Lost in the Movies (formerly The Dancing Image)

Saturday, December 8, 2018

Patreon update #49: The Social Network (+ the Angela Nagle immigration controversy, LeftTube, Fire Walk With Me as Twin Peaks episode, the RR counter/the ring in season 3, Disney's aesthetics/ideology, the Hollywood War and Peace & more)


The Social Network - which I've been planning to make a film in focus since June - is a movie I've covered a couple times before, first in a review/discussion disguised as a Facebook page and later as a visual tribute alternating between the film's images of paper and plastic as methods of communication. This time I take a more straightforward approach and reflect on the film's triple status: as a document of the early 2000s when Facebook was born, as a reflection of the turn-of-the-decade when the film was released, and as an artifact explored in today's context when Facebook and Mark Zuckerberg have become deeply entangled in our political and cultural landscape.

Speaking of politics and culture, I've been waiting a couple weeks until I could devote an entire "other topics" section to the backlash against Angela Nagle, author of the popular but controversial Kill All Normies, who recently wrote an essay attacking the left's position on open borders. I think both her approach and the reaction to her speak of a growing rift on the left, a phenomenon I've already begun to explore on previous episodes. I've had a lot to say about this on Twitter and hopefully here I'm able to hopefully organize various responses into a cohesive analysis of what's going on, with Nagle and with the left and the issue of immigration more broadly.

This podcast also concludes the exploration of my "4 Ways to Watch Fire Walk With Me" study by examining that film in relation to a dozen Twin Peaks episodes, continues a conversation with listeners about Sherilyn Fenn's and Audrey Horne's on/offscreen stories in The Return, and follows up my two-part review of the Soviet War and Peace by dipping into the archive for my review of the Hollywood adaptation, directed by King Vidor and starring Audrey Hepburn, Mel Ferrer, and Henry Fonda.




Line-up for Episode 48

INTRO

WEEKLY UPDATE/recent posts: added Christmas highlight to the sidebar

WEEKLY UPDATE/work in progress: Twin Peaks blu-ray features & John Thorne interview for podcasts

TWIN PEAKS REFLECTIONS: Fire Walk With Me as Twin Peaks episode

FILM IN FOCUS: The Social Network

OTHER TOPICS: Controversy over Angela Nagle's "The Left Case Against Open Borders", podcast recommendation

LISTENER FEEDBACK: LeftTube recommendations, the RR counter scene, Leland/Bob, Teresa's ring, the Pink Room & the Red Room, Twin Peaks truckers, the aesthetics & ideology of Disney

OPENING THE ARCHIVE: War and Peace

OUTRO

Friday, November 30, 2018

Patreon update #48: Training Day (+ Fire Walk With Me as Lynch project, the Soviet War and Peace - 1812 & Pierre, Jonathan, CNN's The 2000s, Twin Peaks fan theories, Ocasio-Cortez clapbacks, Bernie 2020? & more) and preview of Lady Bird review


Just in time for November, my monthly Ethan Hawke series continues with Training Day - a film mostly celebrated for Denzel Washington's iconic performance as a corrupt LAPD cop but also including an Oscar-nominated turn by Hawke as the rookie protagonist. My "Twin Peaks Reflections" attention to the recent Fire Walk With Me essay resumes; I analyze the Twin Peaks movie as a David Lynch project. I also conclude the reading of my War and Peace essay for "Opening the Archive." There are two long sections this week, as I delve into political subjects I discussed on Twitter in "Other Topics" and share extensive listener feedback for my last couple episodes. At the outset of the episode I lay out more specific plans for 2019, as some tiers will shift and a new Twin Peaks project will launch; meanwhile, for my biweekly preview I share parts of an upcoming review of Greta Gerwig's Lady Bird.





Line-up for Episode 47

INTRO

ANNOUNCEMENT - 2019 Plans for 1st/2nd tier restructure & Twin Peaks rewatch

WEEKLY UPDATE/Patreon: 2nd tier biweekly preview - Lady Bird

WEEKLY UPDATE/work in progress: Cinepoem, Mad Men viewing diary, Mary Shelly review

