Lost in the Movies

belated December 2020 Patreon podcasts: LOST IN TWIN PEAKS #23 - Season 2 Episode 15 and LOST IN THE MOVIES #74 - Twin Peaks Cinema: Rashomon (+ Twin Peaks Reflections: Leland, Albert, Donna, Twin Peaks & Deer Meadow sheriff stations, One-Armed Man/Season 3 Part 17 & more)


UPDATE 1/2: The "Twin Peaks Cinema: RASHOMON" episode of Lost in the Movies was just published.

As the Lost in Twin Peaks podcast reaches the infamous Diane Keaton episode, there's a lot to discuss both onscreen (many people, including myself, have much to say about Keaton's unusual approach to the series) and off. The height of the Gulf War leads to one of my longer "historical context" sections taking a detour not just through 1991's war on the Arabian peninsula but also America's ambivalent relationship to the conflict between the Provisional IRA and the British government. That's for the top tier; for $1/month patrons, six months behind, I'm finally unveiling my coverage of the episode where Laura's killer is captured. That podcast is split into two parts and was opened up on the first day of the month, to commemorate the thirtieth anniversary of the episode's airing in 1990. On the other end of the month, my main monthly episode of Lost in the Movies (patron edition) is not quite ready for New Year's Eve though it should be available sometime this weekend; watch this space...

There's been a diverse array of "Twin Peaks Cinema" selections this year, and this month is no exception, switching gears from a surreal Robert Altman slice of New Hollywood to a blockbuster time travel comedy to an anime art/exploitation musical to, now, an iconic classic of world art cinema. On the other hand there's some continuity between last month's and this month's films: both Belladonna of Sadness and Rashomon are conceptually bold Japanese films set in medieval times, depicting sexual violence with a tinge of the supernatural (one of several commonalities with Twin Peaks: Fire Walk With Me in particular). Akira Kurosawa's international breakthrough is most famous for presenting multiple viewpoints on the same event, and in that sense it also anticipates the work of David Lynch; in an archive reading of a review from nearly a decade ago, I lay out how its scenario may be less "who's to say" than its reputation generally holds. Elsewhere in the podcast I cover characters, locations, and storylines tied to the conclusion of Twin Peaks' Laura Palmer arc; the long-promised film capsules, podcast recommendations, political reflections, and feedback readings will have to wait until January since my work on the most ambitious Journey Through Twin Peaks chapter yet has taken me right up to this month's deadline (and a bit past, in the case of this main podcast). See you in 2021.
Podcast Line-Ups for...

Images from a return to Twin Peaks (1 of 2): The In-Between Years and a Detour into Lynchland


The second collection, to be published here in March, will feature many other screenshots from Part 5

Here are screenshots of all the juxtapositions, superimpositions, titles, collage-like mosaics or other visual manipulations from the first half of my video essay series Journey Through Twin Peaks Part 5 - "Over the Mountain Pass". I included (far fewer) image highlights with the cross-posts for Parts 1, 2, and 3; for Part 4 I needed a whole separate post full of screenshots and now I obviously need double that for Part 5! I'll share the second half in a week or two (update: postponed by several months), depending on when I finish the last of these videos. You can see these images in their original video context in my cross-posts for chapters 29, 30, and 31-33. However, these images aren't simply teasers for the videos - I hope in this format, where they can be lingered over, they fuel new contemplation and enjoyment.

Though most of this line-up appears in the order of the videos, it begins with one of the most fun passages to create, in which I juxtapose Lynch's stylistic evolution over the course of his film career from 1977 to 2006 with the six Twin Peaks episodes he directed in 1990 and 1991. It's amazing how they serve as a microcosm of that larger pattern.

First Reformed (LOST IN THE MOVIES podcast #12)



My Ethan Hawke retrospective ends here after eight films - and this is both the most recent and easily my favorite of the bunch. The wintry, spare nature of Paul Schrader's vision might suggest this is a minimalist movie but that description doesn't nearly suffice for a work of art so achingly bursting with ideas, moods, and strange yet familiar associations. Most of that will have to be saved for later analyses; I can only barely scratch the surface in a short podcast review. This is essentially a preliminary reaction to an extraordinary movie...First Reformed, the vivid, crazy, gorgeous 2017 story of a Protestant pastor's crisis of faith (in the world rather than his religion) is a subject I hope to write, create videos, and otherwise talk about for years to come. But I wanted to record my first reaction, a few months after a single viewing. Listeners wrote in when I originally shared this on my patron podcast, and I've included their feedback at the end of this public episode. I see this as the beginning of a discussion, and hope anyone reading this who has thoughts and feelings about this film - and how could you not? - will send them my way. Let's keep that discussion going.


