Lost in the Movies: creamed corn & the universe
Showing posts with label creamed corn & the universe. Show all posts
Showing posts with label creamed corn & the universe. Show all posts

Gadgets and Symbols in Twin Peaks (and our lives) • group discussion on objects & much more w/ the "Twin Peaks Grammar" Artists Love Twin Peaks podcast (+ guests Colin, Alison Ivy, Heather Jones, Tommy Jones, Steven Miller & Josh Minton)


Sometimes Anthony, the host of the "Twin Peaks Grammar" YouTube channel, provides an ornate, intense structure for our discussions and sometimes he takes a looser approach to see what bubbles up. This conversation heads in the latter direction - providing some visual reminders of various objects through three seasons and a film but letting the conversation flow where we want to go: not just toward analysis of tokens like the Owl Cave ring but also the process of tracking down props, the ways in which the show's iconography brings fans together, theories of who dreams this narrative, and how this may or may not relate to Carl Jung. Following quickly on the heels of the last group chat just a few weeks ago, this recording includes several of the same participants - Alison, Tommy, myself - along with some new or returning guests. Twin Peaks Blog author and location/prop hunter extraordinaire Steven offers insight into the real-life objects of the show and Dreamer's Diary podcast host Tommy is joined by his wife and co-host Heather. Colin returns to rep the Creamed Corn and the Universe podcast, where I've had several exchanges with him alongside appearances on this channel and my own podcast; likewise Josh and I have spoken across a couple different podcasts. Like last time, I joined late but on this occasion I stuck around until the end for some more deep dives down various rabbit holes with both Anthony and Tommy. (At which point I reference my montage integrating Kyle MacLachlan and Laura Dern in Blue Velvet and The Return, as well as the film/book A Dangerous Method - here's my review of that one.)


In addition to that video, Anthony also posted this episode in audio form on the Artists Love Twin Peaks feed.

Update 2026: The audio-only version is not currently available on Apple Podcasts, though it may be on other platforms.


The Impossible Life of Robert Jacoby, 1927/31/40 - 1969/86? • discussion w/ Creamed Corn and the Universe podcast



Visit/download the episode on Apple Podcasts, Spotify, or other platforms

My past two appearances on Creamed Corn and the Universe, at host Colin's suggestion, have covered two of the most obscure characters in the Twin Peaks universe in very different ways and for very different reasons. Yet both provide a rich field for discussion. Following my episode on Ronette's angel - who is about the most purely "David Lynch" that a character can be - I'm back to talk about Robert Jacoby, a quintessential Mark Frost creation. Robert is equally fascinating and frustrating for me. Given by obsession with chronology I can't help but be driven crazy by the inconsistencies exhibited by Dr. Lawrence Jacoby's brother, a reporter for the Twin Peaks Gazette (later the Twin Peaks Post), as featured in The Secret History of Twin Peaks. Within single articles, indeed within single paragraphs, the character himself completely contradicts his age and the order of events in his own life. Is this just sloppiness on the author's part, or is there some larger thematic thread to draw here? Can both be true? As Colin and I talked, we found ourselves more and more enmeshed in a reading which tied the character to a larger theme of avoidance and deception (self- and otherwise). This conversation is a great example of discovering a thesis in the process of hashing out the details. I hope you have as much fun listening to this as I did recording it.

Four Great Scenes to Enjoy • group discussion w/ the "Twin Peaks Grammar" Artists Love Twin Peaks podcast (w/ guests Colin, Andrew Cook & John Thorne)


A couple weeks ago, Anthony - the host of the "Twin Peaks Grammar" YouTube channel - suggested a "scene analysis idea". What if a group of commentators got together, each picking a different scene, and each focusing on a particular formal element (editing, cinematography, performance, and so on). The idea stuck with me after I listened and I encouraged Anthony to pursue the concept. And so he did, as a birthday present to himself, featuring not just both of us - for the fourth time after his guest appearance, mine, and another group discussion - but also Wrapped in Plastic publisher (and my own frequent guest) John Thorne, Creamed Corn and the Universe podcast host Colin (with whom I've previously discussed Sarah Palmer and Ronette's angel, in addition to his project more broadly), and film/TV commentator Andrew Cook (with whom I've previously discussed Eyes Wide Shut and Southland Tales).