TWIN PEAKS REFLECTIONS: Fire Walk With Me as Lynch project

FILM IN FOCUS: Training Day

OTHER TOPICS: Jonathan, Ollie Klublershturf vs. the Nazis, random TV viewings, CNN's 2000s documentary - I Want My MP3/The iDecade/The Financial Crisis, CGI Lion King, CBS sports montage, John Carpenter's special effects, Dr. Amp's early musical, The Magnificent Ambersons on Criterion, Evangelion on Netflix, Nicolas Roeg & Bernardo Bertolucci died, ridiculous Dear Prudence letter, Alexandria Ocasio-Cortez clapbacks, Stephen Hawking vs. Joe Lieberman at 2000 Democratic convention, "Thomas Jefferson" disses Ocasio-Cortez, donut Twitter celebrates the new Democratic Caucus chair, Bernie Sanders' "not racist" statement, should Sanders run in 2020?, Eric Erickson celebrates Augusto Pinochet, podcast recommendations

LISTENER FEEDBACK: my disclaimer about how I'll respond, Michael & Us covers Donnie Darko, Judy as repetition, different versions of the Palmer house, One Eyed Jack's & spirit world, Teresa & the dirt mound, Cooper leading Carrie to her death?, Laura & the ring, Lynch vs. Frost on Judy, do theories overlook flaws?

OPENING THE ARCHIVE: War and Peace (Soviet adaptation) 

OUTRO

Tuesday, November 20, 2018

Patreon Update #47: Steamboat Willie's 90th anniversary & 9 other classic Mickey Mouse cartoons (+ Lindsay Hallam's Fire Walk With Me book, the Soviet War and Peace - Andrei & Natalya, Democrats in the midterms, Vic Berger's Walkaway video, Nazis vs. MAGA normies, Armistice Day, Halloween/political podcast recommendations & more)


Mickey Mouse, Laura Palmer, and Leo Tolstoy star in this week's eclectic podcast episode (with guest appearances by Vic Berger, Kurt Vonnegut, and Alexandria Ocasio-Cortez). In some ways, though, the lead subject is Lindsay Hallam, an author whom I interviewed last week about her new book on Fire Walk With Me. "Twin Peaks Reflections," continuing its synchronization with my "5 Weeks of Fire Walk With Me" series, discusses that book and the talk we had about. My film in focus becomes films in focus as I celebrate not just the ninetieth anniversary of Steamboat Willie, the first-distributed and first-sound-designed Mickey Mouse cartoon, on November 18, 2018, but also nine more Mickey shorts from the thirties, ranging from sharp black-and-white to lavish Technicolor. These were a lot of fun to revisit.

The bulk of the episode, however, is consumed by a mammoth "other topics" discussion, my first in about a month. There are a few readings or viewings to touch on but, aside from a lengthy segue on Halloween podcasts, the topics are mostly political. A couple weeks after the fact, I finally offer my response to the "blue wave" (or was it?) midterm elections and some of the spillover into the already-coalescing new Congress. I share a hilarious Vic Berger video about a rally gone wrong (including some audio), muse on the ridiculous but unsettling exchanges between fascists and run-of-the-mill Republicans on Twitter, and reflect on the centenary of Armistice Day. And of course, I offer another big round-up of podcast episodes, all featuring a political context but with subjects ranging from existentialism to the Haitian Revolution.

The podcast closes with part one of my War and Peace review from ten years ago, discussing the Soviet adaptation's structure and the parts focused on the characters of Andrei and Natalya. I'll pick up with the 1812 and Pierre sections next week - see you on the other side of Thanksgiving.

Oh and one more thing - early on the episode, I discuss some potential ideas for my approach to both Patreon and Journey Through Twin Peaks in the new year. Expect more concrete plans for this in the next few weeks including some public Patreon posts.



INTRO

THOUGHTS ON MY APPROACH TO PATREON & TWIN PEAKS VIDEOS IN 2019 (plus a brief update on my Lindsay Hallam interview)

TWIN PEAKS REFLECTIONS: Lindsay Hallam's Fire Walk With Me book & my interview with her

FILM IN FOCUS: Steamboat Willie (+ 9 Mickey Mouse shorts from the 30s)

OTHER TOPICS: The 2018 Midterms & Democrats in the House, Hill Street Blues, Mary Shelley and biopics, Frankenstein LIFE special edition, Halloween podcast recommendations, Vic Berger's Walkaway video, Nazis vs. "normie conservatives", Kurt Vonnegut & a centenarian on Armistice Day, political podcast recommendations

OPENING THE ARCHIVE: War and Peace (Soviet version)

OUTRO

Friday, November 16, 2018

Finding the Missing Pages: interview w/ Lindsay Hallam, author of Devil's Advocates - Twin Peaks: Fire Walk With Me


This is the fifth entry in 5 Weeks of Fire Walk With Me, concluding the series.

