Lost in the Movies: December 2020

belated December 2020 Patreon podcasts: LOST IN TWIN PEAKS #23 - Season 2 Episode 15 and LOST IN THE MOVIES #74 - Twin Peaks Cinema: Rashomon (+ Twin Peaks Reflections: Leland, Albert, Donna, Twin Peaks & Deer Meadow sheriff stations, One-Armed Man/Season 3 Part 17 & more)


UPDATE 1/2: The "Twin Peaks Cinema: RASHOMON" episode of Lost in the Movies was just published.

As the Lost in Twin Peaks podcast reaches the infamous Diane Keaton episode, there's a lot to discuss both onscreen (many people, including myself, have much to say about Keaton's unusual approach to the series) and off. The height of the Gulf War leads to one of my longer "historical context" sections taking a detour not just through 1991's war on the Arabian peninsula but also America's ambivalent relationship to the conflict between the Provisional IRA and the British government. That's for the top tier; for $1/month patrons, six months behind, I'm finally unveiling my coverage of the episode where Laura's killer is captured. That podcast is split into two parts and was opened up on the first day of the month, to commemorate the thirtieth anniversary of the episode's airing in 1990. On the other end of the month, my main monthly episode of Lost in the Movies (patron edition) is not quite ready for New Year's Eve though it should be available sometime this weekend; watch this space...

There's been a diverse array of "Twin Peaks Cinema" selections this year, and this month is no exception, switching gears from a surreal Robert Altman slice of New Hollywood to a blockbuster time travel comedy to an anime art/exploitation musical to, now, an iconic classic of world art cinema. On the other hand there's some continuity between last month's and this month's films: both Belladonna of Sadness and Rashomon are conceptually bold Japanese films set in medieval times, depicting sexual violence with a tinge of the supernatural (one of several commonalities with Twin Peaks: Fire Walk With Me in particular). Akira Kurosawa's international breakthrough is most famous for presenting multiple viewpoints on the same event, and in that sense it also anticipates the work of David Lynch; in an archive reading of a review from nearly a decade ago, I lay out how its scenario may be less "who's to say" than its reputation generally holds. Elsewhere in the podcast I cover characters, locations, and storylines tied to the conclusion of Twin Peaks' Laura Palmer arc; the long-promised film capsules, podcast recommendations, political reflections, and feedback readings will have to wait until January since my work on the most ambitious Journey Through Twin Peaks chapter yet has taken me right up to this month's deadline (and a bit past, in the case of this main podcast). See you in 2021.
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Images from a return to Twin Peaks (1 of 2): The In-Between Years and a Detour into Lynchland


The second collection, to be published here in March, will feature many other screenshots from Part 5

Here are screenshots of all the juxtapositions, superimpositions, titles, collage-like mosaics or other visual manipulations from the first half of my video essay series Journey Through Twin Peaks Part 5 - "Over the Mountain Pass". I included (far fewer) image highlights with the cross-posts for Parts 1, 2, and 3; for Part 4 I needed a whole separate post full of screenshots and now I obviously need double that for Part 5! I'll share the second half in a week or two (update: postponed by several months), depending on when I finish the last of these videos. You can see these images in their original video context in my cross-posts for chapters 29, 30, and 31-33. However, these images aren't simply teasers for the videos - I hope in this format, where they can be lingered over, they fuel new contemplation and enjoyment.

Though most of this line-up appears in the order of the videos, it begins with one of the most fun passages to create, in which I juxtapose Lynch's stylistic evolution over the course of his film career from 1977 to 2006 with the six Twin Peaks episodes he directed in 1990 and 1991. It's amazing how they serve as a microcosm of that larger pattern.

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First Reformed (LOST IN THE MOVIES podcast #12)



My Ethan Hawke retrospective ends here after eight films - and this is both the most recent and easily my favorite of the bunch. The wintry, spare nature of Paul Schrader's vision might suggest this is a minimalist movie but that description doesn't nearly suffice for a work of art so achingly bursting with ideas, moods, and strange yet familiar associations. Most of that will have to be saved for later analyses; I can only barely scratch the surface in a short podcast review. This is essentially a preliminary reaction to an extraordinary movie...First Reformed, the vivid, crazy, gorgeous 2017 story of a Protestant pastor's crisis of faith (in the world rather than his religion) is a subject I hope to write, create videos, and otherwise talk about for years to come. But I wanted to record my first reaction, a few months after a single viewing. Listeners wrote in when I originally shared this on my patron podcast, and I've included their feedback at the end of this public episode. I see this as the beginning of a discussion, and hope anyone reading this who has thoughts and feelings about this film - and how could you not? - will send them my way. Let's keep that discussion going.