With links to the discussion timecodes (the clips themselves can be watched here and here), John selected the Winkie's diner exchange and trip out back from Mulholland Drive, Andrew the Tremond's Meals on Wheels scene from the original series of Twin Peaks, myself the Mike in traffic/Teresa flashback sequence from the prequel film Twin Peaks: Fire Walk With Me, and Anthony the nighttime Cooper/statue passage from Twin Peaks: The Return (Colin joined last-minute and took part in the commentary without picking a scene himself). Before each clip, we'd choose our focus and begin with observations on that before expanding to a broader back and forth. This was a great conversation, and hopefully a format that will be pursued in the future with other guests, scenes, and even concepts (I'd love to see this applied to non-Peaks work as well, even to scenes from films the guests aren't familiar with and are watching for the first time).

In addition to this YouTube video, Anthony has also posted this episode in audio form on the Artists Love Twin Peaks feed.

Update 2026: The audio-only version is not currently available on Apple Podcasts, though it may be on other platforms.


On a side note (mentioned at the end of the episode), this week I've been conducting a poll on Patreon for the $5/month tier to determine what film I'll cover for this month's reward. Based on suggestions from patrons, so far The Red Shoes is in the lead but others include Brick, City of Pirates, May December, Punch Drunk Love, Ruthless, and Trenque Lauquen. Make sure to jump in if you're interested, as the poll closes at noon on Friday.

Who Summons Ronette's Guardian Angel? • discussion w/ Creamed Corn and the Universe podcast


Visit/download the episode on Apple Podcasts

A year after my last visit to the Creamed Corn and the Universe podcast, in which we discussed Sarah Palmer from childhood to old age, I'm back to focus on another character: in this case, one who only appears for a few seconds in the film Twin Peaks: Fire Walk With Me. Nonetheless, I consider those few seconds perhaps the most important in the entire fifty-hour story, so I was thrilled that Colin invited me back for this particular episode. We set the stage by talking about Ronette and her relationship to Laura before exploring the nature of Ronette's prayer and what it may have to do with her angel's appearance (as well as why the angel looks the way it does). And we examine how the angel's presence ripples out into the original series which takes place after the prequel as well as into the third season and its confusing timelines and universes (one of which may or may not bring Ronette back into the story as "American Girl").

Given its importance to my reading of Laura's arc in particular, the angel in the train car has come up in my climactic Journey Through Twin Peaks chapter as well as an extensive, in-depth podcast episode of my own - as well as some additional thoughts which don't really come up here, on how Cooper's big moment in the Lodge may echo Laura's in the train car (is Bob his version of the manifested angel?). For his part, Colin has already devoted an entire episode to Ronette herself with guest Cheryl Lee Latter, and he has plans for another on the angel Laura sees in the Red Room). Nonetheless, this exchange brought new ideas to light as Colin prompted me to wonder what it means for Agent Cooper's intervention to take Ronette's angel away - or at least to present a world in which that is a possibility.

Catching Big Fish in Twin Peaks • group discussion w/ the "Twin Peaks Grammar" Artists Love Twin Peaks podcast (w/ guests Colin, Alison Ivy, Josh Minton, John Thorne)


Four months after my last guest appearance on the YouTube channel "Twin Peaks Grammar", host Anthony invited me back - this time for a lively, three-hour group chat. Most of the participants I'd spoken with before (either on their shows or others) but never in this particular configuration, and the result was a wide-ranging consideration of topics including Cooper's experiences in the Red Room; the Fireman's role in this universe; the confused identities of Phillip Gerard, Mike, the Arm, and the Evolution of the Arm; and of course, that perpetual inquiry: "What year is it?" These questions are just a small sample (I'll list the full line-up below) but the answers, non-answers, and further questions were all fun to consider.


