Lost in the Movies

March 2024 Patreon round-up: EXCLUSIVE - Films in Focus podcast #2: May December + ADVANCE - TWIN PEAKS Character Series advance


Although as you read this the ceremony is now several weeks in the past, at the time of writing I've just watched the Academy Awards last night. Though my awards season viewing got off to a strong start last summer with the "Barbenheimer" phenomenon, I didn't catch up with most of the other Oscar nominees - neither seeing nor (obviously therefore) covering the bulk of the list. Killers of the Flower Moon I've been anticipating, but awaiting a forthcoming conversation on Patreon before I dive into that. (Speaking of Patreon conversations, I did see and plan on soon discussing two of the delightful Japanese winners of the night - The Boy and the Heron for animated feature and Godzilla Minus One for visual effects, whose toy-wielding win genre icon John Carpenter himself celebrated on Twitter.) No Poor Things, no The Holdovers, no Anatomy of a Fall, no Zone of Interest (also a contender among March's patron requests, with my interest further piqued after last night's win for International Film and much-praised Sound - as well as Jonathan Glazer's undeservedly controversial acceptance speech). With all that said, I did manage to catch the film that Anatomy of a Fall beat for Best Original Screenplay. A couple months after first requesting it, patron Walker White's suggestion of May December made it to a runoff and then ran away with the follow-up poll to become my March selection.

That the film, directed by veteran Todd Haynes and written by newcomer Samy Burch, didn't garner as much nomination glory as expected (especially for the actors) is both surprising and maybe, some writers have suggested, revealing. Although set in Georgia, the story of Gracie Atherton-Yoo (Julianne Moore), a woman who spent years in prison for having sex with then-thirteen, now-grown (and married to her, with three kids) Joe Yoo (Charles Melton) is filtered through the lens of actress Elizabeth Berry (Natalie Portman), who has arrived in town to study and perhaps interfere with the family's life as she researches an upcoming role. I was struck by both the film's revelations and its unknowns - the long in-between years, the ambiguous truths and falsehoods characters tell themselves and one another - and I appreciated the opportunity to dig into these and other questions. Alongside this podcast, the second in my every-other-month Films in Focus series exclusive to the top tier, I also shared another advance Twin Peaks character study with all patrons...


What are the March rewards?

belated February 2024 Patreon round-up: EXCLUSIVE - True Detective: Night Country viewing diary (second part) + TWIN PEAKS Character Series advance


Although I offered a couple standalone sci-fi episodes last fall, True Detective: Night Country is my first (but probably not my last) patron-exclusive TV season viewing diary. It's also my first episodic write-up since 2022 (my Mad Men coverage concluded two years ago as of Thursday), and my first coverage of a brand new series since 2019 (when I wrapped the Veronica Mars revival). This also allowed me to have complete coverage of the whole True Detective run after discussing the beloved first season a year after it aired and the more controversial second and third seasons in real time, offering responses in the weeks between episodes just as I did with this (also controversial) fourth season. Set in Alaska, starring Jodie Foster and Kali Reis, and involving the mysteries surrounding a vanished group of scientists and a murdered indigenous activist, Night Country is a visual delight, cultivating a rich atmosphere from its nocturnal, wintry setting. This is my favorite element of the season although I (eventually) encountered more difficulties with the plot and particularly the finale - which is frankly a True Detective tradition at this point. Whether or not you're reading this as a patron who can access my full reviews, I'd love to hear your own thoughts on Night Country. Apparently the new showrunner Issa López has been signed for another season and I'm very curious to see where the show goes next.

The second half of the series was covered for $5/month patrons in February and is linked below (for a round-up of all Night Country entries, including January's, see this cross-post). This month I also solicited requests, conducted a poll, and then narrowed the selection down to a run-off for the film I'll cover in March's $5/month tier podcast. And, a bit late for reasons that (as I explain in its intro) won't happen again, I finally cracked the top twenty Twin Peaks characters with an advance entry accessible to all patrons. This makes eleven entries on Patreon since I paused the public series at #30 last year; as I won't be resuming that public presentation until at least the fall, this is a great time to join. For $1/month (or up), you can take a dive deep into the world of Twin Peaks through the eyes of its townspeople or the occasional visitor.


What are the February rewards?

