Lost in the Movies

A Saturday of Classic Cartoons: 90 images from my animation viewing marathon, 10/5


What day better than Saturday for a classic cartoon marathon? This past weekend, I got up while it was still dark out and, in an effort that would've made my 10-year-old self proud, extended a Saturday morning tradition well into the evening. I've been on a vacation from work this past week (it had been over a year since I'd taken more than four days off) and using the opportunity to catch up with many discs I've owned - in some cases for years - but never watched (as in never never - many were blind buys). Among these were four cartoon DVDs: Mickey Mouse in color & black-and-white, a Looney Tunes collection, and a cheapo anthology of 100 cartoons.

Since July I've been steadily making my way through these (see "100 Cartoons in 100 Images" from August) but I figured now was the time to finally plough through and finish 'em. So I did. There were some familiar favorites (including selections I hadn't seen since VHS tape in the late 80s - what an uncanny sensation to rewatch those!), several duds or weak efforts (I confirmed that I really tend to prefer 30s & 40s cartoons to those from the 50s & 60s), some fascinating oddities (including that cartoon with human lips Tarantino sampled in Pulp Fiction), and really revealing historical contexts.

In the latter category there was a slew of offensive racial imagery which I ended up not screen-capping even as an example (the Disney disc features Leonard Maltin nervously providing context before certain shorts - though the Warners and Fleischers cartoons I saw had more extensive stereotyping). Highlighting these is a worthy effort, but it didn't fit the tone of this lineup; perhaps in another post. On a more upbeat note, I also found these cartoons more culturally on-the-nose than many live-action features produced around the same time; somehow that vibrant, bouncy swingin' 30s & 40s energies is communicated more readily via animation.

Below are 90 screen-caps, including 3 from TV show (these appear smaller than the others and will not be included in the official #WatchlistScreenCaps directory). I've included a caption for each, usually a joke, alliterative description, or bad pun (though often, the opportunities for those were already taken by the toon's title) - although occasionally they express personal admiration especially for the dazzling accomplishments of Robert Clampett (the only linked title leads to a clip from my favorite film of his).

If you've seen any of these, or have any questions or comments, leave 'em below. Here we go...

Generations Linked by Video: The iHistory WW2 Project & Interview with Jeffrey Worthington


 The iHistory WW2 Video Competition
"The iHistory WW2 video competition is proud to connect teenagers with WWII veterans, giving students the opportunity to hear first-hand accounts of history. The students will film an interview with a WWII veteran that will be submitted to the Library of Congress. Then the students will use editing resources provided on our website to make a mini-documentary which they will submit to the competition on YouTube." - from "About the iHistory WW2 Contest"

There's a moment near the start of The Century (a documentary miniseries from 1999) that I've always found magical. The program begins unexpectedly in small-town New Jersey around '96 or '97, peeking into the corners of the familiar present to notice unexpected hints of the past. While there are many revealing places (including a car garage that was once a stable, back when "horsepower" meant just that), the most powerful and poignant reminders are the people who inhabit these places. It's their voices that carry us into the past, a miraculous dissolve from a moonlit sky to archival footage of dancing soldiers and parading movie stars and moonwalking astronauts...never has history seemed so alive.

That's the power of human memory, and the power of modern technology to capture and deliver these memories to a new generation. And that is why I was so intrigued to find out about the iHistory World War 2 project, a contest (sponsored by the nonprofit Worthington Foundation) encouraging young students to record interviews with World War 2 veterans; students will then be given the opportunity to craft polished documentary projects. This idea perfectly captures ability modern media's ability to bring history to life. Furthermore the time is now, because the youngest WW2 vets are now in their late eighties, and they aren't getting any younger.

I heard about the contest via email; I receive many such notifications and usually can't follow up even with the interesting ones. Yet I was fascinated by this project - its historical relevance, its cross-generational connections, its ability to open up filmmaking for young people who many never have considered themselves filmmakers before - and so I scheduled an interview with Jeffrey Worthington, founder and CEO of the Worthington Foundation. At the appointed time, Jeffrey was dealing with an unforeseen emergency, but he was kind enough to respond to my questions anyway, and the results are below. For more information, you can visit the iHistory WW2 contest website. The full interview follows the jump.

#WatchlistScreenCaps, 10/2 - 10/4 (live-action short films edition)


Here are the last ten films I watched (all of which happen to be live-action shorts - variously comedic, musical, documentary, and avant-garde), with a screen-captured image and epigram on the subject. Visit my #WatchlistScreenCaps archive for more arresting images.

#WatchlistScreenCaps, 9/21 - 10/2


Here are the last ten films I watched, with a screen-captured image and quick sentence on the subject (excepting my documentary marathon, which was gathered on its own page). Visit my #WatchlistScreenCaps archive for more arresting images. Links lead to any previous posts on the film in question.

Images from the Documentary Marathon, 10/1


Yesterday (October 1), I held a viewing marathon in which I watched ten documentaries. Here they are, with a screen-captured image and personal epigram. Visit my #WatchlistScreenCaps archive for more arresting images.