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You can also listen on Pinecast and Spotify


This will probably be the last public podcast of the year although I may, but probably won't, produce a bonus episode around New Year's. A new season beginning on January 13 - to be collected from random reviews rather than a thematic grouping (I'll save another of those for next fall).


November 2020 Patreon podcasts: LOST IN TWIN PEAKS #22 - Season 2 Episode 14 and LOST IN THE MOVIES #73 - Twin Peaks Cinema: Belladonna of Sadness (+ Twin Peaks Reflections: Norma, Vivian, Ernie, Red Diamond City Motel, Golf course, MT Wentz/The Final Dossier, The Devil's Bride & more)


In a radical departure from the cheeky, if at times apocalyptic, fun of Back to the Future Part II last month, November's "Twin Peaks Cinema" hones in on the dark psychological and avant-garde experimental aspects of Twin Peaks. When I selected it based purely on the Turner Classic Movies description, I was completely unfamiliar with Belladonna of Sadness, an explicit Japanenese mytho-psychodrama anime from the early seventies. The film tells the tragic story of a young peasant woman in France who survives a traumatic gang rape at the lord's castle, and the subsequent demonic visitations of a phallic creature who may be her own Id or Satan himself, in order to become a witch with healing powers. Full of psychedelic imagery and music evoking both earlier and later productions like Faust, Yellow Submarine, End of Evangelion, and The Witch, the film's biggest tie-in to Twin Peaks turned out to be literary, evoking Laura's struggles with BOB on the pages of Jennifer Lynch's Secret Diary.

Although I use the witch theme to connect to the archive reading of my Devil's Bride review, elsewhere the podcast tackles some relatively lighter fare - Norma Jennings' fraught relationship with her stepfather and (step?)mother, as well as how Mark Frost's later books further complicate this dynamic. In the Twin Peaks Reflections location studies, Twin Peaks' golf course and the Red Diamond City Motel (although I forgot to include that enticing "city" in the recording!) provide dual lens through which to view Leland's troubled consciousness, a theme I explore more deeply in another of this month's podcasts - my episode 15 coverage for Lost in Twin Peaks, opened to all patrons on the thirtieth anniversary of its airing. Meanwhile, the spear's tip of that rewatch (for $5/month patrons) advances to episode 21, which includes reflections not just on the troubled midseason material but also random tangents such as the American public's reaction to the ongoing Gulf War, a German left-wing terrorist group's idiomatic influence, and an abandoned cop show starring Rowdy Roddy Piper and Jesse Ventura. It's always fun to see where a particular episode leads us...







Podcast Line-Ups for...

Mark Frost's Storyville (TWIN PEAKS CINEMA podcast #2/LOST IN THE MOVIES podcast #11)



I originally planned to conclude my Ethan Hawke retrospective this week with a podcast on First Reformed. However, I've decided to postpone this until mid-December (it will be the next episode, in two weeks) because the timing of my upcoming video essay on Mark Frost provided a better tie-in for this moment. Storyville is a political thriller set in New Orleans and depicting the young scion of a grand political dynasty whose troubled Congressional campaign leads him into murder, blackmail, sexual trafficking, corruption, and his own dark family history. Starring James Spader, Joanne Whalley-Killmer, Jason Robards, Charles Haid, Michael Warren, and Twin Peaks alumni like Piper Laurie and Michael Parks, this was Frost's first - and only - cinematic feature film as a director and it's an absorbing tale that never got its due at the time due to behind-the-scenes shenanigans. As the second entry in my public "Twin Peaks Cinema" series (the first covered four films by Peaks episode directors), this episode discusses Storyville's relationship to the show Frost created, from characters to storylines to cast and crew to its role in Frost's own career trajectory. That last topic, by the way, will be explored visually as well as aurally within the next week or two so stay tuned. The final "missing" chapter of Journey Through Twin Peaks Part 5 is underway right now.