With the explosion of Twin Peaks literature following Brad Dukes' 2014 oral history Reflections, it's become easy to forget how thin that library was for several decades. Despite its presence in David Lynch monographs and the occasional TV history, virtually no books broached the series as their central subject. Now, thankfully, our shelves have been well-stocked with scholarly studies, episodes guides, fan theories, and historical overviews. Even so, until very recently there remained a glaring blind spot in this collection. The 1992 prequel film, Twin Peaks: Fire Walk With Me, has grown in reputation since its initial critical savaging and box office disaster, but most Peaks books still - of necessity - treat it as an offshoot of the series (occasionally, it's even sidelined as an irrelevant tangent). Certainly no tome took the film as its sole focus until now. Two books have been published since the premiere of The Return in 2017, one by Maura McHugh for the Midnight Marauders series (which I've not yet read but am looking forward to) and the other by Lindsay Hallam for the Devil's Advocates series.

Devil's Advocates - Twin Peaks: Fire Walk With Me is primarily divided into four big chapters: "Filled With Secrets: Fire Walk With Me as a Twin Peaks Film"; "Cherry Pie Wrapped in Barbed Wire: Fire Walk With Me as a Horror Movie"; "'Since I was Twelve': Fire Walk With Me as a Trauma Film"; and "We Live Inside a Dream: Fire Walk With Me as a David Lynch Film". These thematic studies are interspersed with a selective study of the film's plot (not exactly chronological, different scenes are aligned with different topics) and make ample use of both an overflowing bibliography and Hallam's own keen insight; the book manages the neat trick of being a grand survey and a personal perspective. Hallam, a British film scholar who specializes in horror and trauma cinema, doesn't just cite her fellow authors, she engages directly with their words: amplifying arguments, contesting claims, and connecting different points of view. She concludes her study by looking at the paratexts that surround the film (including not just the original series and supplemental spin-offs but Showtime's 2017 third season) and, perhaps most interestingly, tracing Fire Walk With Me's echoes in recent art horror films like It Follows and Personal Shopper.

While her scholarship breaks new ground, Hallam's enthusiasm is also contagious. She's a diehard Twin Peaks fans going back to her teenage years in Australian suburbia. We decided to start our conversation not in the bracing clarity of her final analysis, but the intoxicating confusion of her first encounter...

Wednesday, November 14, 2018

Patreon update #46 (Fire Walk With Me in Season 3, Pyaasa & more) and preview of Renee/Jade/Knox character studies


I planned to have a big "Other Topics" section this week covering the midterms, lots of podcast recommendations, and some random subjects that came up recently on Twitter or elsewhere, followed by more listener feedback next week. However, each of those efforts have been pushed back a week because my "Twin Peaks Reflections" and "Opening the Archive" segments are both longer than usual. For the first, I delve into my recent piece on Fire Walk With Me mofits in The Return; for the second, I revisit a 2013 review of an Indian film that has just been added to MUBI. See you next week - before Thanksgiving - for a 90th anniversary film in focus!





Line-up for Episode 45

INTRO

WEEKLY UPDATE/recent posts: Twin Peaks: The Return & Twin Peaks: Fire Walk With Me

WEEKLY UPDATE/Patreon: 2nd tier biweekly preview - Renee/Jade/Knox

WEEKLY UPDATE/work in progress: Lady Bird review, Cinepoem, picture galleries

TWIN PEAKS REFLECTIONS: Fire Walk With Me in season 3

OPENING THE ARCHIVE: Pyaasa

OUTRO

Saturday, November 10, 2018

Twin Peaks: Fire Walk With Me and Twin Peaks: The Return


This is the fourth entry in 5 Weeks of Fire Walk With Me. Next week I will conclude this series by interviewing Lindsay Hallam, author of a book about the film in the Devil's Advocate series.

Sixteen and a half episodes into Showtime's revival of Twin Peaks, FBI Agent Dale Cooper (Kyle MacLachlan) - the unquestioned (if multifaceted) hero of this series, as well as the old one (two seasons, 1990-91) - is speaking to a character who never appeared in the old show yet whose familiarity is taken for granted. Portrayed by a monstrous steam-spewing machine (whose spout Lynch says he regrets; "I wish I'd just made it straight, because everyone thinks it's a teakettle"), and articulated by voice actor Nathan Frizzell, yet visualized in flashback as none other than late pop legend David Bowie, this "Phillip Jeffries" is sending Cooper back to a particular date: February 23, 1989. Cooper's one-armed companion (Al Strobel, Jr.) intones, "Eeee-lec-tric-ity..." - a curious motif for anyone who came to this decades-delayed third season after close study of seasons one and two (in the old series owls, not electrical currents, were the harbingers of spiritual energy between two worlds).