TWIN PEAKS CONVERSATIONS #15 w/ Colin, host of Creamed Corn and the Universe (YouTube & extended PATREON)


It doesn't seem so long ago for those of us who anticipated, watched, and afterwards reflected on 2017's limited series Twin Peaks revival (season three, The Return, call it while you will). And yet it's been five years, long enough for new viewers to stumble across the show, watch it in its entirety as a single piece, and become superfans. Colin, who only began his Creamed Corn and the Universe podcast about six months ago, is one of the most prominent examples of this. He first viewed Twin Peaks in late 2019 (!) and has become so fluent in its world that his weekly podcast can afford to devote in-depth episodes to fleeting figures from the show or even the books (including real historical figures from The Secret History). Colin had me on his show in October to discuss Sarah Palmer, and in this installment of my own podcast I return the favor. We chat not only about his approach to podcasting but also his experience with other David Lynch films (especially Mulholland Drive), the crossover/rivalry between Lynch and Quentin Tarantino, and my fascination with - along with his experience as - this new generation of fans coming to Peaks as a complete work stretching from the pilot to Part 18...

PART 1 on YouTube

Exclusive to the $5/month tier, the back half of the conversation deep dives into many of these topics and even includes an inside on the value of public libraries!

Listen to...


Listen to Colin's podcast Creamed Corn and the Universe



The Many Faces of Sarah Palmer • discussion w/ the Creamed Corn and the Universe podcast (+ status update: Lost in Twin Peaks returns)


Visit/download the episode on Apple Podcasts

Perhaps no Twin Peaks character presents more paradoxes and possibilities than Sarah Palmer. When Colin, the host of Creamed Corn and the Universe, asked me to choose a subject for this episode, Sarah was an easy pick. Colin's format focuses on (for the most part) a different character each week, tracing their journey chronologically within the text(s). Her breadth has few rivals. Sarah appears across a half-dozen pieces of Peaks media - the two original seasons and the belated third, the film and deleted seasons, Jennifer Lynch's novel The Secret Diary of Laura Palmer and Mark Frost's novel The Final Dossier. She even shows up in Between Two Worlds, Lynch's interview with the Palmer actors - in character - which was released on The Entire Mystery blu-ray set before The Return was announced. If you accept that she is indeed the "New Mexico Girl" of Part 8 (as Frost unambiguously asserts) then we may see more of her lifespan than any other character - not just in Frost's written backstory but illustrated in the aforementioned variety of media. And when Sarah calls to her daughter in the pilot, she becomes the first person to introduce us to Laura as a person (not just an icon, as she is initially presented); much later, Sarah's offscreen voice will speak the last words we hear in all of Twin Peaks - the very same ones (indeed, the exact same clip) that accompanied her first appearance in 1990.

Despite all of that, and despite her presence at crucial junctures throughout - shouting at Leland at the funeral, lying on the floor as Maddy is murdered, delivering a message to Major Briggs when Cooper is in the Lodge, and smashing Laura's portrait when Cooper tries to take her "home" - Sarah's presence in Twin Peaks is surprisingly fleeting and sporadic. Her memorable guest spots are sprinkled sparingly throughout the TV show and while The Return hints at a more central role in its mythos she remains on the margins. So who is Sarah Palmer? An evil demon? An innocent victim? Something more complicated? Colin and I had a great, expansive discussion on the topic, resulting in one of his longest episodes (after which I invited him as a guest on my own Twin Peaks Conversations, an episode released around the same time). I hope you find this as illuminating as I did in the process of recording, realizing or crystallizing concepts for the first time myself as we went back and forth.


Meanwhile, this week I accidentally published an advance episode of Lost in Twin Peaks, digging into the characters and event order of The Return's Part 11. This was quickly deleted and re-scheduled, but I thought I should offer a clarification so I uploaded the following announcement; my daily/weekly episode-by-episode podcast will be back tomorrow, running exactly through the end of the year by concluding on New Year's Eve (the plan for season two to go public, however, is deeply in doubt). Listen to the details here:


While I haven't yet properly cross-posted many of my other recent podcasts with introductions and illustrations (I'm saving those for successive Sundays from now on), they have been going up on Patreon and I might as well mention them here - a belated and much-belated two-part "September" episode on seventies, eighties, and nineties films; three more advance character studies; a Halloween special focused on a Coppola classic; and the second part of the aforementioned follow-up conversation with Colin. I also finally updated all of my directories to reflect the busy past couple weeks.

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