Moving near the edge at night... • discussing the killer's reveal episode w/ Twin Peaks Unwrapped (+ John Thorne & Josh Minton)


A year after my last visit to the Twin Peaks Unwrapped community rewatch series (for the first season finale), I'm back to mark another milestone: the killer's reveal in episode 14. I've discussed this arc with hosts Ben and Bryon before, but this time we hone in on the particular episode, joined by fellow guests John Thorne and Josh Minton - who have recently launched their own freeform Twin Peaks podcast, In Our House Now. The discussion is divided into two parts, interspersed with Schäffer the Darklord's re-enactments of the original teleplay (with some intriguing differences from the broadcast version). Topics include Lynch's bold aesthetic transgressions of TV style, whether or not Leland (not Bob) has a motive to kill his niece, the missing "Ben killed Maddy" footage, critics who avoided and confronted the reveal's troubling nature, the appropriateness of "dead Laura" merchandise, and how all of us responded to the shocking climactic moment on our first viewing. It was a great conversation on an iconic moment of television that just celebrated its 30th anniversary.

References: the "Laura Palmer Funko Pop doll" Twitter thread by findom earle (@coherentstates) • excerpts in my Gone Fishin' media round-up: scroll down to December 21, 1990 for the "Incest for the Millions" essay & September 6, 1992 for Jeff Simon's Fire Walk With Me review  my "Dream Souls" video essay on David Lynch & Mary Sweeney • my Patreon coverage of episode 14 (now available for all tiers of patrons)

PART 1


PART 2

Class violence in 4 films: Once Upon a Time in Hollywood, The Irishman, Joker, Parasite (LEFT OF THE MOVIES podcast #2/LOST IN THE MOVIES podcast #10)



For the second time (I previously covered Medium Cool in August, in light of the Democratic convention), I am turning my public platform over to Left of the Movies, my nascent political cinema podcast. The episode offers five-to-ten minute capsules of some of the most hyped films of 2019: Quentin Tarantino's reimagining-Manson late sixties dream Once Upon a Time in Hollywood, Martin Scorsese's possibly apocryphal Hoffa portrait The Irishman, Todd Phillips' controversial DC-meets-gritty-seventies-crime-film reboot of Joker, and Bong Joon-ho's Best Picture-winning architectural horror portrait of inequality Parasite. All four films climax with violence that can be viewed through a class-based lens - destruction as an almost ritualistic way to either destablize or reinforce the social order. My discussion focuses on how these climaxes express their respective films' political visions.

The bulk of this episode was originally recorded in January 2020 but in the wake of Donald Trump's contentious loss, the Black Lives Matters protests and left-right clashes in the street, the coronavirus pandemic and its unequal economic fallout, and the electoral defeat of Bernie Sanders' populist movement in the Democratic primaries, it seemed like a good idea to revisit these films again in the light of such a world-historic ten months. So I recorded an extra ten or so minutes extending the previous discussion, including Trump supporters' image of him (vis a vis Hoffa and the Mafia in The Irishman), the irony of "white male rage" Joker anticipating the BLM protests six months later, and especially the way that all of these films explore individual outbursts rather than collective action. There's still much to dig into, so I hope some of the listeners will offer feedback that I can further engage in upcoming episodes.


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LINKS FOR EPISODE 10






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Training Day (LOST IN THE MOVIES podcast #9) ... + a quick election/Journey Through Twin Peaks status update



First, since this podcast was scheduled to go up last week, some housekeeping is in order. I've been trying to keep up with the new "Path through Journey Through Twin Peaks" schedule I created a month ago, even to the point where I fell behind on podcast deadlines, but eventually it became clear that between holiday travel and news distractions, November was going to set me pretty far back if I kept going that way. So the next Journey video chapter, on Mark Frost, will wait until December; in the mean time I'll be focusing on November and early December podcasts, be they for patrons or the public. I've updated the "Path" post and thread to reflect this.

Also, I obviously decided not to do the election night week tweet round-up that I was considering in last week's status update. If you're curious what I had to say about all of it, here are my tweets from those five days - scroll to the bottom to start on Election Day (here are my retweets from that period...and to go full circle, my last tweet on the day the race was decided was a reply to my last tweet from Election Night 2016).

Onto Training Day. Although covered as part of my ongoing Ethan Hawke survey (one more film remains for December, probably my favorite of the bunch), Denzel Washington is obviously the big draw here as the diabolically clever corrupt cop taking Hawke's rookie for a ride. Nonetheless, I found that more subdued character fascinating to tease out as well. To what extent are his reactions driven by morality vs. fear of getting into trouble? I love how the film plays with our conceptions of what is and is not acceptable based on social context. I also discuss how director Antoine Fuqua seems less interested in judgement than understanding even within the genre constraints he's operating under.