#WatchlistScreenCaps, 9/9 - 9/21


Here are the last ten films I watched, with a screen-captured image and quick sentence on the subject. Visit my #WatchlistScreenCaps archive for more arresting images. Links below are to my post on the film in question.

Uncharted Territory: #iPodAlbumPlaylist, pt. V


I've just completed another playlist of twenty-five albums. As usual, they were shuffled so the order is arbitrary. Some are familiar favorites, others new discoveries for me - a majority being the latter this time (especially strong in the first half). My favorite discovery was probably the proto-ambient Sonic Seasonings. Covers, titles, and favorite tracks are featured below. You can also follow my listenings on Twitter, scan my last playlist or look at all previous round-ups on this blog.


Images from the Two-Day Viewing Marathon, 9/15 - 9/16


On Sunday, September 15, and Monday, September 16, I held a "viewing marathon" - not a movie marathon per se as it included episodes of TV series and miniseries and video essays as well as short films and features. Since  I usually don't include episodes or video essays in #WatchlistScreenCaps line-ups, those appear in a smaller size and are not on the master list (which can be found here). My previous mixed-medium viewing diary is here.

#WatchlistScreenCaps, 9/9 (short films edition II)


Here are the last ten films I watched, with a screen-captured image and quick sentence on the subject. Visit my #WatchlistScreenCaps archive for more arresting images, and the previous short films edition to see more mixed-media short films.

#WatchlistScreenCaps, 9/1 - 9/8 (a favorite from each decade)


Here are the last ten films I watched, with a screen-captured frame and quick sentence on the subject. Last week, I decided to dig into my collection for some classics I hadn't watched in a while; halfway through the week, I realized each so far had been from a different decade so I decided to continue the trend. As a result, I've included one movie from each decade between the 1910s and the 2000s. Visit my #WatchlistScreenCaps archive for more arresting images. Links below are to previous posts on the film in question.

A Gallery of Movie Moments: Images from every film I've watched since February (344 #WatchlistScreenCaps)


Hundreds of images from my visual viewing diary

As anyone paying attention to this blog knows, the majority of my posts in 2013 have been #WatchlistScreenCaps round-ups. In these I track the past ten films I've seen via screen-captured frames from the film in question, accompanied by a little epitaph (occasionally a judgement, more often a description or observation), basic info on the title, and the date I watched it.

Some of you may have noticed that for several weeks I've been updating one big page containing every single one of these images - and now I'd like to formally announce its existence and invite you to explore. There you'll find cartoons and live-action, narrative and documentary, feature and short, color and black-and-white, theatrical releases and TV miniseries, even YouTube videos less than a minute long.

#WatchlistScreenCaps has been a fun way to keep a viewing diary and maintain interest (my own and my readers') in my blog at a time when I'm unable to take on more ambitious ventures like video essays or even simple movie reviews (though I hope to rectify that soon).

It can also be a good way to start conversation on a given film, so feel free to comment here on anything I've seen that you have too. Better yet, it can encourage you to check some of these out yourself (at least the worthwhile ones!); in a visual medium, a taste of what the film looks like can indeed be worth a thousand words as incentive. If you need words too (or video clips for that matter), you can click on the linked titles which lead to other pieces on these films from Lost in the Movies.

Here is the picture gallery for my #WatchlistScreenCaps. It will be updated every time I see another movie:


The round-ups will continue as well, of course, every time I've reached ten films. By the way, if any bloggers out there like this feature, I encourage you to imitate it on your own blogs as well (unless you've already been doing it on your own, that is - in which case, let me know!). I would love to follow your own visual viewing logs too.

Record of a Summer (with additional images)


This was definitely the summer of the screen-cap (and more will follow in a moment...). Since February, I've been keeping a visual diary of every movie I watched - including short films and online videos - and at times the pace has been rapid enough to drown out my other pieces. August was such a time: a succession of cartoon screen-cap round-ups swallowed up my homepage and hid the rest of my summer work.

So I'm using the end of the season to look back and offer highlights from the past few months - posts that weren't viewing, listening, or reading round-ups (I've also been posting album covers to reflect my iPod playlists and book covers to reflect a reading list).

I will continue the visual diary approach in coming months: I enjoy it, it's relatively easy to do, and seems to appeal to readers. However, I also hope to supplement these mostly silent images (adorned only with epigrams) with more essays, particularly focused on memorable movies I've seen in 2013 (I haven't reviewed a film since April). Not, that is, movies from 2013 - of which I've so far seen only one. But that's another story.

Meanwhile, here are my non-#WatchlistScreenCaps posts from Memorial Day to Labor Day, 2013:

Dozen images from two visually striking Grail films

Indian screenwriter's thoughts on tradition and innovcation

Reflections on race and political discourse after the Trayvon Martin case

Very short acknowledgement of my blog's anniversary

Very, very long reflection on my blog's history, with pictures of its former looks

Complete directory - in images - to every film featured in Mark Cousins' documentary

Six-month anniversary of my movie's premiere

My first amateur movie shoot took place on July 31, 1993, when I was nine

Carl Jung dreams of human history as a mysterious house

And finally, following the jump are some more images from the movies I saw this summer:

Search This Blog