Lost in the Movies: End of Evangelion entry
Showing posts with label End of Evangelion entry. Show all posts
Showing posts with label End of Evangelion entry. Show all posts

Neon Genesis Evangelion - The End of Evangelion, Part 3 of 3: discussion w/ Bob Clark on the film's characters


This series is an episode guide to the Japanese anime television show Neon Genesis Evangelion (1995 - 96) and the spin-off films. Each entry includes my own reflection on the episode, followed by a conversation with fellow bloggers Bob Clark and Murderous Ink.

Foreward: Ending the Evangelion conversations

Three years ago this week, on November 2, 2012, I published my first conversation with Bob Clark on the subject of Neon Genesis Evangelion, episode 1. He was the one who introduced me to the show a year earlier and when I decided to do an episode guide (my first since Twin Peaks in 2008) I realized that it would be good to have him on board. He was much more familiar with the series than I was, and perhaps even more importantly he had a grounding in both the conventions of the anime genre and the techniques of animation in general.

We conducted seven chats to accompany the first seven episodes and then took what I expected to be a short break over the holidays while I worked on a short film and devoted my blog to promoting it. Starting ongoing series without having the end already in sight is a big risk, and sure enough nearly a year and a half passed before Bob and I got back into the flow of things by discussing episode 8 (this time, we also brought the Japanese film blogger Murderous Ink in to offer additional comments - his last contribution was shared yesterday).

That was the spring of 2014, when I was just beginning to fall under the spell of Twin Peaks again (a bigger obsession than anything I've experienced in the past decade) and so after we reached episode 16, the Evangelion project paused once again. This time I had been wise enough to hold off on publishing our discussions, knowing that I didn't want to do so until we had covered everything through the finale and follow-up film at which point I could leisurely schedule the entries on a weekly basis without any further hiatuses.

The opportunity finally arrived this spring, a year after our last pause. This time I was able to give Evangelion the attention it deserved, exploring the fandom and the mythology in a way I never had before (even though I'd watched the series several times up to that point). Bob's and my conversations grew even longer and more intense as we reached the final stretch of the series climaxing with a chat on The End of Evangelion that spanned several hours over two different nights.

The first part of that discussion - dwelling on the themes, motifs, techniques, and mythology of the show - went up yesterday. Today's conclusion focuses on the characters - specifically very brief discussions of Ritsuko and Gendo, longer discussions of Misato, Kaworu, and Rei and a very long, in-depth discussion of Asuka, before concluding with our reflections on the enigmatic Yui. Shinji, of course, figures into most of these different character sections as well.

And with that, my conversations on Neon Genesis Evangelion with Bob Clark - which have formed the core of this episode guide since its inception - will come to an end. In the future, due to logistics and my desire to quickly build up a bigger backlog, I don't plan on doing episodic discussions for my TV viewing diaries...but I am hoping to have series-spanning conversations whenever I finish a show, both with Bob and with other contributors as I go. Next up is The Prisoner, and now that the end of this Evangelion series is in sight maybe I will finally start watching it so that I'm ready to start posting the entries in a month!

Meanwhile, the Evangelion series will continue for another four weeks, as I will offer solo reviews of each Rebuild film before wrapping up with a full directory for the entire series, gathering all the entries in one convenient location. But first, here is my most extensive conversation yet with Bob, a final look at the personalities and themes that made The End of Evangelion, and the show that inspired it, so great.

Final conversation with Bob Clark (part 2)

Neon Genesis Evangelion - The End of Evangelion, Part 2 of 3: discussion w/ Bob Clark on the film's style & story (+ final comment from Murderous Ink)


This series is an episode guide to the Japanese anime television show Neon Genesis Evangelion (1995 - 96) and the spin-off films. Each entry includes my own reflection on the episode, followed by a conversation with fellow bloggers Bob Clark and Murderous Ink.

Yesterday I posted my weekly Neon Genesis Evangelion review, on the film The End of Evangelion. My conversation with Bob Clark was so lengthy this week that for the first time I separated it from the review (which was also longer than usual) and split it in two. Today we discuss the film's animation, visual motifs, music, mythology, and the whole mind-boggling concept of Human Instrumentality. Tomorrow the discussion will conclude as we focus on the various characters of Evangelion. Both chats will focus on the film but also occasionally dip back into the series to reference open or unresolved points.

But first, here is Murderous Ink's final contribution to the Neon Genesis Evangelion series:

Neon Genesis Evangelion - The End of Evangelion, Part 1 of 3: My Review (discussion w/ Bob Clark begins tomorrow)



This series is an episode guide to the Japanese anime television show Neon Genesis Evangelion (1995 - 96) and the spin-off films. Each entry includes my own reflection on the episode, followed by a conversation with fellow bloggers Bob Clark and Murderous Ink.

From its first few minutes, Neon Genesis Evangelion has alternated between meditative stillness and frenetic activity. Appropriately then, it's hard to tell if The End of Evangelion - the feature film produced a year after the series ended - takes its sweet time or moves so fast that it leaves us in the dust. Hideaki Anno certainly enjoys making us wait, even if he isn't always to blame: the nature of this vast co-production forces us to sit through a full minute and a half of logos before the film actually begins (aside from this litany of production companies, there are no opening credits). The DVD edition makes us wait even longer by attaching the film's trailer to the beginning of the movie - a trailer which perversely features only live action; the women onscreen are the voice actors appearing as their characters in a mundane alternate universe mostly cut from the movie. Shinji is the first character we see in the actual movie, but the broken boy's eyes are hidden by his bangs in the first shot, and they will mostly remain hidden for about thirty minutes. Likewise, Shinji will barely speak in the first half of the film even though his banshee-like scream closes it with a bang. And yet while Shinji sleepwalks, the world around him collapses.

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