Peaks Reflections: Harold, Nancy, Harold's house, the woods, Harold and the diary/The Secret Diary of Laura Palmer, La Dolce Vita & more)


No film is as deeply related to Twin Peaks' origins as the fifties melodrama Peyton Place, part of the pitch made to (rather than by) David Lynch and Mark Frost when their mutual agent suggested they write a nighttime soap opera together. When they screened the film - although their agent may have had in mind the later spin-off TV series - they didn't find it particularly illuminating. However, my return visit this month for the main podcast's "Twin Peaks cinema" coverage yielded many interesting connections (and contrasts; sometimes those differences-within-similarities are the most fascinating elements of all). The overlap seemed especially sharp given this month's Twin Peaks Reflections focus on Harold for character, location, and storyline - there's a somewhat Harold-like character in Peyton Place although, ironically, he's played by a young Russ Tamblyn (i.e. Dr. Jacoby)! A brief clip of Tamblyn's dialogue plays in my Opening the Archive section (I used it to kick off Journey Through Twin Peaks years ago) but most of the podcast's back half is taken up by previous work on La Dolce Vita, which I was unable to highlight when I covered that Fellini film on my October podcast.



My Lost in Twin Peaks podcast reaches a milestone by concluding the Laura Palmer investigation, which calls for another two-parter. The first part introduces us to the production, television, historical, media, and fan context of episode 16...



...while the second part dives into the story itself while teasing out the ambiguities and complexities of Twin Peaks' race to the finish. Please let me know your own thoughts on this complicated, frustrating, and fascinating episode; I look forward to sharing them as future listener feedback.



Finally, while the full mystery-resolution arc is available to my $5/month tier, I'm opening another earlier episode up to all patrons: the first non-Lynch entry of season two.



I'm hoping to introduce a public podcast in July (if things go as planned, which - given how this month has gone - means you should probably expect the debut in August or September if we're lucky). This will be composed, at least throughout 2020, of previously recorded material sliced into much smaller episodes built around a single film at a time. I have further ambitions for this project but for now, of course, it's time to get back to Journey Through Twin Peaks. Hopefully I'll have something ready on that front soon.


Podcast Line-Ups for:

Patreon update #5: Marie Antoinette & Heart of a Dog (+ The Secret Diary of Laura Palmer, French response to #MeToo, Roman Polanski, SMILF, The Stepfather & more)


Another double feature this week, as we approach the end of January rewards (next week I'll be covering at least three Films in Focus). Sofia Coppola's Marie Antoinette is paired with Laurie Anderson's Heart of a Dog and I finally finished - and covered - The Secret Diary of Laura Palmer. I also finish the extended "Other Topics" I started several weeks ago with a lengthy passage that begins with the controversial response of many French actresses to #MeToo, winds its way through Roman Polanski and a SMILF episode focused on Woody Allen and winds up digging in to The Stepfather (all subjects linked to The Secret Diary, though the timing was largely coincidental).

Thanks to all the patrons who made January a success. If you're not a patron, don't worry - though I've been focused on the podcast lately, another public post is coming very soon (tomorrow being the anniversary of my Journey Through Twin Peaks video series) and hopefully this month will see some very long-gestating projects finally debut.




INTRO
*
WEEKLY UPDATE/Patreon: revised last biweekly preview & upcoming guest appearance
*
WEEKLY UPDATE/works in progress: minor Twin Peaks characters, The Wire/Mad Men viewing diaries, Kieslowski/Winehouse montage, looking for Cinepoems, History of Journey Through Twin Peaks, The Last Laugh for Voyage into the Movies
*
FILM IN FOCUS: Marie Antoinette
*
FILM IN FOCUS: Heart of a Dog
*
TWIN PEAKS REFLECTIONS: audiobook of The Secret Diary of Laura Palmer
*
OTHER TOPICS: French response to #MeToo & From Revolution to Ethics (history of left attitudes on post-1968 sexual conduct), Roman Polanski, Repulsion, Woody Allen, SMILF season finale, Brad's Status (the neurotic midlife crisis film in transition), The Stepfather
*
LISTENER FEEDBACK: The Last Jedi & Christopher Nolan
*
OPENING THE ARCHIVE: "Covers, Characters, and Wonders" (April - June 2009), this week's highlight: Reading the Movies