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You can also listen on Pinecast and Spotify


This will probably be the last public podcast of the year although I may, but probably won't, produce a bonus episode around New Year's. A new season beginning on January 13 - to be collected from random reviews rather than a thematic grouping (I'll save another of those for next fall).


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November 2020 Patreon podcasts: LOST IN TWIN PEAKS #22 - Season 2 Episode 14 and LOST IN THE MOVIES #73 - Twin Peaks Cinema: Belladonna of Sadness (+ Twin Peaks Reflections: Norma, Vivian, Ernie, Red Diamond City Motel, Golf course, MT Wentz/The Final Dossier, The Devil's Bride & more)


In a radical departure from the cheeky, if at times apocalyptic, fun of Back to the Future Part II last month, November's "Twin Peaks Cinema" hones in on the dark psychological and avant-garde experimental aspects of Twin Peaks. When I selected it based purely on the Turner Classic Movies description, I was completely unfamiliar with Belladonna of Sadness, an explicit Japanenese mytho-psychodrama anime from the early seventies. The film tells the tragic story of a young peasant woman in France who survives a traumatic gang rape at the lord's castle, and the subsequent demonic visitations of a phallic creature who may be her own Id or Satan himself, in order to become a witch with healing powers. Full of psychedelic imagery and music evoking both earlier and later productions like Faust, Yellow Submarine, End of Evangelion, and The Witch, the film's biggest tie-in to Twin Peaks turned out to be literary, evoking Laura's struggles with BOB on the pages of Jennifer Lynch's Secret Diary.

Although I use the witch theme to connect to the archive reading of my Devil's Bride review, elsewhere the podcast tackles some relatively lighter fare - Norma Jennings' fraught relationship with her stepfather and (step?)mother, as well as how Mark Frost's later books further complicate this dynamic. In the Twin Peaks Reflections location studies, Twin Peaks' golf course and the Red Diamond City Motel (although I forgot to include that enticing "city" in the recording!) provide dual lens through which to view Leland's troubled consciousness, a theme I explore more deeply in another of this month's podcasts - my episode 15 coverage for Lost in Twin Peaks, opened to all patrons on the thirtieth anniversary of its airing. Meanwhile, the spear's tip of that rewatch (for $5/month patrons) advances to episode 21, which includes reflections not just on the troubled midseason material but also random tangents such as the American public's reaction to the ongoing Gulf War, a German left-wing terrorist group's idiomatic influence, and an abandoned cop show starring Rowdy Roddy Piper and Jesse Ventura. It's always fun to see where a particular episode leads us...







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Mark Frost's Storyville (TWIN PEAKS CINEMA podcast #2/LOST IN THE MOVIES podcast #11)



I originally planned to conclude my Ethan Hawke retrospective this week with a podcast on First Reformed. However, I've decided to postpone this until mid-December (it will be the next episode, in two weeks) because the timing of my upcoming video essay on Mark Frost provided a better tie-in for this moment. Storyville is a political thriller set in New Orleans and depicting the young scion of a grand political dynasty whose troubled Congressional campaign leads him into murder, blackmail, sexual trafficking, corruption, and his own dark family history. Starring James Spader, Joanne Whalley-Killmer, Jason Robards, Charles Haid, Michael Warren, and Twin Peaks alumni like Piper Laurie and Michael Parks, this was Frost's first - and only - cinematic feature film as a director and it's an absorbing tale that never got its due at the time due to behind-the-scenes shenanigans. As the second entry in my public "Twin Peaks Cinema" series (the first covered four films by Peaks episode directors), this episode discusses Storyville's relationship to the show Frost created, from characters to storylines to cast and crew to its role in Frost's own career trajectory. That last topic, by the way, will be explored visually as well as aurally within the next week or two so stay tuned. The final "missing" chapter of Journey Through Twin Peaks Part 5 is underway right now.

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