Lost in the Movies: May 2023

Status update heading into summer


Less than half a year before I hope to finish all of my ongoing projects, they stand in varying degrees of limbo. Some are close to conclusion, others are stuck somewhere in the middle, and at least one - the big one, my Journey Through Twin Peaks video essay series - is scheduled for behind-the-scenes resumption any day now (another status update next week will offer more details). Here's what I'm up to and expecting for the other projects, beginning with the one that was supposed to be published a week ago but wasn't ready...

Lost in Twin Peaks - Last year, my episode-by-episode podcast skipped over season two to cover Fire Walk With Me and season three. With the season three finale and all of that second season still remaining - twenty-three weeks worth of coverage - it's clear that I can no longer finish the public release in time to wrap up by late October if I continue with the weekly/daily approach (a week per TV episode, with a different category of discussion presented each day - there simply aren't enough weeks and days left). This leaves me three options. First, I can change the weekly/daily schedule in order to dump many episodes all at once, as long as I can pick up the pace and get them ready in time. Second, I can just give up on my hard deadline of late October, which I'd rather not do, in order to finish the podcast at a more leisurely pace...but I would probably only do that if it's part of a much larger failure to complete my work on the desired schedule. Third, I can give up on modifying these episodes - I've split the other episodes into smaller bits and fixed many audio frustrations - and just leave them in their original form, either behind a paywall on Patreon or made public in unedited form. This would be a big bummer for me, as it disrupts their uniform presentation (although I would probably still seek to create screenshot-illustrated companions for all of season two, as I have for the rest of the public releases).

The TWIN PEAKS Character Series - I've reached the top thirty characters for these written studies. The remaining entries will include some that are already completely written (or need only a little revision), but also many that don't even have images selected yet. And some of these will be mammoth - like the Cooper, Laura, and revised Spirits entries - requiring much more work than lower-ranking characters. Still, I have a lot more breathing room on this than Lost in Twin Peaks. If I want to stick with the Monday/Wednesday/Friday schedule I used in early 2023, I can wait until August to resume and still be done by late October. If I publish an entry a day I could even wait until October itself to resume publication, and of course, even beyond that, I could dump many at once as I hope to do with the podcasts. Despite that flexibility, some of the constraints are tight. This project is - like Lost in Twin Peaks - a lower priority than the Journey videos and I'll only work on it during "off-hours" already reserved for Journey (or other commitments).

Twin Peaks Conversations - I originally planned to keep publishing these YouTube/Patreon guest discussions through September, but this spring I ran into a lot of trouble reaching potential guests and fell behind schedule. As a result, I'm only committed to two more guests - likely repeat visitors John Thorne and Scott Ryan (who have both been contacted and agreed to come on in June when their own schedule allows). While others may appear in bonus episodes, the official series will end there.

Final Patreon podcast - Since Episode 100 of my longest-running podcast was shifted to a freefloating bonus reward status in February, I haven't managed to record responses to all of the movies I watched for it. (I have recorded reviews of Avatar: The Way of Water and The Fabelmans, but not yet Uncle Boonmee Who Can Recall His Past Lives, Toni Erdmann, The Turin Horse, Amour, and Moonlight, all of which I viewed over the past several months.) I had plans to include other 2010s films as well as top titles from the 2022 Sight & Sound poll but this has dragged on so long that I may just leave it at the seven already mentioned.

Final public podcasts - The June episodes of Lost in the Movies and Twin Peaks Cinema, on Southland Tales and Baraboo respectively, are already ready to publish. After that, these podcasts will be put on hiatus and effectively considered complete. I'll share previews of Patreon work on their feeds in the near future but, in a rare achievement, this is one project I'm actually ready to put behind me.

Other possibilities - Obviously I have my plate full with the above. However, since I want to draw a curtain on most of my online activity before year's end, I may make room for some other written reviews or at least capsule collections for random viewings. Plus with Netflix DVD sadly coming to an end this fall, this will be my last chance to check on and react to a number of discs that have long been on my watchlist. I'm also planning to interview friend and fellow traveler Sam Juliano of Wonders in the Dark about a couple books he's written later this summer, and have been planning a guest appearance on a Southland Tales podcast. And I have an experimental video essay idea that's been brewing for over a decade which I'd still love tackle (sadly, though, the Citizen Kane video series I began seven years ago seems to be dead in the water along with the "Unseen" essays and various TV viewing diaries I initiated with season one write-ups but never continued). I'm sure other detours will pop up along the way but for the most part, the next five months with be occupied by the paths outlined above and hopefully dominated by the one I've discussed the least thus far: Journey Through Twin Peaks.