Shattering the Screen: a conversation with Andy Burns, author of Pop Classics: Wrapped in Plastic (Twin Peaks)


We are living through a golden age for Twin Peaks fans, despite recent concerns about a snag in the new Twin Peaks (my take: rest easy, neither Showtime nor David Lynch wants to lose this opportunity). In addition to the return of the series and the release of the deleted scenes from the film, new Twin Peaks books are finally hitting the shelves. If Brad Dukes' oral history Reflections explored the offscreen world of the series, Andy Burns' brand new Wrapped in Plastic (Twin Peaks), part of the ECW Pop Classics series, examines what's onscreen. Through seven elegant chapters, Andy investigates the partnership of David Lynch and Mark Frost, the fifties influence, the complicated relationship to soap opera, the theme of doubles, the treatment of family, the supernatural mythology, and the impact Twin Peaks has had on subsequent TV series.

In our discussion, Andy describes the process of creating the book, but we also delve deeply into the show and film itself: charting its rapid rise and fall, analyzing the twists and turns of Lynch's mass media image, and parsing a revelatory Jennifer Lynch quote featured in Wrapped in Plastic, in which she offers her own analysis, and critique, of the "Bob" issue. If that's not warning enough, there are major spoilers on the horizon.


Journey Through Twin Peaks


This series was selected as one of the "best video essays of 2014" by Kevin B. Lee at Fandor
(update 2023: the series continued by covering season three & other topics)

Twin Peaks has entertained, frustrated, and challenged generations of viewers - and will continue to do so when it returns in 2016. Once you fall under its spell, the presence of this moody, mysterious world is hard to shake. I created Journey Through Twin Peaks as a companion for all kinds of Twin Peaks fans: the passionate enthusiast, always looking for new clues and avenues; the veteran viewer, who hasn't seen the show in years but is considering a re-visit; the enthusiastic newcomer, fresh from a first viewing and bursting with questions; and even the curious outsider, ready to take a first trip into these dark woods.

Each chapter avoids plot spoilers for upcoming episodes, but you should check my descriptions and spoiler warnings just to be on the safe side. If you don't want to know anything about the narrative shape of the story - if/when the mystery ends, who/what the film is about - don't scroll beyond the episodes you've seen. I would love to hear feedback from anyone who watches these videos alongside their first viewing of Twin Peaks; however, there's also something to be said for flying blind. I had no idea what I was getting into when I pressed play on that first disc years ago, and have been reeling from the aftershocks ever since.

Journey Through Twin Peaks analyzes the Twin Peaks narrative in chronological order, from pilot to feature film (with occasional character/subject asides that look back but not forward). You can break it into installments, watching each chapter as it becomes relevant to your own journey. Or you can jump directly into the chapters that interest you most - "The Twin Peaks Mythology" and "7 Facts About Fire Walk With Me" have proved particularly popular as standalones. Some have also marathoned the videos immediately after finishing Twin Peaks, treating them as a lengthy documentary epilogue. "What did I just see?" is a pretty common response to a first - or even second, third, fourth - viewing of the show and film. I've asked that myself many times, which is how this project came to be.

The first Twin Peaks cycle was born an acclaimed television phenomenon and died a reviled box-office flop. In between, David Lynch's and Mark Frost's visions sharply diverged, on everything from the central mystery to Cooper's character - they even disagreed on what the show was fundamentally about. These videos do visit the creative differences between Lynch and Frost, and touch on the larger context of Twin Peaks' reversal of fortune (a subject explored more extensively elsewhere on this blog), but their primary purpose is to reveal the series and film, together, as a complete, effective work of art. Despite the detours, dead ends, and disagreements involved in its making, Twin Peaks is not simply the failed experiment that media narratives lead us to believe.