10 Years in Twin Peaks


On February 26, 2014, the (in-world) twenty-fifth anniversary of Agent Cooper's Red Room dream, I casually picked up a book and began to read it while taking the train to work. At the time I did not know it was the silver jubilee of the events in Twin Peaks (which took place in 1989, over a year before the pilot aired). Nor did I know that a blu-ray release of the series was a scheduled for that summer, and neither I nor the general public had any confirmation that the long-awaited deleted scenes from Fire Walk With Me would be on that collection. And certainly no one aside from the original creators themselves had any clue that David Lynch and Mark Frost were already hard at work on a script for a new limited series season, which would be announced that autumn. The year 2014 was destined to be the biggest year for Twin Peaks since 1990, but my own decade of Peaks enthrallment was sparked independently of all those other unknown and/or forthcoming factors. I'd finished another book the day before and decided it was finally time to pick the used copy of the Full of Secrets: Critical Approaches to Twin Peaks which had been sitting on my desk for several months. Having sat in an online cart since my first - and much briefer - burst of enthusiasm for the series in 2008, I'd finally ordered it as an afterthought, to round out a gift card purchase. When I cracked open its moonlit cover, I had no idea where this modest path would lead me.

Flash forward to today, February 26, 2024, the (in-world) thirty-fifth anniversary of Agent Cooper's Red Room dream - and the tenth anniversary of my own awakening. The Return has come and long gone, various expressions of fandom have waxed and waned, and I've spent nearly two-thirds of this site's history primarily writing, podcasting, and creating videos about Twin Peaks. I'm both grateful for what this world has given me and slightly weary of my inability to move on from it; while I wouldn't take back any of the hundreds of entries logged on every aspect of Peaks, my coverage - especially the three biggest (and still ongoing) projects - carried on far longer than I expected and have, as a result, delayed other endeavors at a time I thought they'd have long ago begun. This focus also swallowed up almost everything else; a few months ago, I felt compelled to halt all non-Peaks public writing and podcasting. There's something wryly apropos about all of this, isn't there? (Especially since my journey began on the anniversary of the Peaks hero's first glimpse of his own eventual trap in the Black Lodge.) Anyway, I've written in more detail about my personal odyssey in the first, second, and third parts of a behind-the-scenes reflection on the creation of my video series. Eventually there will be a fourth. For now, I'm deep in the weeds of my prose TWIN PEAKS Character Series (begun in 2016) - currently a month into grabbing screenshots for the top twenty. The public release of my audio Lost in Twin Peaks podcast (begun in 2019) finally capped off season three, but I still need to rewind and present season two. And the conclusion of my video Journey Through Twin Peaks (begun in 2014) still hovers on the horizon. These stories will have an ending, however slow the process of getting there.

There are satisfying pleasures and deep joys to be found by getting lost in these woods - funny and melancholy, cosmic and earthy, profound and trivial. Even if we sometimes wonder how we'll ever find a way out...

January 2024 Patreon round-up: EXCLUSIVE - Films in Focus podcast #1: The Red Shoes, True Detective: Night Country viewing diary (first part) & 2023 American Generations Reflections + TWIN PEAKS Character Series advance


January 2024 was the busiest month on my Patreon in five years - maybe ever. Not only did I offer the usual Twin Peaks character study for all patrons, kick off a new film podcast, and initiate a new reward system involving patron selections (including ten different polls or updates), I also offered bonus features for the $5/month tier: an ongoing viewing diary for the series True Detective: Night Country (the fourth season of the show whose every episode I covered in the past) and an essay reflecting on the past year in culture and politics through a generational lens. The crown jewel, however, was a podcast on Michael Powell's and Emeric Pressburger's Technicolor ballet masterpiece The Red Shoes - a film I'd never covered and barely if ever even mentioned in my previous work. Suggested by longtime patron Laurence Figgis, the popular pick cleared two rounds of voting including a run-off against Punch Drunk Love, with which it was tied after the first round. Watching this movie for the first time in decades, I was struck by the complexities of the art vs. romance, passion vs. comfort menage a trois trapping rising ballerina Victoria Page (Moira Shearer) between composer/lover Julian Craster (Marius Goring) and impresario/mentor Boris Lermontov (Anton Walbrook)...