And then our protagonist closes his eyes as the camera pushes toward him, a whoosing sound filling the soundtrack before we realize it belongs to a ceiling fan. Another sound emerges - a motorcycle - and we are faced with perhaps the most important, if infrequently-glimpsed, location in this two-part finale, perhaps in the whole series. It is, we have previously been told (in parts two and twelve), the Palmer family household even though it's a distinctly different house than the one used in the classic first and second season. And then we see actors: Sheryl Lee, Ray Wise, and James Marshall (as Laura and Leland Palmer and James Hurley, respectively); all have been glimpsed in earlier parts of The Return but ow they look much younger, much younger than CGI or makeup could achieve. What's going on here?

This whole passage - the Bowie-initiated time travel, the view of a tall foreboding "Palmer house" ascending from a sidewalk, the actors who've leapt back in time a quarter-century - represents not only a return to the winter of '89. It is a return to Twin Peaks: Fire Walk With Me, the controversial 1992 spin-off film that was for years left out of many discussions of Twin Peaks, often treated as an odd footnote at best and an irrelevant cast-off at worst. This crucial sequence of the "third season" (as Lynch and co-creator Mark Frost call it, though Showtime's designation The Return remains catchy and telling in its own right) begins with overt references to Lynch's onetime bete noire and concludes with direct immersion into that very work.

For most of the next five minutes David Lynch (who directed only six episodes of the first two seasons, but all of the third season as well as Fire Walk With Me) will play footage from his own movie, with color and score extracted and some new shots (along with a few previously unused old ones) sprinkled throughout. Having promised (or warned) viewers before the season's May premiere that his prequel film would be very important to the new work, Lynch certainly delivers. And yet this time, his Fire Walk With Me ideas are filtered through Frost's own strong vision (rather than reinforced by Robert Engels, co-writer of the film, who came closer to Lynch's own sensibility and was generally more deferential towards him). Frost was not involved at all with the film, but now he has been able to re-interpret its motifs in collaboration with Lynch. How does this impact the prequel project's legacy as well as the new material?

What follows is an exploration of all the Fire Walk With Me references in The Return.

Friday, November 9, 2018

Patreon update #45 (Fire Walk With Me as art film, Sherilyn Fenn in Twin Peaks season 3, what is Judy? & more)


This week mostly consists of listener feedback, as readers pour forth their thoughts on Judy, Diane, Richard/Linda, Red, and much more (including a few non-Twin Peaks topics too, believe it or not!). A particular highlight is one listener's recounting of Sherilyn Fenn at a recent Eraserhead Q&A in which she divulged the most in-depth account yet of what happened in season three. I also discuss Fire Walk With Me in conjunction with several European art films and offer updates on recent work, including the next "5 Weeks of Fire Walk With Me" entry which will be published within twenty-four hours (stay tuned).




Line-up for Episode 44

INTRO following quick corrections/disclaimer 3:57 

WEEKLY UPDATE/recent posts: 4 Ways to Watch Fire Walk With Me 5:42 

WEEKLY UPDATE/Patreon: 2nd tier biweekly preview - The Cabinet of Dr. Caligari

WEEKLY UPDATE/work in progress: Mad Men viewing diary, Cinepoem, Fire Walk With Me & season 3

TWIN PEAKS REFLECTIONS: Fire Walk With Me as art film

LISTENER FEEDBACK: Sherilyn Fenn talks about season 3

OUTRO

Saturday, November 3, 2018

Patreon update #44: Halloween (+ Fire Walk With Me as horror movie, The Old Dark House & more) and preview of The Cabinet of Dr. Caligari review


Halloween horror dominates this special podcast episode; taking the week off from other topics and postponing most of the extensive listener feedback I received since Episode 42, I focus on the holiday theme in almost all sections. The film in focus was an obvious pick, with John Carpenter's unforgettable theme music leading into my musings on the first Michael Myers slasher flick. For Opening the Archive, I picked James Whale's evocatively-titled but dazzlingly idiosyncratic horror comedy The Old Dark House, reading my review from seven years ago. And "Twin Peaks Reflections" emphasizes one section of my recently published essay 4 Ways to Watch Fire Walk With Me, exploring the film's links to the horror genre. The one piece of feedback, meanwhile, shares a listener's favorite horror film (expect at least one more in the next episode).