So pour the coffee, slice up the cherry pie, and queue up the pilot episode. The journey starts right now, with this preview...

Twin Peaks on the Internet...in 1990 (an alt.tv.twin-peaks archive)


Online commentary from the original alt.tv.twinpeaks Usenet newsgroup (1990-93)

What if the internet had existed when Twin Peaks originally aired? Well...it did. Sort of. The average viewer did not have online access when the first episode aired on April 8, 1990, nor when Laura Palmer's killer was finally revealed on November 10, 1990, nor when the final episode aired as a Monday night movie-of-the-week on June 10, 1991, nor when the prequel film limped into theaters on August 28, 1992. Of course, the average viewer wasn't paying attention to Twin Peaks at all by those later points - so the following commentators are exceptional not only for their internet savvy, but for their enthusiastic devotion to David Lynch's and Mark Frost's unique world.

I'm not going to attempt to explain Usenet or newsgroups or the pre-World Wide Web internet because I don't really understand them myself. As far as I was aware, the "Information Superhighway" popped out of nowhere in the fall of 1995, when I entered jr. high. Yet since the late seventies, computer networks had been facilitating communication between people with (I believe) institutional access to the internet. Usenet (which is still available today) was among the most popular of these networks. Newsgroups conducted conversations on particular topics, and alt.tv.twin-peaks quickly became one of the most noted newsgroups. Episodes were immediately analyzed, theories were tossed about, and hoaxes were pulled by clever fans.

The newsgroup remains active today, nearly twenty-five years later, as a Google group with over 28,000 topics archived. Through keyword searches, I was able to bookmark many of the early posts, from the show's initial run. Then I made a completely subjective selection of 108 posts that seemed interesting and representative. Consider this a companion piece to my round-up of Twin Peaks media commentary this spring. I am endlessly fascinated by how new viewers react to the show as it unfolds, as well as how the show was received when it first aired, so for me this was pig heaven. (Also worth checking out is this thread I started for fans to share their memories of the original series run).

In 2016, fans from all over the world will share immediate reactions and attempt to make sense of the insensible via Twitter, Facebook, and all variety of internet forums, using phones, tablets, and other devices. Though their numbers will be greater, they will be not be the first do so. Here then, is a glimpse of the first generation of online Twin Peaks fans attempting to figure out who killed Laura Palmer, praising and complaining about the show's twists and turns, and reacting to Dick Tremayne's famous death scene (you'll see). The further we go, the more absorbing the commentary becomes: detailed psychological evaluations of the characters and situations, evocative first-hand accounts of the Fire Walk With Me shoot, even speculative predictions that Twin Peaks will return in 2014! "Through the darkness of future past, the magician longs to see," indeed...

Journey Through Twin Peaks: Part 2 - The Center Cannot Hold




"The Center Cannot Hold" continues my 4-part video series analyzing the narrative cycle of Twin Peaks from the pilot through Fire Walk With Me. This second entry begins before the last, exploring the creation and development of Laura Palmer (juxtaposed with the films Laura and Vertigo as well as the abandoned Mark Frost-David Lynch project The Goddess, about Marilyn Monroe). After an examination of The Secret Diary of Laura Palmer, we pick up where we left off in season two, covering episodes 9 through the beginning of episode 17, with a long pause to analyze the killer's reveal, including a montage accompanied by W.B. Yeats' "The Second Coming," from which this video essay draws its title. Part 2 in its entirety is fifty minutes long but I've also split it into six individual chapters, running between five and eleven minutes each, for easier viewing. Along the way, of course, there are disturbing images and spoilers (although I don't spoil episodes ahead of the ones I'm discussing).