What are the January rewards?

Now on Patreon: True Detective: Night Country viewing diary through February 25


Although pieces of it will be shared in the January and February round-ups (and the larger True Detective directory will be updated as each part is written, as will this post), I wanted to create a separate public announcement for a bonus feature on my $5/month tier. In addition to this month's official reward - currently being decided between Punch Drunk Love and The Red Shoes in this poll (ends tomorrow at noon) - every week I am going to publish a response to the new episodes of True Detective: Night Country, the fourth season of the HBO show I've covered extensively in the past. This time, the series stars Jodie Foster and Kali Reis, is written and directed by Issa Lopez rather than the show's creator Nic Pizzolatto, and follows a couple investigations in a remote corner of Alaska where the sun disappears for months at a time in the winter. My format will be slightly different than those older entries, adopting the summary/response approach I used for Mad Men and other viewing diaries, and I'm hoping these reviews will be relatively short although I did not succeed in that effort when discussing last week's premiere. Here is that entry, published yesterday, with more to come following tonight's Part 2 and Parts 3 - 6 in the coming weeks.

Four Great Scenes to Enjoy • group discussion w/ the "Twin Peaks Grammar" Artists Love Twin Peaks podcast (w/ guests Colin, Andrew Cook & John Thorne)


A couple weeks ago, Anthony - the host of the "Twin Peaks Grammar" YouTube channel - suggested a "scene analysis idea". What if a group of commentators got together, each picking a different scene, and each focusing on a particular formal element (editing, cinematography, performance, and so on). The idea stuck with me after I listened and I encouraged Anthony to pursue the concept. And so he did, as a birthday present to himself, featuring not just both of us - for the fourth time after his guest appearance, mine, and another group discussion - but also Wrapped in Plastic publisher (and my own frequent guest) John Thorne, Creamed Corn and the Universe podcast host Colin (with whom I've previously discussed Sarah Palmer and Ronette's angel, in addition to his project more broadly), and film/TV commentator Andrew Cook (with whom I've previously discussed Eyes Wide Shut and Southland Tales).


With links to the discussion timecodes (the clips themselves can be watched here and here), John selected the Winkie's diner exchange and trip out back from Mulholland Drive, Andrew the Tremond's Meals on Wheels scene from the original series of Twin Peaks, myself the Mike in traffic/Teresa flashback sequence from the prequel film Twin Peaks: Fire Walk With Me, and Anthony the nighttime Cooper/statue passage from Twin Peaks: The Return (Colin joined last-minute and took part in the commentary without picking a scene himself). Before each clip, we'd choose our focus and begin with observations on that before expanding to a broader back and forth. This was a great conversation, and hopefully a format that will be pursued in the future with other guests, scenes, and even concepts (I'd love to see this applied to non-Peaks work as well, even to scenes from films the guests aren't familiar with and are watching for the first time).

In addition to this YouTube video, Anthony has also posted this episode in audio form on the Artists Love Twin Peaks feed.

Update 2026: The audio-only version is not currently available on Apple Podcasts, though it may be on other platforms.


On a side note (mentioned at the end of the episode), this week I've been conducting a poll on Patreon for the $5/month tier to determine what film I'll cover for this month's reward. Based on suggestions from patrons, so far The Red Shoes is in the lead but others include Brick, City of Pirates, May December, Punch Drunk Love, Ruthless, and Trenque Lauquen. Make sure to jump in if you're interested, as the poll closes at noon on Friday.

belated December 2023 Patreon round-up: EXCLUSIVE - Twin Peaks Conversations podcast w/ Rob King, editor of David Lynch and the American West (including public teaser) + TWIN PEAKS Character Series advance & new introduction to patrons (w/ public status update/32 Days of Movies video revision)


David Lynch's work is often connected to specific locations like sunny suburbs, industrial cities, and the backlots and bungalows of Hollywood, as well as to genres like noir, horror, and melodrama. The broad Western landscape, and the Western genre, are less frequently associated with Lynch (aside from Lynch's short film The Cowboy and the Frenchman and his cameo as none other than John Ford in The Fabelmans). In his recent anthology of commissioned essays, David Lynch and the American West, Rob King gathers a number of perspectives particularly focused on how Lynch's works play with the history and mythology of the actual region. The terrain stretches from the parched deserts of the Southwest to the foggy forests of the Pacific Northwest, the timespan from ancient indigenous civilizations to the modern highways running across this landscape today. I spoke with King a couple months ago; technical difficulties unfortunately cut our discussion short and we were unable to resume, but for a half hour we dug into how he and other scholars approach this material. Because this is a shorter Twin Peaks Conversations episode than usual, most of it has been reserved for $5/month tier patrons. I published a brief teaser on YouTube, rather than the much longer public "first half" I normally share.