And as I mention in the episode itself, next week I will be discussing Once Upon a Time in Hollywood, Parasite, Joker, and The Irishman - if you have thoughts on any of these, please send them my way via comment, tweet, DM, email or whatever form suits you. I’ll share any feedback on that episode itself if I receive it in the next few days.


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You can also listen on Pinecast and Spotify


LINKS FOR EPISODE 9

clip from Training Day in "The Millennial Mood", a chapter of my film clip series
+ inclusion of Alonzo/Denzel Washington in my favorite characters & alternate Oscars lists

New on my site

New guest appearance

New on Patreon
(for $1/month)



A Week on Hold: status update


For obvious reasons - the presidential election which is, as of this writing three days later, still ongoing - much of my activity has ground to a halt this week. Normally a new podcast would have gone up Wednesday, but I already knew that would be delayed due to the order of events in the new "Path through Journey Through Twin Peaks" I laid out a month ago, and have been sticking stubbornly to ever since, even though it leads to some of my normal deadlines falling by the wayside. That episode, on Training Day, will hopefully appear in about a week and a half but I have a whole video, among other priorities, to create in between so I won't be surprised if I end up having two overdue podcasts when November ends. A busier-than-usual work schedule and tentative travel plans for Thanksgiving are also pushing things back and back - it's another perfect storm of distractions like I experienced this summer. It's now patently obvious that I won't come anywhere close to reaching the "weeks/month for random online work before December 1" that I penciled in as long as I finished a six-months-ahead backlog of patron and public podcasts, viewing diary entries, and even a non-Twin Peaks video in a timely manner. That backlog probably won't be wrapped until December or even January or February at this point; I'm even wondering if I should extend this backlog through September 2021 rather than June, in order to buy myself even more time once I do begin work on the next phase of Journey videos. It's a bit of a dog chasing its own tail as I weigh short-term delay against long-term breathing room.

As for the election, I have plenty of thoughts - or, at any rate, tweets - that I may eventually share as I did four years ago. Since I probably won't have any other material to share next week, and since we'll hopefully see a final result by then (though it's looking increasingly plausible that Donald Trump finally received some form of - temporary? - comeuppance in a night that otherwise went terribly for Democrats), I'll probably collect and slightly expand on these reflections in seven days. Also pushing back my public podcasts, the desire to finally record an expanded political commentary on the patron podcast is something I've been hoping to do since May. Incidentally, the above image is not just a tongue-in-cheek allusion to the current disaster surrounding the occupancy of that building, nor just a visualization of my own cluttered schedule. I also recently caught up with the Independence Day sequel, which will be touched on in that upcoming patron episode, along with a half-year of other film capsules - including quite a few with at least tangentially political subjects. It's been a hell of a year, in all senses, and it's not over yet. But the online work I've enjoyed creating has been one of several silver linings for me. I look forward to continuing it in the days, weeks, and months to come. Thanks for riding along.

ELECTION UPDATE 11/12: I did not end up creating an additional post with embedded tweets but if you're curious what I had to say about all of it, here are my tweets from that period - scroll to the bottom to start on Election Day (here are my retweets from that period...and to go full circle, my last tweet on the day the race was decided was a reply to my last tweet from Election Night 2016).

October 2020 Patreon podcasts: LOST IN THE TWIN PEAKS #21 - Season 2 Episode 13 and LOST IN THE MOVIES #72 - Twin Peaks Cinema: Back to the Future Part II (+ Laura Palmer & other Twin Peaks Reflections: The Singer, Maddy, Palmer house, Roadhouse, Palmer family breakdown/Season 3 Part 2, Who Framed Roger Rabbit, Forrest Gump, other Robert Zemeckis films & more)


update: links to podcasts have been fixed & ep. 14 coverage has now been opened to $1/month patrons

October features a few timely themes on my patron podcasts. I will be opening up my coverage of Twin Peaks' killer's reveal episode to all patrons on Halloween (not only an appropriately haunting holiday but also Frank Silva's and Michael J. Anderson's birthdays, and the day Fire Walk With Me's production concluded...). And that episode provides the springboard, on my other podcast, for a "Twin Peaks Reflections" discussion of some of the show's most compelling storylines, locations, and characters - including Laura Palmer herself. Also on my main monthly podcast, I'm celebrating - albeit a week later - the fifth anniversary of the "future" date in Back to the Future Part II: October 21, 2015. Even more prescient, that film includes a very Trumpian evolution for its prime villain which seems relevant less than a week before we learn the re-election prospects of President Biff Tannen. Of course, this wildly fun and clever eighties sequel is under discussion primarily as a surprising Twin Peaks tie-in. Before season three, the relationship was extremely tangential (though there are still a few points of contact to mention). After the final episodes aired, the two works seemed shockingly akin. Meanwhile, for top-tier patrons our voyage into the interdimensional travel and drug sting operations of mid-season two continues - as does the historical context of the Gulf War (and, for that matter, the Civil War) - in my latest episode of Lost in Twin Peaks...