Completing this video took far longer than expected but I am very happy with the result (well, except for my voiceover work which I am, at best, mildly happy with...). I hope you find it informative, absorbing, and thought-provoking. These episodes feature some of the most distinctive and controversial material on the show so I also hope viewers will share their own thoughts below. Part 3, scheduled for November, will cover the rest of the TV episodes with asides to explore the show's mythological influences, distinctive atmosphere, and colorful ensemble. Part 4, scheduled for December, will focus on Fire Walk With MePart 1 - "Harmony of the Dark Woods" examining the well-balanced first season and controversial season two premiere.

Journey Through Twin Peaks follows the jump accompanied by several representative images taken from the video.

The Power of Myth: the last 20 books I read, January - July 2014


It took longer than usual, but here's my latest round-up of the last twenty books I read, with excerpts from each (you can also check out previous #JoelsReadingList round-ups). After the first six books, which I selected randomly, a conscious pattern emerged. I began alternating fiction and nonfiction, hoping to balance between my instinct for information and a desire to spark my imagination. I also assembled a backlog of books that were thematically-linked, so that each title would lead subtly into the next based on a similar theme or subject; not only did I think this would provide an enjoyable reading list, I knew it would make for an interesting round-up when I finally published the result. These approaches emerged around the time I began reading Full of Secrets, a compendium of Twin Peaks essays; unexpectedly, that book also led to an unforeseen development. I became obsessed with Twin Peaks and David Lynch again and was soon writing, watching, and otherwise engaging with those subjects to the exclusion of much else. That's one reason, after moving at a fast clip, it took me forever to finish the reading list I'd assembled.

It also occurred to me, after the fact, that the last fourteen books in the lineup (and even perhaps some of the early ones) are all linked by an overarching theme: the importance of mythology - dreams, fairy tales, spiritual riddles - in making sense of life. Whether battling demons both literal and figural, struggling to purify their souls, or seeking the Grail itself, the authors, subjects, and characters involved in the following books exist in a realm limited to neither tangible, material reality nor otherworldly fantasy. Instead, they embrace both and risk getting lost in the quest for a greater truth.

Talking Twin Peaks on "Obnoxious and Anonymous" podcast (+ July status update & more)


Although from now on I'll be alternating Lynch-focused pieces with other material (particularly my upcoming entries into the Wonders in the Dark romantic countdown, summer reading list round-ups, and an already-written but long-postponed review of Frozen) my attention to Twin Peaks won't really be wavering in the upcoming months. How could it? When I fell back under the spell of the series and its co-creator David Lynch this spring, I didn't yet know about the upcoming blu-ray boxset, featuring ninety minutes of deleted footage from Fire Walk With Me and a bevy of special features that would make even the most casual fans' mouths water. I'm particularly looking forward to Between Two Worlds, in which Lynch himself will interview Sheryl Lee, Ray Wise, and Grace Zabriskie, the actors who played the Palmer family so central to Peaks lore. He will not only be interviewing them as themselves but as the characters they played - a fantastic idea albeit one that probably only Lynch could pull off. I'm particularly excited to see the underrated Lee return to the role that defined her forever; and in a sense, this feature will also be the closest we get to a new Lynch dramatic film for some time - unless his rumored upcoming project comes to fruition. I can't wait, and in early August I will be reviewing both Between Two Worlds and The Missing Pieces (Lynch's title for the Fire Walk With Me deleted scenes edited into their own standalone feature, a fantastic and necessary approach).

Meanwhile, I've participated in my first-ever podcast, Cameron Cloutier's "Obnoxious and Anonymous." Cameron, whose fondness for long, unedited conversations defines a channel just packed with in-depth goodies, was someone whose work I discovered via his interview with filmmaker/author Jennifer Lynch. It's probably the longest interview she's ever done, full of insights into The Secret Diary of Laura Palmer and her father's work, as well as her own film career. Cameron invited me to participate after I commented on a previous podcast, and we spent over two hours discussing (and sometimes disagreeing about) both Twin Peaks and Fire Walk With Me, touching on what was good and bad about the show's controversial second season, how the show attracted and then turned away viewers, and why the film was so poorly received. It was a great conversation and there may be more in store after the blu-ray comes out. I've placed the podcast after the jump but you can also visit the YouTube page to check out some of the fascinating links Cameron included in the description.