Even the biweekly preview participates in the spooky mood with a full (and longer than usual) review of early Expressionist horror film The Cabinet of Dr. Caligari. Although I got both podcast and preview up on Patreon in time for the eve of All Hallow's Eve, by the time you're reading this cross-post we're several days into November. But like The Shape himself, the spirit of Halloween is always ready to spring out from the shadows just when you think you've finally put it to rest.


Line-up for Episode 43

INTRO

WEEKLY UPDATE/recent posts: 5 Weeks of Fire Walk With Me resumes

WEEKLY UPDATE/work in progress: lost Mad Men review, re-recorded Lindsay Hallam interview, Fire Walk With Me & season 3, finalizing 4 Ways to Watch Fire Walk With Me

TWIN PEAKS REFLECTIONS: Fire Walk With Me as a horror movie

FILM IN FOCUS: Halloween

LISTENER FEEDBACK: Listener's #1 horror film

OPENING THE ARCHIVE: The Old Dark House

OUTRO

Wednesday, October 31, 2018

4 Ways to Watch Fire Walk With Me: Art Film, Horror Movie, Lynch Project, Twin Peaks Episode


This is the third entry in 5 Weeks of Fire Walk With Me. Next week I will discuss connections between the film and the new Showtime season last year.

David Lynch's Twin Peaks: Fire Walk With Me (1992) is a confounding experience for many viewers because it can be so hard to contextualize. Cinephiles may feel too alienated from its connections to a TV series to appreciate its qualities as an art film; horror enthusiasts may be tripped up by its reliance on surreal experimentation over genre tropes; Lynchheads may be perplexed by its raw, grisly intensity, its ingredients less balanced than they are in other, equally strange entries in his oeuvre; and Twin Peaks fans may be the most bewildered of all. This is all the more true if those TV viewers came to the beloved ABC series thanks to soap opera, sci-fi, or quirky comedy but are unfamiliar with the more abrasive work of its auteur. Haunted for many years by its undeserved bad reputation, the Twin Peaks prequel wandered in the wilderness lost like a lost soul, a film without a home. The truth, however, is not so much that Fire Walk With Me doesn't belong in any of those contexts - in fact, it belongs to all of those contexts. If the movie doesn't fit neatly into any one category, it still spills over into many, in deeply fascinating ways. Here are four ways to watch Fire Walk With Me, each gripping on its own but even richer when viewed in conjunction with the others.

Inevitably, major plot points will be discussed below. And if you're hungry for an additional "Four Ways" analysis, in this case placing the movie inside different junctures of the series, check out the brilliant "The Four Placements of Fire Walk With Me" by Julius Kassendorf. My own analysis will eventually explore Fire Walk With Me's connections to the series (in the most extended section of them all), but first I want to start as far away from that perspective as possible.

Sunday, October 28, 2018

"5 Weeks of Fire Walk With Me" (finally) resumes this week


Just over a year ago, I announced a loose series of posts: "5 Weeks of Fire Walk With Me" to celebrate the release of the Twin Peaks movie as part of the Criterion Collection. Some of these pieces were more ambitious than others, and I had to pause my schedule after a couple weeks. I never thought it would take an entire year to come back!

Now, however, the remaining entries are either completely or almost ready and Halloween seemed like a good time to return, not only because the first post discusses the film within the horror genre (among several contexts) but because the last day of Fire Walk With Me's production happened to fall on October 31, which is also - believe it or not - the birthday of both the actors who played Bob and the Man From Another Place.

So this Wednesday, look for "4 Ways to Watch Fire Walk With Me," a study of the film in light of art cinema, horror, Lynch's filmography, and Twin Peaks. The following week, hopefully by Wednesday, I will publish "Twin Peaks: Fire Walk With Me and Twin Peaks: The Return," a collection of connections between the film and the third season (which featured many callbacks). And finally, in a concluding entry that wouldn't have been possible if the series stayed on schedule last year, I will interview Lindsay Hallam, author of Twin Peaks: Fire Walk With Me, a new book in the "Devil's Advocate" series.

See you in three days.