I'm also previewing another character entry for the $1/month tier - in this case, very interesting revisions to someone featured in the earlier series. And I've officially updated my tier structure, as explained in the following video:


+ read the public announcement:

For more details and other updates, check out the above public post, shared in mid-December. As mentioned in there, I've recently added some new pages to this site's directories so that now you can navigate patron rewards without having to scroll past public material. The directories are as follows:



What are the December rewards?

Who Summons Ronette's Guardian Angel? • discussion w/ Creamed Corn and the Universe podcast


Visit/download the episode on Apple Podcasts

A year after my last visit to the Creamed Corn and the Universe podcast, in which we discussed Sarah Palmer from childhood to old age, I'm back to focus on another character: in this case, one who only appears for a few seconds in the film Twin Peaks: Fire Walk With Me. Nonetheless, I consider those few seconds perhaps the most important in the entire fifty-hour story, so I was thrilled that Colin invited me back for this particular episode. We set the stage by talking about Ronette and her relationship to Laura before exploring the nature of Ronette's prayer and what it may have to do with her angel's appearance (as well as why the angel looks the way it does). And we examine how the angel's presence ripples out into the original series which takes place after the prequel as well as into the third season and its confusing timelines and universes (one of which may or may not bring Ronette back into the story as "American Girl").

Given its importance to my reading of Laura's arc in particular, the angel in the train car has come up in my climactic Journey Through Twin Peaks chapter as well as an extensive, in-depth podcast episode of my own - as well as some additional thoughts which don't really come up here, on how Cooper's big moment in the Lodge may echo Laura's in the train car (is Bob his version of the manifested angel?). For his part, Colin has already devoted an entire episode to Ronette herself with guest Cheryl Lee Latter, and he has plans for another on the angel Laura sees in the Red Room). Nonetheless, this exchange brought new ideas to light as Colin prompted me to wonder what it means for Agent Cooper's intervention to take Ronette's angel away - or at least to present a world in which that is a possibility.

belated November 2023 Patreon round-up: EXCLUSIVE - Rob Zombie's Halloween & Halloween II + ADVANCE - TWIN PEAKS Character Series entry & public teasers for patron podcasts


In October and November, I embarked on a journey through every film in the Halloween series. Although initiated just for fun, this fruits of this slo-mo movie marathon are evident now: exclusive to the $5/month tier, a massive essay focused on two of the more fraught and compelling entries in the franchise, while touching on many of the other films as well. Rob Zombie's late zeroes reboots offered provocative and polarizing perspectives on the slasher classic: the first film is half prequel and half straight-up remake with some twists, the second film is a wild departure into new narrative territory. Moreover there are several versions of each, although I only get into the differences between the director's and theatrical cuts of the second. There are also many connections between that sequel and Twin Peaks (Fire Walk With Me in particular), a comparison many critics have drawn before and part of what led me to seek out Zombie's "unrated edition" of Halloween II in the first place. The emphasis of this essay is on what fascinates me most about these films: their reinforcement and reinvention of the cinematic traditions surrounding Michael Myers and Laurie Strode.

I'm sure this won't be the last work I do on Halloween (nor is it the first; see my podcast on the John Carpenter original). While thoughts on the eleven other Halloween movies are sprinkled throughout this piece, I'd love to do a more official rundown of the whole series in order, with capsules on each film; I'm also humoring the idea of a video essay series after checking out what already exists in that format. That project would be saved until at least next Halloween and/or maybe after Journey Through Twin Peaks (as noted with my remaining Mirrors of Kane chapters and the Watership Revisited mashup, the only ambiguous part of my path to new Journey is whether I'll use other video essays as runways or follow-ups to the big one). For now, this is my most ambitious and in-depth coverage of a horror touchstone. Like my public/patron essay on the "Barbenheimer" phenomenon from a few months ago, it represents a turn toward writing just for patrons - and is much longer than what will usually be offered month-to-month.