In other news, friend and fellow blogger Bob Clark has launched a webcomic well worth checking out. Dubbed "Neo Westchester", the strip cleverly combines savvy social commentary with geeky references, taking an affectionate but clear-eyed view of gaming and anime culture. Beginning with the simple scenario of two fans waiting in line for a game release, the series branches off into surreal fantasies, political satires, and the eventual inclusion of genuine sci-fi intrigue. Ambitiously and accurately, Bob himself describes it as "Bloom County meets Akira," adding, "I hope I can offer a nice taste of political and cultural humor and commentary laced with a healthy dose of action and adventure in the form of deadly robots, evil corporations, and the ragtag rebels fighting them both in the streets and the technicolor carnage of online gaming." Join the battle here.

And now, since I'm already using this post as a catch-all, a status update. As noted, I'll be continuing Twin Peaks posts at least once a month from now on. This will include the aforementioned review of The Entire Mystery box set, perhaps some further podcasts, and hopefully some interviews which I've recently put out feelers for. Additionally, since I've focused so much on Lynch's involvement with Peaks lately, I'd like to list my favorite 20 moments not directed by him (though some will be written by him, or feature him as an actor, they still won't have been covered in my recent directorial retrospective). I am also hoping to end the year with an in-depth study of Sheryl Lee's performance as Laura Palmer in Fire Walk With Me. While this may be my favorite aspect of the film, until now my numerous Fire Walk With Me pieces haven't actually addressed it in much detail. I'm hoping this upcoming essay (which will also touch on her overlooked post-Peaks career) will be the first of many to examine great, underrated performances in screen history. Perhaps the next one can explore Bing Crosby's role in The Country Girl, another brilliant but infrequently-discussed piece of acting.

So that's the general idea and a provisional outline of where we're headed. Which is not to say I haven't already produced a lot of Twin Peaks commentary for you to explore in the interim. I recently updated my Twin Peaks directory from 2010 to include all the Peaks posts, images, video clips, and even brief mentions which have occurred on Lost in the Movies over the past six years (I'm also linking up entries in my episode guide and other Peaks pieces each morning on Twitter). Primarily, of course, this includes recent work. I spent the last two months exclusively focused on the work of David Lynch. If you missed them, I definitely encourage you to visit both my conversation with Tony Dayoub on Fire Walk With Me and my recently-concluded David Lynch Month, which probably constitutes the most ambitious series of posts I've ever assembled for this blog. Every week of that month, I posed a "Question in a World of Blue" and the discussion never closes so please jump in now if you have anything to say.

Finally and most importantly, I want to highlight my video on David Lynch's early work. I think it's the best piece I offered all month, and one of my strongest posts in any format. Sadly, it remains the least-viewed of all the month's posts, as is often the case with videos. Please take this opportunity to watch my tribute to Lynch (spoiler and graphic content warnings apply, of course), or at least to bookmark it for viewing at a more convenient time. I promise it's worthwhile - and if you think so too, please share it with others. This is the only way it will reach a wider audience.


And here is the full "Obnoxious and Anonymous" podcast I participated in:

Take This Baby and Deliver It to Death: a video tribute to David Lynch


This is my third entry in David Lynch Month. It is a video essay covering his early work.

This week's "Question in a World of Blue" is: Does Laura Palmer have special significance in David Lynch's body of work? You can respond in the comments below or on your own blog (please tag this entry in your response).

