Two Japanese World War II-era fantasy films from 2023 involving dangerous creatures crown my $5/month tier rewards for June - and they're covered in an unusual way. At this point I'm leaving podcasts for patron's picks every other month and Twin Peaks topics more sporadically than that, so I when I spoke about Hayao Miyazaki's The Boy and the Heron and Takashi Yamazaki's Godzilla Minus One with my friend and previous guest Max Clark (who got me to see both of these films), I decided to edit and present our extensive, two-hour-plus discussion in text form. In addition to exploring how The Boy and the Heron both emerges and differs from previous Miyazaki films (in the past I've covered Spirited Away in prose and podcast), we learn how Studio Ghibli Park in Japan crystallizes the auteur's vision, tease out the film's most-likely-accidental but still intriguing reflections on AI, investigate how the fanciful story reflects the behind-the-scenes Ghibli personalities, and reflect on why the friendship between the characters Mahito and Himi is so affecting. For Godzilla Minus One, which I saw initially in its brief black-and-white cinematic presentation, we dig into the intricacies of the fluid creature design and compare this latest entry - and its monster - to Hideaki Anno's Shin Godzilla (which I've discussed alongside the original and Americanized fifties Gojira/Godzilla in capsule form before; elsewhere I recorded capsules on the 2014 Godzilla and the original King Kong vs. Godzilla). And we get into many other subjects in relation to both films, including Japan's experience in the war and postwar periods. For even more from Max and I, you can check out our podcast episode on Blade Runner 2049 several years ago.
And open to all patrons is an advance entry on another beloved Twin Peaks character, alongside a few quick updates on what else I have been or will be working on this summer...
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