The Halloween essay can be read as one big post or divided into several parts: an intro about Michael and Laurie in the whole series, followed by a review of each Zombie film (you can see the initial round-up, with a note on presentation, here). Given its scope as well as other distractions, the work was not presented until early December. The monthly TWIN PEAKS Character Series preview made it up just in time for November; this is the first entry I needed to compose entirely from scratch - including screenshot selection - since 2018. And as a coda to the recently concluded public podcast feeds, which mostly consisted of re-presented Patreon audio, I've also offered teasers of all the films which remain behind a paywall for both Lost in the Movies and Twin Peaks Cinema. As noted in a recent adjustment to my welcome video, which I'll save for the December round-up, my nearly six-year archive is another big perk of becoming a patron.

What are the November rewards?


Final Plan to reach & complete Journey Through Twin Peaks (keeping track)


A list of ongoing work
updated daily with the latest progress (in red)

Begins on November 23, 2023
Last update: September 11, 2026

(focusing on Lost in Twin Peaks)

Completed 32 of probably 81* steps

includingupcoming public entries that have been previewed on Patreon
(+ additional 7 from before November 22)
(revised Patreon exceptions in January 2026)
not including 2023-25 exclusive $5/month tier rewards/bonuses or occasional updates/announcements
*initially 73 steps, rose to 88 steps before falling back; latest added or removed on May 28
(added 6 guest appearances + 11 videos including new ideas & forgotten steps; removed 10 videos)

UPDATES TO INTRO
(JULY 25, 2024)
I am now planning to resume work on Journey Through Twin Peaks in the midst of finishing the written TWIN PEAKS Character Series and Lost in Twin Peaks podcast, rather than waiting until they (and further video projects) are done.
(NOVEMBER 7, 2025)
I will be abandoning the monthly Patreon exclusives in 2026, and am no longer focusing on most of the non-Journey video projects, aside from the Mirrors of Kane series. All of my focus will soon be on completing the three major Twin Peaks projects.


INTRO
When I concluded my public film writing and podcasts in October 2023, I decided it was time to re-present the consistently-updated list of priority projects which I'd used to track my progress for two years. The steps (or obstacles) to resuming my Journey Through Twin Peaks video series have been simplified and streamlined, limited mostly to two other big Twin Peaks projects - the Lost in Twin Peaks public podcast and the TWIN PEAKS Character Series. From this point forward, the only regular monthly distraction will be my exclusive $5/month tier rewards (the $1/month rewards are simply advance entries from the character series). I am debating working on two other video projects before Journey, partly as a warm-up, and will definitely have a handful of Twin Peaks conversations both on my own platform and on others'. You can also hear more about my publication schedule in this video (embedded at the end of this post as well) and follow my progress in a new Twitter thread (no longer active as of November 30, 2024).

Here are the projects in rough order of priority (although I will work on several simultaneously), with further details and the most up-to-date information on each...

belated October 2023 Patreon round-up: EXCLUSIVE - Star Trek & Star Wars: The Clone Wars viewing diaries & Podcast Episode 100 Films Reviews


Although technically these are October rewards, my exclusive $5/month and $1/month tier content was actually released in early November, delayed by a focus on the public work I wanted to finish by October 31. I advance those on Patreon before that, as you can see here, here, here, and here, just in time for a late Halloween conclusion. The official, more permanent patron-exclusive posts were ready soon afterwards and are linked below. For the $5/month tier, I shared a couple viewing diary entries I wrote years ago but never published until now (because I never followed up with other episodes as intended, they currently exist as one-offs). Both cover the first official episodes of sci-fi series from two of the most beloved sagas of all time - in one case, the original Star Trek show back when it was a scrappy Gene Roddenberry-led upstart and in the other case, an animated Star Wars series which premiered in the final years of George Lucas' reign. Meanwhile, I finally published the last part of my Episode 100 podcast opus, covering a dozen different films in depth. Although this particular chapter is shared below, for the complete picture of the multipart episode - released over many months - you should check out the official Episode 100 cross-post.

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