With a title inspired by a passage from The Secret Diary of Laura Palmer (by Jennifer Lynch), Take This Baby and Deliver It to Death focuses on David Lynch's first six features - through Twin Peaks: Fire Walk With Me (1992) - as well as the TV show Twin Peaks (1991-92) and a few audio samples from later works. Allowing the interweaving of assembled footage to speak for itself, this non-narrated video essay emphasizes the complex, evolving portrayal of violence and abusive characters in Lynch's early work. Needless to say it contains both spoilers and graphic content, so proceed with caution. At 23 minutes, this is my longest video, but that's down from a 45-minute rough cut (not to mention a 4 1/2-hour assembly!) so the results are pretty tight. You can watch Take This Baby and Deliver It to Death as one continuous video on Vimeo below, or as three separate chapters on YouTube:

Gone Fishin': A collection of commentary on Twin Peaks


This is my second entry in David Lynch Month. It is a collection of quotes from news and magazine articles, scholarly essays, blog posts, and other literature (as well as audiovisual media) on "Twin Peaks", stretching from 1989 to the present.

This week's "Question in a World of Blue" is: Why did viewers and critics abandon "Twin Peaks" in 1990 and reject the 1992 film? You can respond in the comments below or on your own blog (please tag this entry in your response).

There are no spoilers until after a very prominent warning, and I would actually suggest reading up to that point if you're unfamiliar with the series. This could really build your interest.

INTRODUCTION
WHAT KILLED TWIN PEAKS?

It all started so promisingly. A wildly inventive mash-up of police procedural, soap opera, horror story, and wacky comedy, Twin Peaks (1990-91) followed FBI Agent Dale Cooper (Kyle MacLachlan) as he investigated the murder of beloved teenager Laura Palmer (Sheryl Lee), whose body washed up on shore in the two-hour premiere. Just as much as the ensemble cast, the town of Twin Peaks was a character, with its eccentric denizens, numerous intrigues and affairs, and spooky presence in the woods. It was a place viewers eagerly returned to each week - at least initially. The ABC series won rave reviews, a cult audience, and hundreds of imitators (everything from Lost to The Sopranos bears its imprint). For five or six months in 1990, it was a genuine phenomenon, sweeping magazine covers, TV shows, and the New York Times bestseller list. At the center of the media blitz was David Lynch (Mark Frost, the series co-creator, seldom gets equal credit despite having a greater hand in the show's practical development). Lynch, a cinematic surrealist, had hit the small screen at exactly the right moment in pop culture - or so it seemed. Yet within a year Twin Peaks was dead last in ratings; when it was finally cancelled, it was practically jeered off the air (at least by those still paying attention). How on earth did this happen?

Twin Peaks is Dead - Long Live Laura Palmer! (Fire Walk With Me conversation w/ Tony Dayoub - Part 1 of 4)


Throughout May, I will be taking part in an ongoing conversation on the website To Be (Cont'd) with Tony Dayoub (of Cinema Viewfinder) about the film Twin Peaks: Fire Walk With Me (1992). There are major spoilers involved. The conversation will unfold in four parts, as is the usual format on To Be (Cont'd). [That site has since gone inactive, but my pieces are available in full on this site and Tony has re-published his on his own site as well - links to all are collected here.]



"When you told your secret name, I burst in flames, and burned..."
-"Floating", written by David Lynch, 1989

Tony,

Let's talk about the final day of Laura Palmer's life. Not the night with its cocaine binges, woodland orgies, and bloody murders, but the morning before, as depicted in Twin Peaks: Fire Walk With Me (1992). Remember that soggy bowl of cereal, abandoned by the trembling teenager while her father tries to cheer her up? Or Laura's jittery mother steeling herself with a cigarette, her blank, exhausted inner state almost as ugly and jagged as her daughter's raw wound? And who can forget the ferocious hatred in Laura's eyes, years in the making, as she growls at her astonished father in her bedroom: "Stay...away from me..."? By the time we are submerged in Laura's woozy afternoon at high school, her disorientation overpowers us. Swooningly subjective dips and pans, time-lapsed clocks intercut with blurry crowds, high-angled perspectives pinning Laura to a ground that is sliding away beneath her feet...if these are not the most adventurous techniques David Lynch has ever employed, they are among his most compassionate. We've burrowed deeply into Laura's consciousness, losing ourselves on a death trip that few were willing to take.

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