500 Questions for Me • discussion w/ the "Twin Peaks Grammar" Artists Love Twin Peaks podcast


The YouTube video will be published and cross-posted here soon, probably later today...
(See below for audio podcast presentation)

In February I invited Anthony of the "Twin Peaks Grammar" YouTube and Twitter accounts onto my Twin Peaks Conversations podcast for a lively back-and-forth. He recently decided to return the favor. The result is a sprawling three-hour discussion which begins by focusing on my own approach to online commentary and concludes with a flurry of Twin Peaks topics - including several lightning round questions. In between we touch on the video essay format, questions of online identity, different eras of Twin Peaks fandom, and broad spiritual concepts as they do and don't apply to Peaks. It's telling that while I presume Anthony's title "500 Questions for Joel Bocko" is tongue-in-cheek hyperbole, I was not entirely sure about that initially. Although my laptop has trouble with video (I provided a logo to juxtapose with Anthony's livestream and the occasional video/image insert - update: although the video ended up being audio-only), there is a YouTube upload being made available on the "Twin Peaks Grammar" channel this weekend. Until then, or if you prefer to listen via an audio podcast app, the episode has already been published on various platforms as part of the "Twin Peaks Grammar"-affiliated Artists Love Twin Peaks:


The Straight Story as Twin Peaks Cinema #25 - Long Road Home (podcast)



The first connection that leaps to mind between the bizarre Twin Peaks and the down-to-earth The Straight Story is their mutual roots in small town Americana. The early nineties series is set in the Pacific Northwest while the late nineties feature unfolds across a couple Midwestern states but they share a sense of communal warmth and sadness, of old men moving slowly about their daily business and neighbors wondering what's going on in the house next door. Both works use this comforting familiarity as a springboard, in Peaks' case for an increasingly supernatural murder mystery, in Straight's case as a more literal point of departure for a character's odyssey. In some ways, The Straight Story bares even more resemblance to the third season which came afterwards, given its road trip nature and even some of its images and dramatic moments (the storytelling surrounding Agent Dale Cooper and Alvin Straight harbors some striking similarities). The Straight Story was David Lynch's closest collaboration with editor/producer Mary Sweeney, since she actually originated the project herself: purchasing the rights, co-writing the screenplay with John Roach, and shopping the script to Lynch who was initially uninterested. This is one reason the film is included after last month's Lost Highway and before Sweeney's own directorial debut under "Long Road Home" banner for this season/miniseries of Twin Peaks Cinema. Another reason is, of course, the centrality of a literal road to this story - it feels like the in-between journey from the previous episode to our next, and last.



Subscribe, rate, and review on Apple Podcasts
You can also listen on Pinecast and Spotify
(and most places podcasts are found)


LINKS FOR EPISODE 25

Under the Skin (LOST IN THE MOVIES podcast #53)



An unnamed woman (Scarlett Johansson) scopes her terrain and stalks her prey in nocturnal Glasgow, driving a van around mostly empty streets to pick up random men and entrap them in a mysterious extraterrestrial process - an inky, soupy dance that likely inspired Get Out and Stranger Things - inside a vacant building. We find out what's going on - to a degree - quite early in Under the Skin, in contrast to the novel it's based upon; on the other hand, that novel offers a much more detailed portrait of the alien economy and ecosystem that fosters this hunt. Jonathan Glazer's 2013 film, which took years to bring to the screen, is more interested in texture and sensation than weaving a mythology. Long stretches unfold without dialogue and much of the dialogue in Scarlett's van is actually improvised with non-actors who initially didn't know they were on camera. The combination of unusual, divergent elements results in one of the most impressive films of the past decade. This discussion was originally published for my $1/month tier on Patreon as part of my larger coverage of 2010s films in February. I usually prefer to wait at least six months to add a patron-exclusive film review to my public feeds, but since I'll soon be taking a hiatus (at minimum) from this podcast, now seemed like a good time to share. This is my second exception to that rule and as with the first (a Twin Peaks Cinema episode on The Sweet Hereafter), I'm leaving the discussion of the book this film was adapted from on Patreon - so make sure to check that out if you want to hear more.


Subscribe, rate, and review on Apple Podcasts
You can also listen on Pinecast and Spotify
(and most places podcasts are found)



(begins at 3:14:58)

Search This Blog