Friday, October 26, 2018

Patreon update #43 (The Shining, Cooper & Mr. C, the year after Twin Peaks, Hill Street Blues early season 4, Mimi, Schitt's Creek, "race vs. class" on the left, podcast recommendations & more)


This was intended to be a light episode but it ended up being kind of packed. The "other topics" section is vast this week, despite mostly limiting itself to very recent media intake. This includes the unsettling French film Mimi, the comedy series Schitt's Creek, and an extended discussion of Hill Street Blues' early fourth season, including another Mark Frost-penned episode (although he was also story editor for all the episodes this season). There are also a load of new podcast recommendations alongside a reflection on some recent Twitter beef involving the hoary "race vs. class" debate that has only worsened since 2016 while taking on new (and in my mind lopsided) manifestations.

For "Twin Peaks Reflections" I go broad, surveying the past year for a general discussion of what the fallout from The Return has looked like. I read some listener feedback on that Showtime season and close out the program with an apropos reading of my 2010 essay on my "#1 horror film" The Shining (although a year later, it didn't even show up in a top 100 films of all time list alongside Rosemary's Baby or Fire Walk With Me - so who knows about these things). I'm hoping there will be much more Halloween programming in a few days but it might be difficult to complete the work in time. Wish me luck and maybe I'll have a treat instead of a trick for listeners early next week.


INTRO

WEEKLY UPDATE/Patreon: thread of biweekly previews

WEEKLY UPDATE/work in progress: Mad Men viewing diary, The Cabinet of Dr. Caligari review, notes on Hill Street Blues

TWIN PEAKS REFLECTIONS: the past year of post-Return Twin Peaks fandom, plans for season 1/2 rewatch

LISTENER FEEDBACK: Cooper & Mr. C, Leland & Cooper

OTHER TOPICS: Mimi, Schitt's Creek, Hill Street Blues, Blue Rose magazine's Women of Lynch, Twitter arguments about race & class, podcast recommendations

OPENING THE ARCHIVE: The Shining

OUTRO

Thursday, October 18, 2018

Patreon update #42: Gattaca (+ The Contender, Kavanaugh hearings, Twin Peaks interviews, podcast recommendations & more) and preview of Daguerréotypes review


The Ethan Hawke film in focus series continues for its second month; October's selection is Gattaca, the 1997 sci-fi film in which Hawke plays a genetically "deficient" young man who passes as someone else. Enmeshed in a murder mystery while awaiting an imminent trip into outer space (and romancing Uma Thurman in a very hip nineties pairing), he's pulled in two directions at once. At the end of this podcast, after discussing podcasts about the recent Brett Kavanaugh judicial confirmation, I revisit my 2008 review of The Contender about a scandal-plagued vice presidential candidate tormented by a Republican political inquisition (this is a film I thought for all the world had been written by Aaron Sorkin until about three hours ago). I also have quite a lot of listener feedback this week, in response to several different episodes, and for "Twin Peaks Reflections" I look back over the interviews I've conducted with Twin Peaks scholars since 2014.

The biweekly preview, meanwhile, is an Agnes Varda documentary about shopkeepers - another full review, and the twentieth preview this year. Now is a good time to become a $5 patron because I have yet to publish any of the pieces I've previewed since January: that's roughly thirty-five pages of written material, a dozen or so images, and a couple minutes of video essay footage only available to members of the second tier. Be the first one on your block to get a sneak peek!





Line-up for Episode 41

INTRO

WEEKLY UPDATE/recent posts: updated TV/director directories & Top Posts

WEEKLY UPDATE/Patreon: 2nd tier biweekly preview - Daguerreotypes

WEEKLY UPDATE/work in progress: Boyhood for Patreon, choosing next Cinepoem, The Revolution Will Not Be Televised review, finished Twin Peaks character runners-up

TWIN PEAKS REFLECTIONS: history of Twin Peaks interviews

FILM IN FOCUS: Gattaca

LISTENER FEEDBACK: patrons switching places at the diner, the actor in Carrie's house is not the hitman, Frost's knowledge of casting, Dead Poets Society, the existence of good and evil, Great Expectations, season 1/2 rewatch for Twin Peaks Reflections?, FWWM early draft, I Love the 90s w/ Twin Peaks theme

OTHER TOPICS: Podcast recommendations, Judge Kavanaugh's confirmation

OPENING THE ARCHIVE: The Contender (w/ 2018 reflections)

OUTRO