Podcast Line-Ups for...

Dead Poets Society (LOST IN THE MOVIES podcast #8)


Update 10/24: The podcast has been published and the Pinecast link has been updated (twice, since the first update was still incorrect!)


Autumn is always the perfect time to revisit Dead Poets Society, although its New England prep school seasons extend into winter (both literally and figuratively). Is the movie a sensitive evocation of a time and place, a thoughtful reflection on the restlessness of the human soul, or a shallow celebration of unquestioned self-indulgence? How does its late fifties setting both anticipate, onscreen, and reflect, offscreen, the social changes which would follow? Is it true that the world is too complicated to be reduced to good versus evil, or is that supposedly wise view itself naïve? And how does David Lynch link up to all of this? My Ethan Hawke series continues with one of his earliest roles, and this time I have some additional listener feedback and bonus material to incorporate. Apologies for the slightly late release (see the original introduction below) but hopefully you enjoy these reflections now that they are up.


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LINKS FOR EPISODE 8

Dead Poets Society by Roger Ebert (Chicago Sun-Times)

New on my site

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(for $5/month)


ORIGINAL INTRODUCTION

Although it's important for me to establish a routine by publishing a new podcast every couple weeks, right now it's even more important to follow the path I laid out for Journey Through Twin Peaks and contemporaneous projects over the next few months...even if that temporarily pushes back some deadlines. Right now that means a focus on putting the finishing touches on one of this month's patron podcasts before assembling my Dead Poets Society episode for the public show, even though the latter would be much easier to put together. I don't want to fall back into the quicksand of multiple ongoing commitments at once; I chose a certain order and I'm going to stick to it.

So for now, watch this space...the episode will be up soon, probably by Friday at the latest and this cross-post will be updated to reflect that.



September 2020 Patreon podcasts: LOST IN TWIN PEAKS #20 - Season 2 Episode 12 and LOST IN THE MOVIES #71 - Twin Peaks Cinema: 3 Women (+ Archive reading on Robert Altman: The Long Goodbye, Gosford Park, Tanner '88, Twin Peaks Reflections: Leo, Shelly, Ben, Johnson house, Town hall, Cooper and Audrey/Wild at Heart & more)


update 10/16: the Lost in Twin Peaks episode has been published

For the first and hopefully only time, I needed to postpone my monthly patron rewards. For four months, I'd been promising a new Journey Through Twin Peaks chapter only to run into obstacles and obligations and in mid-September it was time to finally make that video an absolute priority. Several weeks later, I debuted Chapter 34: A Candle in Every Window (about the original series collaborators) and could at last catch up with these new podcasts. One is up and the other will be soon, as I continue my trek into mid-second season of Twin Peaks and have a surprisingly fun time applying my fairly rigorous format to its silliness. I also spent a little longer than usual on "Twin Peaks Reflections" in my main podcast, unsurprising given the importance of the three characters under discussion this month. And speaking of three...

Robert Altman's 3 Women, released just weeks after Eraserhead, initially came to mind as a possible "Twin Peaks Cinema" entry mostly on the basis of its title, which I've humored stealing for an upcoming Journey chapter on Sarah, Diane, and "Judy" (or perhaps Audrey or Carrie, among other characters). I'd noticed that season three is, for both Lynch and Twin Peaks more generally, an unusually male-centric narrative...the most notable female characters almost appear to inhabit some parallel story we only glimpse sideways throughout. That gendered aspect is present in Altman's strange seventies surrealist tale as well (although there the title characters are very much at the forefront). And other elements rise into view as I consider 3 Women in light of Peaks old and new. After my observations on that particular movie, I read over an hour of Altman material previously included on this site, including essays on three favorites. One of those re-readings has already inspired me to dive deeper into Altman's most explicitly political work when (if?) this current election season ends.








Podcast Line-Ups for...

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